 |
Amina Edris | |
|---|---|
 | |
| Born | Cairo, Egypt |
| Occupation | Opera Singer |
| Agent | Askonas Holt |
| Spouse | Pene Pati |
Amina Edris is an Egyptian / New Zealand lyric soprano .
|
Amina Edris | |
|---|---|
| | |
| Born | Cairo, Egypt |
| Occupation | Opera Singer |
| Agent | Askonas Holt |
| Spouse | Pene Pati |
Amina Edris is an Egyptian / New Zealand lyric soprano .
Edris was born in Cairo, Egypt, to parents who worked in the tourism industry. She was introduced to music as a child by her uncle who plays the lute, guitar and Egyptian percussion instruments.
Edris' musical studies began with piano lessons at age seven. The family moved to New Zealand in 2002, where she continued her musical studies in high school. In addition to private voice lessons, she was a member of the Barbershop Quartet and choir, and she played trombone in the school's orchestra, concert band and jazz band.
She initially enrolled in the University of Canterbury in Christchurch, New Zealand, as an Engineering student. After one semester, however, she auditioned and was accepted into the music programme, and began studying with Dame Malvina Major. In 2011, she graduated with her Bachelor of Music degree. [1]
Her studies then brought her to Wales, where she enrolled in the master's degree programme at the Wales International Academy of Voice, [2] studying under Dennis O'Neill. After graduating in 2013 with her Masters in Music, she met her current teacher, Cesar Ulloa, with whom she began private lessons before studying with him at the San Francisco Conservatory of Music as a postgraduate student. She was awarded her postgraduate diploma in 2015. [3]
She was accepted into the Merola Program in the summer of 2015, [4] where she made her role debut as Norina in Don Pasquale . [5]
In 2016, she became an Adler Fellow at the San Francisco Opera. [6] During her two years as a fellow she sang Frasquita in Carmen , Trainbearer in Elektra , Flower/Lady in Waiting in Dream of the Red Chamber , Countess Ceprano in Rigoletto , and Annina in La traviata . She also covered the roles of Karolka and Barna in Jenůfa , Norina in Don Pasquale, Zerlina in Don Giovanni , Musetta in La bohème , and the title role in Manon . [6]
Edris made her professional debut with Opera San José as Susanna in Mozart's The Marriage of Figaro in 2015. [7] In 2017, she sang Tina in the rarely performed opera Flight by Jonathan Dove with Opera Parallèle. [8] In 2018, she made her debut with New Zealand Opera as Adina in L'elisir d'amore , [9] followed by her debut with Washington National Opera as Glycère in Gounod's Sapho . [10]
In 2019, she made her debut in France singing the title role in Manon at Opéra national de Bordeaux substituting for Nadine Sierra, receiving praise from the French press, including Le Monde that called her voice "beautiful and round". [11] The same year, she returned to the San Francisco Opera for her debut in the role of Juliette in Gounod's Roméo et Juliette , [12] followed by her debut at the Grand Théâtre de Genève as Fatime in Les Indes galantes . [13] She returned to the role of Manon in February 2020, when she made her debut at the Paris Opera in a new production by Vincent Huguet. [14]
Her operatic repertoire includes Micaëla in Carmen , Mimì and Musetta in La bohème , Violetta in La traviata , Glycère in Sapho , Leïla in Les pêcheurs de perles , Adina in L'elisir d'amore , and Norina in Don Pasquale .
Her concert repertoire includes Fauré's Requiem, Mahler's Symphony No. 4, Rossinis Petite messe solennelle , J. S. Bach's cantata Jauchzet Gott in allen Landen, BWV 51 and St John Passion , and Vivaldi's Lauda Jerusalem, gala concerts at the Opéra National de Bordeaux and with Real Filharmonia de Galicia, and the Schwabacher Recital series with San Francisco Opera. [15]
Her 2021/22 season began with a role debut as Alice ( Robert le diable ) at Opéra national de Bordeaux [16] followed by her house and role debut at the Opéra du Rhin as Micaëla ( Carmen ). [17] Another role and house debut she performed as part of this season was Violetta ( La Traviata ) at Opéra de Limoges [18] followed by her house debut in the same role at the Canadian Opera Company. [19] In the summer, Amina returned to the role of La Folie ( Platée ) under the baton of Marc Minkowski at Opéra national de Paris. [20] To end the season, she debuted the role of Adalgisa ( Norma ) in concert at the Festival d’Aix-en-Provence. [21]
At the start of the 2022/23 season, Ms. Edris performed the role of Cleopatra in the world premiere of John Adams’ opera, Antony and Cleopatra at San Francisco Opera. [22] She then made her second role debut of the season, as Marguerite in Gounod’s Faust in a new production at Detroit Opera. [23] To begin the new year, Ms. Edris made her debut with the Münchner Rundfunkorchester, [24] performing Massenet’s Ariane. She then joined her husband, Pene Pati of Sol3 Mio, in Prague for a Gala concert. [25]
Her 2023/24 season began with a return to the Canadian Opera Company to perform the role of Mimi in Puccini's La bohème. [26] Ms. Edris then made her second role debut of the season, as Liu in Puccini’s Turandot at Teatro di San Carlo in Naples. [27] In the new year she made her debut performing the title-role in a concert performance of Massenet's Thaïs at Opéra de Toulon. [28] She then returned to the Opéra national de Paris to make her role-debut as Beatriz in Thomas Adès' The Exterminating Angel. [29]
Edris is represented by Askonas Holt.
Her operatic repertoire spans across baroque, bel canto and romantic repertoire.
| Role | Opera |
|---|---|
| Violetta | La Traviata (Giuseppe Verdi) |
| Mimi Musetta | La bohème (Giacomo Puccini) |
| Contessa Susanna | Le Nozze di Figaro (Wolfgang Amadeus Mozart) |
| Micaëla | Carmen (Georges Bizet) |
| Donna Anna | Don Giovanni (Wolfgang Amadeus Mozart) |
| Manon Lescaut | Manon Lescaut (Giacomo Puccini) |
| Marguerite | Faust (Charles Gounod) |
| Fatime | Les Indes galantes (Jean-Philippe Rameau) |
| Glycère | Sapho (Charles Gounod) |
| La Folie | Platée (Jean-Philippe Rameau) |
| Leïla | Les pêcheurs de perles (Georges Bizet) |
| Alice | Robert le diable (Giacomo Meyerbeer) |
| Ariane | Ariane (Jules Massenet) |
| Adalgisa | Norma (Vincenzo Bellni) |
| Cleopatra | Giulio Cesare (George Frideric Handel) |
Renata Scotto was an Italian soprano, opera director, and voice teacher. Recognised for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered to have been one of the preeminent opera singers of her generation.
Anna Moffo was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima".
Patrizia Ciofi is an Italian operatic coloratura soprano.
Anna Yuryevna Netrebko is a Russian and Austrian operatic soprano who has performed at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, the Royal Opera and La Scala.
Natalie Dessay is a French soprano, best known as an opera singer before her retirement from opera stage in 2013. She gained wide recognition after her portrayal of Olympia in The Tales of Hoffmann in 1992, and then performing at leading stages, such as the Paris Opera, Vienna State Opera, and the Metropolitan Opera.
Rosanna Carteri was an Italian soprano, primarily active from the 1950s through the mid 1960s. After her debut in Rome at age 19 as Elsa in Wagner's Lohengrin, she appeared in leading roles internationally, based at La Scala in Milan. She participated in world premieres such as the title role of Pizzetti's Ifigenia.
Jacqueline Brumaire was a French operatic soprano and later teacher.
Angel Joy Blue is an American soprano. She won the Grammy Award for Best Opera Recording for the Metropolitan Opera production of Porgy and Bess in the 63rd Annual Grammy Awards. Her voice has been recognized for its shining and agile upper register, "smoky" middle register, beautiful timbre, and ability to switch from a classical to a contemporary sound. She has performed internationally and won numerous awards including a Grammy Award, Operalia and Miss Hollywood. According to family lore, her father Sylvester predicted her to be "the next Leontyne Price" when she was born.
Hjördis Gunborg Schymberg was a Swedish coloratura and lyric soprano active on the opera stage and in concert halls between 1934 and 1968. One of the leading singers of the Royal Swedish Opera, she was awarded the title of Hovsångerska in 1943, and in her later years became a distinguished voice teacher.
Michael Fabiano is an American operatic tenor. Born in Montclair, New Jersey, he has performed in leading opera houses throughout the world, including the San Francisco Opera, Metropolitan Opera, Paris Opera, Sydney Opera, Teatro alla Scala, Canadian Opera Company, The Royal Opera, and Teatro Real de Madrid among many others. Fabiano is the 2014 Richard Tucker Award winner and the 2014 Beverly Sills Artist Award winner, making him the first singer to win both awards in the same year.
Nino Machaidze is a Georgian operatic soprano. She performs in 19th-century Romantic repertoire, primarily in operas by Rossini and Verdi as well as French operas. Beginning her career at La Scala, she gained international attention after being cast as Juliette in Gounod's Roméo et Juliette at the 2008 Salzburg Festival, after which she earned the nickname "Angelina Jolie of Opera" from the Austrian press.
Nathalie Manfrino is a French soprano. For UNIVERSAL- DECCA, She recorded her first disc, "French Heroines" with The Monte-Carlo Philharmonic Orchestra, DECCA label, which received the Golden Orpheus and the "Georg Solti prize". Her second solo recording album, Méditations, is a tribute to Jules Massenet, with the Monte-Carlo philharmonic orchestra conducted by Michel Plasson.
Margherita Bevignani was an Italian operatic soprano, best known for being the first singer to record the entire role of Violetta in Giuseppe Verdi's opera La traviata in 1915.
Sébastien Guèze is a classical French tenor. He sings the French and Italian romantic repertory including Donizetti, Verdi, Puccini, Gounod, Bizet and Massenet.
Irina Lungu is a Russian operatic soprano.
Cristina Pasaroiu is a Romanian operatic soprano who has performed leading roles at major European opera houses, with a focus on French repertoire such as Bizet's Micaëla, Massenet's Manon and Gounod's Juliette.
Andréa Guiot was a French operatic soprano. A long-term member of the Paris opera houses, she was known internationally for leading roles especially in the French repertoire, such as Gounod's Mireille and Marguerite, Massenet's Manon and Micaëla in Bizet's Carmen. She appeared as Micaëla when Carmen was first performed at the Opéra de Paris in 1959, and as Mireille in the 1000th performance of the opera at the Opéra-Comique. She performed in the world premiere of Poulenc's Dialogues des Carmélites at the Teatro Colón in Buenos Aires in 1965. Among her many recordings, the 1964 Carmen conducted by Georges Prêtre, with Maria Callas in the title role and Nicolai Gedda as her lover, brought her lasting fame. She appeared at major opera house in France, Europe, and the Americas. After retiring from the stage, she was a voice teacher at the Conservatoire de Paris, succeeding Janine Micheau, her own former instructor.
Ana María González is a Spanish lyric soprano trained in Argentina, known for performing at the Teatro Colón from 1973 to 1994. Although associated with the Italian lyric repertoire, she also excelled in lyric soprano roles of the French repertoire such as Manon, Marguerite, and Juliette, which brought her international fame.
Maria Mudryak is a Kazakh operatic soprano.
Benjamin Bernheim is a French lyric tenor known for his interpretation of Italian and French roles.
{{cite web}}: |first= has generic name (help){{cite web}}: External link in |last=| International | |
|---|---|
| National | |
| Artists | |
| Other | |
