Aluphone

Last updated
Aluphone
Percussion instrument
Classification Percussion
Developed2011
Musicians
Evelyn Glennie, Colin Currie, Martin Grubinger

The Aluphone is a tuned percussion instrument consisting of aluminum bells that are struck with a mallet to produce musical tones. In its standard configuration, the bells of the Aluphone are mounted on a frame, but it can also be played as a single handheld bell or as a stack of bells. [1] The bells of the Aluphone are very durable, so they can be struck with a large variety of mallets, wands, or hammers depending on the tone that the musician seeks to produce.

Contents

The Aluphone is closely associated with Evelyn Glennie, who played the instrument in the opening ceremony of the 2012 Summer Olympics.

History

According to Harry Ellis, the idea for the Aluphone was developed at a trade show that two men, Michael Hansen and Kai Stensgaard, were separately attending. [2] At the trade show, Hansen was showcasing aluminum cones that were designed to protect the tops of wooden posts. As a musician, Stensgaard was curious about the sound the cones would make when he struck. He was impressed with the tone created by the metal cones when struck and asked if Hansen could produce cones that would produce an assortment of unique pitches that could be incorporated into a playable instrument. [2] Hansen agreed to work with Stensgaard on the project. In 2011, Stensgaard presented the Aluphone for the first time at PASIC, [3] a convention held by the Percussive Arts Society.

In an interview, Glennie stated that she was not involved in the creation of the original Aluphone. [4] After becoming interested in the instrument, she worked with Hansen and Stensgaard to develop a new version of the Aluphone, sometimes called the Glennie Aluphone, [4] for her to play at an upcoming performance of Caliban's Dream at the 2012 Summer Olympics. [5]

Stensgaard presented the Aluphone at PASIC again in 2013. Stensgaard stated: "A lot of people know the instrument now and really like the sound. Composers are writing for it." [6]

Adam Schoenberg made use of the Aluphone in a 2013 orchestral composition called Bounce. He believes that it was the first time that original music was composed for the Aluphone in an orchestral arrangement. [7]

Anders Koppel Concerto for Aluphone and Symphony Orchestra. Soloist plays aluphone and marimba. World Premier January 16 and 17, 2014 with Evelyn Glennie as the soloist. Written for Aluphone Glennie Concert 2 1/2 oct. Listen here. You can get the music from Edition Wilhelm Hansen: score – solo part

James MacMillan “Percussion Concerto No.2” Premiere by Colin Currie, November 7, 2014, Netherlands Radio Philharmonic Orchestra with James Gaffigan at the Muziekcentrum Vredenburg (Utrecht)

Oriol Cruixent “Oraculum” Op.72 (Latin, m., literally: oracle) is a Concerto for Multi-Percussion and Orchestra in seven parts. Oriol Cruixent has composed and dedicated Oraculum to the percussionist Vivi Vassileva, with whom he has a long-standing musical friendship. World premiere May 19, 2019

Mark Bowden Heartland, percussion concerto with Symphony Orchestra. Percussion part includes Aluphone Glennie Concert. Premier by BBC Wales May 15, 2013. Soloist Julian Warburton Conductor: Grant Llewellyn. Recorded in January 2013 by BBC National Orchestra of Wales.

Max de Wardener Percussion Concerto with Symphony Orchestra: Percussion part includes Aluphone Glennie Concert. World premier June 19, 2013 in L´Auditorium de Bordeaux with Collin Currie as soloist.

Glennie played the Aluphone again in a 2015 performance of Dithyrambs at Cadogan Hall, receiving favorable reviews. She struck the bells of the Aluphone in a variety of ways to produce sounds ranging from those of a glockenspiel to that of a gong. [8]

Kai Stensgaard Concerto for Aluphone & marimba with Symphony Orchestra 2020. 3 movements. Duration 20 minutes.

Salvador Rojo Four Forces for percussion soloist & Orchestra 26:00. Premiered by Victor Segura Raga and Orquesta de extremadura. 1, movement for Aluphone & vibraphone.

Askell Másson Capriccio for Darabuka & Orchestra. October 22, 2017 World Premiere. Iceland – Akureyri Hof Concert House. Sinfonia North, Askell Masson (Darabuka), Petri Sakari (cond.)

Francisco Coll Mural was premiered by www.philharmonie.lu September 2016. The percussion section included an aluphone.

Related Research Articles

<span class="mw-page-title-main">Evelyn Glennie</span> Scottish percussionist

Dame Evelyn Elizabeth Annie Glennie, is a Scottish percussionist. She was selected as one of the two laureates for the Polar Music Prize of 2015.

<span class="mw-page-title-main">Tan Dun</span> Chinese-American composer and conductor (born 1957)

Tan Dun is a Chinese-born American composer and conductor. A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."

<span class="mw-page-title-main">John Psathas</span> New Zealand composer

John Psathas, is a New Zealand Greek composer. He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers. He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.

Sarah Frances Beamish is a British composer and violist. Her works include chamber, vocal, choral and orchestral music. She has also worked in the field of music, theatre, film and television, as well as composing for children and for her local community.

Veni, Veni, Emmanuel is a concerto for percussion and orchestra by James MacMillan. MacMillan began composing it on the first Sunday of Advent 1991 and completed it on Easter Sunday 1992, dates that are significant to the work itself. The work was commissioned by Christian Salvesen PLC. It received its premiere on 10 August 1992 at the Royal Albert Hall, London, performed by Evelyn Glennie and the Scottish Chamber Orchestra under Jukka-Pekka Saraste. The work is in one movement, and lasts around 25 minutes. The music draws on the Advent plainchant of the same name, which appears in its full form only at the end.

Spirit Voices is a concerto for percussion and orchestra in seven movements by the American composer Steven Stucky. The work was jointly commissioned by the Singapore Symphony Orchestra and the Aspen Music Festival for percussionist Evelyn Glennie. It was first performed by soloist Evelyn Glennie the Singapore Symphony Orchestra under conductor Lan Shui November 14, 2003.

Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.

<span class="mw-page-title-main">John McLeod (composer)</span> Scottish composer (1934–2022)

John McLeod was a Scottish composer who wrote music in many media including film and television.

<span class="mw-page-title-main">Manitoba Chamber Orchestra</span> Canadian orchestra

The Manitoba Chamber Orchestra (MCO) is a chamber orchestra based in Winnipeg, Manitoba, Canada. It offers an annual subscription series at Westminster United Church, which regularly features Canada's leading soloists, such as James Ehnes and Measha Brueggergosman, and Marc-André Hamelin. Other core MCO activities include recording, touring, and engaging extensive outreach in remote communities in northern Manitoba. Currently, Anne Manson serves as the MCO's Music Director, Karl Stobbe as its Concertmaster, and Vicki Young as its managing director.

UFO for solo percussion and orchestra (1999) and for solo percussion and symphonic band (2000) by American composer Michael Daugherty, is a composition written for percussionist Evelyn Glennie.

The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. It was written for Jonathan Haas and later recorded by Evelyn Glennie, and was premiered by Haas and Svet Stoyanov with the American Symphony Orchestra in Avery Fisher Hall, Lincoln Center, conducted by Leon Botstein. The work was commissioned jointly by the American Symphony Orchestra, the Peabody Symphony, the Milwaukee Symphony, the St. Louis Symphony and the Phoenix Symphony. In 2004, a transcription for wind ensemble was written by Mark Lortz, which debuted at Peabody Institute in 2005.

Der gerettete Alberich is a concerto for percussion and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the London Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, and the Baltimore Symphony Orchestra. It was completed June 7, 1997, and premiered January 15, 1998 in Cleveland, Ohio with the Cleveland Orchestra under conductor Christoph von Dohnányi. The piece is dedicated to percussionist Evelyn Glennie, who performed the solo during the world premiere. Rouse composed the work as an informal musical sequel to Richard Wagner's four-opera cycle Der Ring des Nibelungen.

Incantations for Percussion and Orchestra is a concerto for percussion and orchestra in three movements by the Finnish composer Einojuhani Rautavaara. The work was composed for the percussionist Colin Currie on a joint commission from the London Philharmonic Orchestra, the Baltimore Symphony Orchestra, the Rotterdam Philharmonic Orchestra, and the Tampere Philharmonic Orchestra. The first performance was given in Royal Festival Hall, London by Currie and the London Philharmonic Orchestra under the conductor Yannick Nézet-Séguin on October 24, 2009.

The Percussion Concerto No. 2 is a concerto for solo percussion and orchestra by the Scottish composer James MacMillan. The work was jointly commissioned by the Netherlands Radio Philharmonic, the Philharmonia Orchestra, the Orchestre national du Capitole de Toulouse, the Cabrillo Festival of Contemporary Music, the Baltimore Symphony Orchestra, and the São Paulo State Symphony. It was first performed on November 7, 2014 at TivoliVredenburg in Utrecht, the Netherlands, by percussionist Colin Currie and the Netherlands Radio Philharmonic under conductor James Gaffigan. The composition is MacMillan's second percussion concerto after 1992's Veni, Veni, Emmanuel.

Strike Zones is a concerto for percussion and orchestra by the American composer Joan Tower. The work was commissioned by the National Symphony Orchestra through a grant by the John and June Hechinger Commissioning Fund. It was first performed at the John F. Kennedy Center for the Performing Arts on October 4, 2001, by the percussionist Evelyn Glennie and the National Symphony Orchestra under the conductor Leonard Slatkin.

Conjurer: Concerto for Percussionist and String Orchestra is a concerto for a solo percussionist and string orchestra by the American composer John Corigliano. The work was jointly commissioned for the percussionist Evelyn Glennie by the Pittsburgh Symphony Orchestra, the Nashville Symphony, the Royal Scottish National Orchestra, the Dallas Symphony Orchestra, the Calouste Gulbenkian Foundation, the Music Department (Lisbon), and the National Arts Centre Orchestra. It was given its world premiere by Glennie and the Pittsburgh Symphony Orchestra under the direction of Marin Alsop in Pittsburgh on February 21, 2008.

The Mallet Concerto is a concerto for mallet percussion instruments and chamber orchestra by the American composer Ned Rorem. It was first performed by the percussionist Evelyn Glennie and the Madison Symphony Orchestra under the conductor John DeMain in Madison, Wisconsin, on March 27, 2004.

A percussion concerto is a type of musical composition for a percussion soloist and a large ensemble, such as a concert band or orchestra. Two notable figures in the genre are the percussionists Colin Currie and Evelyn Glennie, who have separately commissioned and premiered numerous entrees to the repertoire. Two common subsets of the percussion concerto are the timpani concerto and the marimba concerto.

<span class="mw-page-title-main">Triple Concerto No. 2 (Smirnov)</span> Composition by Dmitri Smirnov

The Triple Concerto No. 2, Op. 139, is a concerto for three instruments – violin, harp and double bass – and orchestra by Dmitri Smirnov, composed in 2003. It was premiered in the centenary concert of the London Symphony Orchestra on 26 May 2004, with principal players from the orchestra as soloists.

<span class="mw-page-title-main">Marjory Dougal</span> Scottish youth orchestra administrator (1943–2020)

Marjory Dougal was a highly respected and influential administrator and vice-president of the Edinburgh Youth Orchestra for thirty years.

References

  1. Berley, Samantha (2012-11-21). "The Aluphone". Halftime Magazine . Retrieved 2018-05-09.
  2. 1 2 Glennie, Evelyn (2012-11-12). "When Michael met Kai…". Teach the World to Listen. Retrieved 2018-05-09.
  3. "PASIC 2011 – Exhibitor Videos, pt.1". LouisvilleDrummer.com. 2011. Retrieved 2018-05-09.
  4. 1 2 "Dame Evelyn Glennie at ClassicFM.com". ClassicFM.com. Retrieved 2018-05-09.
  5. Whitworth, Damian (2015-08-06). "Evelyn Glennie: From the 'Nobel prize' of music to her own Prom". The Times .
  6. Huntington, Scott (2013-12-10). "An interview with marimbist Kai Stensgaard". Oxford University Press . Retrieved 2018-05-09.
  7. Ng, David (2013-09-08). "Adam Schoenberg's life gives his music some 'Bounce'". Los Angeles Times . Retrieved 2018-05-09.
  8. McAloon, Jonathan (2015-08-11). "Proms Chamber Music 4: Evelyn Glennie, review: 'expressive'". The Telegraph . Retrieved 2018-05-09.