An Evening with Ornette Coleman

Last updated
An Evening with Ornette Coleman
An Evening with Ornette Coleman.jpg
Live album by
Released1967
RecordedAugust 29, 1965
Venue Fairfield Halls, Croydon, London
Genre Free jazz
Label Polydor International
623 246/247
Producer Alan Bates

An Evening with Ornette Coleman is a live album by Ornette Coleman. It was recorded in August 1965 at Fairfield Halls in Croydon, London, and was initially released by Polydor International in 1967. The album opens with a recording of a wind quintet by Coleman performed by London's Virtuoso Ensemble, followed by trio performances featuring Coleman on alto saxophone, violin, and trumpet, accompanied by bassist David Izenzon and drummer Charles Moffett. [1] [2]

Contents

The album was reissued by Freedom Records, a subsidiary of Black Lion Records, in 1972 with the title Ornette Coleman In Europe Volumes I & II, and was reissued again by Arista Records in 1975 as The Great London Concert. In 2008, the FreeFactory label reissued the album on CD under the name Croydon Concert. [1] The wind quintet, titled "Sounds and Forms" on the Polydor and Freedom releases, [3] [4] and "Forms and Sounds" on the Arista and FreeFactory releases, [5] [6] would be heard in modified form on the album The Music of Ornette Coleman , recorded in March 1967 and released by RCA that same year. [7]

Background

The concert that appears on the recording was presented as part of the Live New Departures series and was organized by Victor Schonfield, Pete Brown, and Michael Horovitz. [8] Prior to the event, the London Musicians' Union, which placed reciprocal quotas on foreign musicians, informed Coleman that the quota for jazz musicians was full, while the one for classical musicians was not. [9] In response, Coleman quickly composed "Sounds and Forms for Wind Quintet," becoming the UK's first African American "concert artist." [9] Izenzon and Moffett arrived from New York in order to participate in the remaining pieces. [9]

The concert, which began with a poetry reading by Horovitz, accompanied by local musicians, was marked by a number of unusual occurrences. During the performance of Coleman's ten-movement wind quintet, the audience applauded after each movement rather than waiting until the end of the last movement, to the amusement of the musicians. [9] In addition, during a silent moment in the trio's set, an audience member shouted "Now play Cherokee!", referring to the jazz standard. [8] According to Horovitz, Coleman, in response, "instantly whizzed into an immaculately faithful version, whose lightning variations prompted the first of the evening's extensive series of standing ovations. He said later: 'I just wanted them to know I knew.'" [8]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [10]
The Rolling Stone Jazz Record Guide Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]

In a review for AllMusic, Brian Olewnick wrote: "this live concert captures Coleman in a transitional period that found him experimenting with contemporary classical forms as well as making more frequent use of the violin and trumpet. In many ways, it can be heard as an extension of the ideas first encountered on the ESP Town Hall Concert recording... there's an extremely refreshing freedom in his approach, one that strongly underlines his contention that innate musical ability trumps technique. An Evening with Ornette Coleman is a wonderful recording and should command a place in the collection of any serious fan of this great musician." [10]

Writing for Elsewhere, Graham Reid called the album "a genuine gem and rarity," and commented: "The importance of this concert is in where it lies in Coleman's career. It is slap-bang between his classic and innovative playing with his groups which included Don Cherry, Charlie Haden, Billy Higgins, Ed Blackwell as well as this trio beforehand, and this group's classic At The Golden Circle live album just months later. As well it is pointing towards his major work Skies of America which he conceived at this time and recorded with the London Symphony Orchestra in '72." [12]

Track listing

All compositions by Ornette Coleman.

  1. "Sounds and Forms for Wind Quintet - Movements 1-10" – 24:48 (also listed as "Forms and Sounds" on some releases)
  2. "Sadness" – 3:33
  3. "Clergyman's Dream" – 12:15
  4. "Falling Stars" – 8:54
  5. "Silence" – 9:13
  6. "Happy Fool" – 7:11
  7. "Ballad" – 5:19
  8. "Doughnuts" – 6:10

Personnel

Related Research Articles

<span class="mw-page-title-main">Ornette Coleman</span> American jazz musician and composer (1930–2015)

Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."

Charles Moffett was an American free jazz drummer.

<i>Yoko Ono/Plastic Ono Band</i> 1970 studio album by Yoko Ono with Plastic Ono Band

Yoko Ono/Plastic Ono Band is the debut solo studio album by Japanese artist and musician Yoko Ono, released on Apple Records in December 1970 alongside her husband's album John Lennon/Plastic Ono Band. Ono's album features her vocal improvisations against backing by the Plastic Ono Band, with the exception of the track "AOS", which is backed by the Ornette Coleman Quartet.

<span class="mw-page-title-main">Marion Brown</span> American saxophonist (1931–2010)

Marion Brown was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He was a member of the avant-garde jazz scene in New York City during the 1960s, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension. AllMusic reviewer Scott Yanow described him as "one of the brightest and most lyrical voices of the 1960s avant-garde."

<span class="mw-page-title-main">Charnett Moffett</span> American jazz bassist (1967–2022)

Charnett Moffett was an American jazz bassist. A consummate and versatile bassist, and composer, he was an apparent child prodigy. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis.

<i>This Is Our Music</i> (Ornette Coleman album) 1961 studio album by The Ornette Coleman Quartet

This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.

<i>Town Hall, 1962</i> 1965 live album by Ornette Coleman

Town Hall, 1962 is an album by Ornette Coleman, recorded on December 21, 1962 at New York City's Town Hall and released in 1965 by the ESP-Disk label. It was the first recording to feature Coleman's new trio, which included bassist David Izenzon and drummer Charles Moffett.

<i>At the Golden Circle Stockholm</i> 1966 live album by the Ornette Coleman Trio

At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records. It also debuted Coleman’s usage of the trumpet and violin, instruments in which he took three years teaching himself to play after leaving Atlantic.

<i>Song X</i> 1986 studio album by Pat Metheny and Ornette Coleman

Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records.

The Revolutionary Ensemble was a free jazz trio consisting of violinist Leroy Jenkins (1932–2007), bassist Sirone and percussionist/pianist Jerome Cooper (1946–2015). The group was active from 1970–1977, and reunited briefly in 2004. Musician George E. Lewis described the trio as "one of the signal groups of the period." Writer John Fordham stated that the group "was remarkable for its concentration on texture, tone colour and the then unclaimed territory between jazz and contemporary classical music." A DownBeat reviewer, writing in 1972, described them as "a unique, utterly contemporary unit of extraordinarily talented players who possess a world understanding of what 'organized sound' is all about."

<i>Something Else!!!!</i> 1958 studio album by Ornette Coleman

Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.

<span class="mw-page-title-main">David Izenzon</span> American jazz double bassist (1932–1979)

David Izenzon was an American jazz double bassist.

<span class="mw-page-title-main">Denardo Coleman</span> American jazz drummer (born 1956)

Denardo Ornette Coleman is an American jazz drummer. He is the son of Ornette Coleman and Jayne Cortez.

<i>Ornette!</i> 1962 studio album by Ornette Coleman

Ornette! is the seventh album by alto saxophonist and composer Ornette Coleman, released in February 1962 on Atlantic Records. The album features Scott LaFaro in place of Charlie Haden, who had left the Quartet but would work again with Coleman in the future.

<i>Chappaqua Suite</i> 1965 studio album by Ornette Coleman

Chappaqua Suite is a free jazz album by alto saxophonist Ornette Coleman which was recorded in 1965 for Columbia Records.

<i>In the Beginning 1963–1964</i> 2012 compilation album by Pharoah Sanders

In the Beginning 1963–1964 is a 4-CD compilation album by American free jazz saxophonist Pharoah Sanders recorded in 1963-1964 and released in 2012 on the ESP-Disk label. It features previously unreleased recordings of Sanders performing with groups led by Don Cherry and Paul Bley, complete concert recordings of Sanders' appearances with Sun Ra, a re-release of Sanders' first album, and various interviews.

<i>Perfection</i> (album) 2016 studio album by David Murray, Geri Allen, and Terri Lyne Carrington

Perfection is an album by the Murray, Allen & Carrington Power Trio, featuring saxophonist David Murray, pianist Geri Allen, and drummer Terri Lyne Carrington. It was recorded at Avatar Studios in New York City in June 2015, and was released by Motéma Music in 2016. Guest musicians Wallace Roney (trumpet), Craig Harris (trombone), and Charnett Moffett (bass) appear on one track.

<i>Whos Crazy?</i> 1979 studio album by Ornette Coleman

Who's Crazy?, Volumes 1 and 2, is a pair of albums by Ornette Coleman containing music that was intended as the soundtrack for a film of the same name, directed by Thomas White and featuring members of The Living Theatre. The albums, which feature Coleman on alto saxophone, trumpet, and violin, accompanied by double bassist David Izenzon and percussionist Charles Moffett, were recorded in Paris during 1966, and were initially released on vinyl by Atmosphere Records, an imprint of the French I.R.I. label, with the title Who's Crazy? La Clef Des Champs. In 1982, both LPs were reissued by Affinity Records, a subsidiary of Charly Records, as part of a box set compilation.

<i>Jazzbühne Berlin 88</i> 1990 live album by Ornette Coleman and Prime Time

Jazzbühne Berlin '88 is a live album by Ornette Coleman and his band Prime Time. It was recorded on June 5, 1988, at the Friedrichstadt-Palast in Berlin, and was released in 1990 by Repertoire Records as Volume 5 of their Jazz Bühne Berlin / Rundfunk der DDR series.

<i>The Music of Ornette Coleman</i> 1967 studio album by Ornette Coleman

The Music of Ornette Coleman is an album featuring music composed by Ornette Coleman. It was recorded during March 1967 in New York City, and was released later that year by RCA Victor. The album opens with a live recording of a wind quintet titled "Forms and Sounds," performed by the Philadelphia Woodwind Quintet, with Coleman providing trumpet interludes. This is followed by two string quartets, titled "Saints and Soldiers" and "Space Flight," performed by the Chamber Symphony of Philadelphia String Quartet.

References

  1. 1 2 "An Evening with Ornette Coleman". Jazz Music Archives. Retrieved March 7, 2022.
  2. "Ornette Coleman Discography". JazzDisco.org. Retrieved March 7, 2022.
  3. An Evening With Ornette Coleman (liner notes). Ornette Coleman. Polydor International. 1967. 623 246/247.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  4. Ornette Coleman In Europe Vol. I + II (liner notes). Ornette Coleman. Freedom Records. 1972. 28 427-3 Z.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  5. The Great London Concert (liner notes). Ornette Coleman. Arista Records. 1975. AL 1900.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. Croydon Concert (liner notes). Ornette Coleman. FreeFactory. 2008. 061.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. "Ornette Coleman: The Music Of Ornette Coleman". Jazz Music Archives. Retrieved August 16, 2023.
  8. 1 2 3 Horovitz, Michael (June 18, 2015). "Letter: A free-flying evening in Croydon with Ornette Coleman". The Guardian. Retrieved March 7, 2022.
  9. 1 2 3 4 Golia, Maria (2020). Ornette Coleman: The Territory and the Adventure. Reaktion Books.
  10. 1 2 Olewnick, Brian. "Ornette Coleman: An Evening with Ornette Coleman". AllMusic. Retrieved March 7, 2022.
  11. Swenson, John, ed. (1985). The Rolling Stone Jazz Record Guide. Random House. p. 46.
  12. Reid, Graham (April 23, 2018). "An Evening in 1965 with Ornette Coleman (2018): Another British 'Judas' shouter in the audience". Elsewhere. Retrieved March 7, 2022.