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Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Joe's Garage is a three-part rock opera released by American musician Frank Zappa in September and November 1979. Originally released as two separate albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Freak Out! is the debut studio album by American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of frontman Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was also one of the earliest double albums in rock music, as well as the first two-record debut album. In the UK, the album was originally released as an edited single disc.
James Inkanish, Jr., known professionally as Jimmy Carl Black, was an original member of the Mothers of Invention, providing drums and vocals.
200 Motels is a 1971 surrealist musical film written and directed by Frank Zappa and Tony Palmer, and featuring music by Zappa. An international co-production of United States and the United Kingdom, the film stars the Mothers of Invention, Theodore Bikel, Keith Moon and Ringo Starr.
Bizarre Records, self-identified simply as Bizarre, was a production company and record label formed for artists discovered by rock musician Frank Zappa and his business partner/manager Herb Cohen.
Burnt Weeny Sandwich is the seventh album by the American rock band the Mothers of Invention, and the ninth overall by Frank Zappa, released in 1970. It consists of both studio and live recordings. Following the Mothers' split in late 1969, Zappa assembled two albums of unreleased recordings by the band - this album and its follow-up Weasels Ripped My Flesh. Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, while Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces. Both albums also include some outtakes/leftovers from the sessions for Zappa's 1969 solo album Hot Rats.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.
Mothermania (1969), subtitled The Best of the Mothers, is a compilation album by the Mothers of Invention. While the songs were previously released on Freak Out!, Absolutely Free and We're Only in It for the Money, it contains unique mixes or edits made specifically for this compilation.
This is a list of albums by Frank Zappa, including all those credited to the Mothers of Invention. During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 64 posthumous albums as of June 2023, making a total of 126 albums/album sets.
Ray Collins was an American musician. He is best known for being an original member of the Mothers of Invention.
"Plastic People" is the first track of the Mothers of Invention album Absolutely Free. It also was featured on the You Can't Do That On Stage Anymore compilation as Track 1 on disc 2, along with a "Louie, Louie/Plastic People"-like version titled "Ruthie-Ruthie" as Track 10 on disc 1. It was also featured on the 1998 Mystery Disc release.
"Absolutely Free" is a song written by Frank Zappa and released on the Mothers of Invention album We're Only in It for the Money in 1968. The song is not to be confused with the Mothers of Invention album of the same name.
"Brown Shoes Don't Make It" is a song by The Mothers of Invention, written by band leader Frank Zappa. It is the penultimate song on the second album Absolutely Free. The song is one of his most widely renowned works, declared by the AllMusic as "Zappa's first real masterpiece".
"Take Your Clothes Off When You Dance" is a song written by Frank Zappa, with the first officially available version being recorded and released by The Mothers of Invention on their 1968 album We're Only in It for the Money. The song was originally recorded as an instrumental by Frank Zappa in 1961 at Pal Recording Studio.
King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa is an album by French jazz fusion artist Jean-Luc Ponty first released in May 1970 on Liberty Records' World Pacific Records subsidiary label and later released on Blue Note.
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii ". The composition includes a musical quote from "Louie Louie".
References
- ↑ "America Drinks & Goes Home". last.fm. Retrieved 29 November 2013.
- ↑ Couture, François. "America Drinks and Goes Home". allmusic.com. Retrieved 29 November 2013.
- ↑ "America Drinks & Goes Home". arf.ru. Retrieved 29 November 2013.
- ↑ "Absolutely Free". Amazon. Retrieved 29 November 2013.
