| "All of Me" | |
|---|---|
| Song | |
| Published | 1931 by Irving Berlin, Inc. |
| Genre | |
| Songwriter(s) | Gerald Marks, Seymour Simons |
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
| "All of Me" | |
|---|---|
| Song | |
| Published | 1931 by Irving Berlin, Inc. |
| Genre | |
| Songwriter(s) | Gerald Marks, Seymour Simons |
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. [1] It has an ABAC structure, and is written in the key of B-flat major. [2] There is a 20-bar introductory verse, but this is routinely omitted. [2]
"The melody [...] combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." [3] It is usually performed at a medium tempo. [3] The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", [3] and Bill Dobbins's "Lo Flame". [2]
"All of Me" first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. [1] Paul Whiteman and His Orchestra recorded the song on December 1 that year, with vocalist Mildred Bailey; this went to the top of the US pop charts. [1] Within weeks, another two versions were in the charts, with a Louis Armstrong rendition also reaching No. 1, and Ben Selvin and His Orchestra peaking at No. 19. [1] The song was used in the 1932 film Careless Lady . [1] In the view of critic Ted Gioia, the definitive version was sung by Billie Holiday in 1941: "she staked a claim of ownership that no one has managed to dislodge in subsequent years". [3] Two years later, Lynne Sherman's recording with Count Basie and His Orchestra reached No. 14 in the charts. [1]
Frank Sinatra recorded several versions of "All of Me". [3] His 1948 release peaked at No. 21. [1] He also sang it in the film Meet Danny Wilson , which may have helped Johnnie Ray's rendition up to No. 12 in the charts that year. [1] Sinatra's use of "All of Me" brought a non-jazz audience to the song, and so too did Willie Nelson, whose version was included in his Stardust album [3] and reached No. 3 on the Hot Country Songs chart in 1978. [4] In 2000, "All of Me" was given the Towering Song Award by the Songwriters Hall of Fame. [1]
"Stardust" is a 1927 song composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records.
"Fly Me to the Moon", originally titled "In Other Words", is a song written in 1954 by Bart Howard. The first recording of the song was made in 1954 by Kaye Ballard. Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon.
"Georgia on My Mind" is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that same year by Hoagy Carmichael at the RCA Victor Studios at 155 East 24th Street in New York City. However, the song has been most often associated with soul singer Ray Charles, who was a native of the U.S. state of Georgia and recorded it for his 1960 album The Genius Hits the Road.
"Misty" is a jazz standard written in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it for the album Contrasts. Lyrics were added later by Johnny Burke. It appeared on Johnny Mathis' 1959 album Heavenly, and this recording reached number 12 on the U.S. Pop Singles chart later that year. It has since become Mathis’ signature song.
"Blue Skies" is a popular song, written by Irving Berlin in 1926.
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard.
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical Lew Leslie's International Revue starring Harry Richman and Gertrude Lawrence.
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name.
"Someone to Watch Over Me" is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The musical ran for more than 200 performances in New York and then saw equivalent acclaim in London in 1927, all with the song as its centerpiece. Lawrence released the song as a medium-tempo single which rose to number 2 on the charts in 1927.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
"Exactly Like You" is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show Lew Leslie's International Revue which also featured McHugh and Fields's "On the Sunny Side of the Street".
"Have You Met Miss Jones?" is a popular song that was written for the musical comedy I'd Rather Be Right. The music was written by Richard Rodgers and the lyrics by Lorenz Hart. The song was published in 1937.
"Lover Man " is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989.
"Spring is Here" is a 1938 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical I Married an Angel (1938), where it was introduced by Dennis King and Vivienne Segal.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard.
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song.
"My Old Flame" is a 1934 song composed by Arthur Johnston with lyrics by Sam Coslow for the film Belle of the Nineties. It has since become a jazz standard.
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