It concerns the Mystery Man, a typical guru or psychic, offering to help the narrator reach Nervanna [sic] for a "nominal service charge," and the narrator's refusal to buy into his act, "Look here, brother, who you jiving with that cosmik debris?" When the Mystery Man gets pushy, Zappa as the narrator tells how he snatched the crystal ball, hypnotized the Mystery Man, stole his stuff and blew his mind.[2]
The song was popular on the Dr. DementoShow in the 1970s, and in Zappa's concerts, with memorable guitar solos from Zappa, also featuring George Duke on keyboard and Napoleon Murphy Brock on sax. The song was featured in the late-2010 Zappa Plays Zappa tour, where through video and editing (from 1970s-era shows), Frank Zappa on a large video screen both sang and played a guitar solo while the ZPZ band provided a live backing. This song was also a B-side to the single "Don't Eat the Yellow Snow."
Connections to previous Zappa songs
References of previous songs are frequent in many Frank Zappa songs. "Cosmik Debris" shares the lyric "Now is that a real poncho or is that a Sears poncho?" which is a reference to the song "Camarillo Brillo" from the previous album "Over-Nite Sensation." The "dust of The Grand Wazoo" is also mentioned in the lyrics and refers to the album released by Zappa in 1972.[3]
Track list
A-side "Don't Eat The Yellow Snow" – 3:26 (Contains Don't Eat The Yellow Snow, Nanook Rubs it and the intro to St. Alfonzo's Pancake Breakfast)
B-side "Cosmik Debris" – 4:10
Notes and references
↑ Ulrich, Charles (May 13, 2018). The Big Note: A Guide to the Recordings of Frank Zappa. New Star Books. ISBN1-554201-46-2.
Frank Vincent Zappa was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experimentation, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
Joe's Garage is a three-part rock opera released by American musician Frank Zappa in September and November 1979. Originally released as two separate albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
Over-Nite Sensation is the twelfth album by The Mothers of Invention, and the seventeenth album overall by Frank Zappa, released in September 1973. It was Zappa's first album released on his DiscReet label. His solo album Apostrophe (') (1974) was recorded during the same sessions for Over-Nite Sensation.
The Mothers of Invention was an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
Bongo Fury is a collaborative album by American artists Frank Zappa and the Mothers, with Captain Beefheart, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Strictly Commercial is a compilation album by Frank Zappa. It was released in 1995, two years after his death. The album was named as part of a 2011 lawsuit by Gail Zappa towards Rykodisc, claiming the label released several vault masters without the permission of the Zappa Family Trust on this and other releases, specifically the single edits of some songs, such as the 12" disco Remix of "Dancin' Fool". The disc is currently out of print and has been replaced in Zappa's catalog by the 2016 compilation album ZAPPAtite.
This is a list of albums by Frank Zappa, including all those credited to the Mothers of Invention. During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 64 posthumous albums as of June 2023, making a total of 126 albums/album sets.
Beat the Boots! is a box set by Frank Zappa. Released in 1991 through Rhino Entertainment, the set contains legal reissues of eight bootleg recordings made between 1967 and 1982 and originally distributed illegally prior to this official release. A second box set of bootleg recordings, Beat the Boots! II, was released through Rhino in June 1992.
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
The Dub Room Special is a film produced by Frank Zappa for direct-to-video release in October, 1982. The video combines footage from a performance at the KCET studios in Los Angeles on August 27, 1974, a concert performed at The Palladium, New York City on October 31, 1981, some clay animation segments by Bruce Bickford, and interviews. The 1974 footage was originally conceived as part of the TV special A Token of His Extreme. The entire production was edited in the "Dub Room" at Compact Video, a post-production facility in Burbank, California. A few of the Compact Video staff members have brief appearances.
Zappa Plays Zappa is an American tribute act led by Dweezil Zappa, the elder son of late American composer and musician Frank Zappa, devoted to performing the music of Frank Zappa.
Does Humor Belong in Music? is a one-hour Frank Zappa concert video composed of live performances at The Pier in New York City along with a few interview segments. It was released on VHS by MPI Home Video in 1985 and reissued on DVD in 2003 by EMI. The video has no recorded material in common with the album of the same name, but some of the tracks were released on Volumes One, Three and Six of the You Can't Do That on Stage Anymore series.
Pal Recording Studio (1957–1964) was an independent recording studio that operated in Cucamonga, California, an unincorporated community in San Bernardino County that later merged with the communities of Alta Loma, and Etiwanda to form Rancho Cucamonga. The studio was started by engineer/innovator Paul Buff. The studio is known for its instrumental Surf music recordings such as "Wipe Out" and the original demo recording of "Pipeline". The first location was at 8020 North Archibald Avenue. Later, the studio moved down the street to 8040.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
The Frank Zappa AAAFNRAAAAAM Birthday Bundle 2011 is a compilation album released as a digital download through the Zappa Family Trust on Frank Zappa's 71st Birthday, December 21, 2011. It features both recordings by Zappa himself, as well as various covers of his material.
"Don't Eat the Yellow Snow" is a suite by the American musician Frank Zappa, made up of the first four tracks of his 1974 album Apostrophe ('): "Don't Eat the Yellow Snow", "Nanook Rubs It", "St. Alfonzo's Pancake Breakfast", and "Father O'Blivion". Each song in the suite is loosely connected, although the songs are not all connected by one overall story/theme. The suite was only played in full from 1973 to 1974 and 1978 to 1980. "Saint Alfonzo's Pancake Breakfast" contains Zappa's percussionist Ruth Underwood on marimba, who added a very distinct sound to many of his songs in the early 1970s.
"Cocaine Decisions" is a 1983 single by American musician Frank Zappa, from the album The Man from Utopia. A live version was on the album You Can't Do That on Stage Anymore, Vol. 3 (1989). It was played in concert from 1981 to 1984.
"Uncle Remus" is a song written by American musicians Frank Zappa and George Duke, and first released on Zappa's 1974 album Apostrophe ('). The name of the song is derived from Uncle Remus, a fictional character found in works by writer Joel Chandler Harris. The song has been said to reflect Zappa's feelings about racism and the civil rights movement, themes which had previously been explored in his earlier song "Trouble Every Day".
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