Joseph Vernon "Big Joe" Turner Jr. was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fame was due to his rock and roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s.
Live/Dead is the first official live album released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording.
David Albert Alvin is an American singer-songwriter, guitarist and producer. He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations. He has had brief stints as a member of the bands X and the Knitters.
The Blasters are an American rock band formed in 1979 in Downey, California, by brothers Phil Alvin and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman. Their self-described "American Music" is a blend of rockabilly, early rock and roll, punk rock, mountain music, and rhythm and blues and country.
Fun House is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, Fun House has since developed a strong cult following. Like its predecessor and successor, it is considered an integral work in the development of punk rock.
Now and Zen is the fourth solo album by Robert Plant, released 29 February 1988 by Es Paranza Records, Plant's own label. The album made the top 10 in the US and UK. It was certified triple platinum by the RIAA on 7 September 2001. The album was produced by Tim Palmer, Robert Plant, and Phil Johnstone.
The Grateful Dead is the debut studio album of the Grateful Dead. It was released by Warner Bros. Records in March 1967. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead.
Live at the Whisky a Go-Go on the Fabulous Sunset Strip is the seventh album and first live album by American rock band X, released April 29, 1988 by Elektra Records. The album was recorded on December 13, 15 and 16 in 1987 at the Whisky a Go Go nightclub in West Hollywood, California, United States.
Shoot Out the Lights is the sixth and final album by British husband-and-wife rock duo Richard and Linda Thompson. It was produced by Joe Boyd and released in 1982 on his Hannibal label. A critically acclaimed work, AllMusic's Mark Deming noted that Shoot Out the Lights has "often been cited as Richard Thompson's greatest work."
Philip Joseph Alvin is an American singer and guitarist known primarily as the leader of the rock band The Blasters. His voice has been described as "robust...powerful...rich, resonant, [and] supremely confident."
20/20 was an American power pop band based in Hollywood, California. They were active from 1977 to 1983 and reunited during the mid-1990s to the late 1990s. In the mid-1970s, Steve Allen and Ron Flynt played together in Tulsa. Allen and Flynt were graduates of Nathan Hale High School, and both attended Oklahoma State University, where Flynt earned a degree in music. Allen decided to move to Los Angeles in 1977 after fellow Tulsa natives Phil Seymour and Dwight Twilley met with success. Once in Los Angeles, Allen met with Mike Gallo (singer/songwriter/keyboardist/drummer), who had already conceived of the idea and name for the band. Gallo first started writing with Allen, and later auditioned Allen's friend from Tulsa, Ron Flynt, for 20/20. The three-piece band signed with Greg Shaw's Bomp! Records in 1978 to record a single. Between the release of the single, and their first LP on Portrait Records, Chris Silagyi joined the band as a keyboardist.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and box sets.
Hard Line is the fourth album by the American roots rock band the Blasters, released in 1985. Dave Alvin quit the band shortly after the album's release. The album peaked at No. 86 on the Billboard 200.
Twilley Don't Mind is the second album from the Dwight Twilley Band, recorded and released in 1977 on Shelter Records, distributed at the time by Arista Records. The band consisted of Dwight Twilley, Phil Seymour, and Bill Pitcock IV. The original album credited production to Oister, which was the original name of the Dwight Twilley Band, and Bob Schaper; later reissues have credited production directly to Twilley, Seymour and Schaper.
The Blasters is the second album by American rock band the Blasters. Originally released in the United States by the independent label Slash Records, its strong sales performance required a deal for wider distribution with Warner Bros. Records. The album was well received, being ranked among the top 10 albums of 1982 by Time magazine and peaking at number 36 on Billboard's Pop Albums chart.
Making Music is the fourth studio album by American soul singer-songwriter and producer Bill Withers, released in 1975. It was also released in the UK as Making Friends.
"Marie Marie" is a song by American rock and roll band the Blasters. It became an international success after being covered by Welsh rock and roll singer Shakin' Stevens.
Back in Your Life is the third album by American rock band Jonathan Richman and the Modern Lovers, released in February 1979 by Beserkley Records. Despite being credited to Richman and his backing band, the album only features the backing band on half of the album.
Non Fiction is the third album by the American band the Blasters, released in 1983.
4-11-44 is an album by the American band the Blasters. It was released in the UK in late 2004, by Evangeline Records, and in the United States in 2005. The band supported the album with a North American tour.
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