| Andrew Shortland | |
|---|---|
| Education | Doctor of Philosophy  |
| Alma mater | |
| Occupation | Archaeologist |
| Employer | |
Andrew J. Shortland is an archaeologist at Cranfield University where he is director of the Cranfield Forensic Institute (CFI), a position he has held since 2016. [1]
Shortland established the Centre for Archaeological and Forensic Analysis at Cranfield in 2005 after having worked in the Ministry of Defence for six years. [1]
Shortland earned a BA in Geology at the University of Oxford. He holds a PhD from the University of Oxford with his dissertation: Vitreous materials at Amarna : the production of glass and faience in 18th Dynasty Egypt.
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
Glass is a non-crystalline, often transparent amorphous solid, that has widespread practical, technological, and decorative use in, for example, window panes, tableware, and optics. Glass is most often formed by rapid cooling (quenching) of the molten form; some glasses such as volcanic glass are naturally occurring. The most familiar, and historically the oldest, types of manufactured glass are "silicate glasses" based on the chemical compound silica, the primary constituent of sand. Soda-lime glass, containing around 70% silica, accounts for around 90% of manufactured glass. The term glass, in popular usage, is often used to refer only to this type of material, although silica-free glasses often have desirable properties for applications in modern communications technology. Some objects, such as drinking glasses and eyeglasses, are so commonly made of silicate-based glass that they are simply called by the name of the material.
Aten also Aton, Atonu, or Itn was the focus of Atenism, the religious system established in ancient Egypt by the Eighteenth Dynasty pharaoh Akhenaten. The Aten was the disc of the sun and originally an aspect of Ra, the sun god in traditional ancient Egyptian religion. Akhenaten, however, made it the sole focus of official worship during his reign. In his poem "Great Hymn to the Aten", Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a creation myth or family but is mentioned in the Book of the Dead. The worship of Aten was eradicated by Horemheb.
Ahmose I was a pharaoh and founder of the Eighteenth Dynasty of Egypt, classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. He was a member of the Theban royal house, the son of pharaoh Seqenenre Tao and brother of the last pharaoh of the Seventeenth dynasty, Kamose. During the reign of his father or grandfather, Thebes rebelled against the Hyksos, the rulers of Lower Egypt. When he was seven years old, his father was killed, and he was about ten when his brother died of unknown causes after reigning only three years. Ahmose I assumed the throne after the death of his brother, and upon coronation became known as nb-pḥtj-rꜥ "The Lord of Strength is Ra".
Faience or faïence is the general English language term for fine tin-glazed pottery.
The Uluburun Shipwreck is a Late Bronze Age shipwreck dated to the late 14th century BC, discovered close to the east shore of Uluburun, and about 10 kilometres (6 mi) southeast of Kaş, in south-western Turkey. The shipwreck was discovered in the summer of 1982 by Mehmed Çakir, a local sponge diver from Yalıkavak, a village near Bodrum.
The prehistory of Egypt spans the period from the earliest human settlement to the beginning of the Early Dynastic Period around 3100 BC, starting with the first Pharaoh, Narmer for some Egyptologists, Hor-Aha for others, with the name Menes also possibly used for one of these kings. This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c. 6000 BC and ending in the Naqada III period c. 3000 BC.
The ushabti was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from 𓅱𓈙𓃀𓏏𓏭𓀾 wšbtj, which replaced earlier 𓆷𓍯𓃀𓏏𓏭𓀾 šwbtj, perhaps the nisba of 𓈙𓍯𓃀𓆭 šwꜣb "Persea tree".
Ancient Egyptian art refers to art produced in ancient Egypt between the 31st century BC and the 4th century AD, spanning from the Early Dynastic Period until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
Talatat are limestone blocks of standardized size used during the 18th Dynasty reign of the Pharaoh Akhenaten in the building of the Aton temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. Their use may have begun in the second year of Akhenaten's reign. After the Amarna Period talatat construction was abandoned, apparently not having withstood the test of time.
Cobalt glass—known as "smalt" when ground as a pigment—is a deep blue coloured glass prepared by including a cobalt compound, typically cobalt oxide or cobalt carbonate, in a glass melt. Cobalt is a very intense colouring agent and very little is required to show a noticeable amount of colour.
The majority of Egyptologists agree on the outline and many details of the chronology of Ancient Egypt. This scholarly consensus is the so-called Conventional Egyptian chronology, which places the beginning of the Old Kingdom in the 27th century BC, the beginning of the Middle Kingdom in the 21st century BC and the beginning of the New Kingdom in the mid-16th century BC.
Salima Ikram is a Pakistani professor of Egyptology at the American University in Cairo, a participant in many Egyptian archaeological projects, the author of several books on Egyptian archaeology, a contributor to various magazines and a guest on pertinent television programs.
Egyptian blue, also known as calcium copper silicate (CaCuSi4O10 or CaOCuO(SiO2)4 (calcium copper tetrasilicate)) or cuprorivaite, is a pigment that was used in ancient Egypt for thousands of years. It is considered to be the first synthetic pigment. It was known to the Romans by the name caeruleum. After the Roman era, Egyptian blue fell from use and, thereafter, the manner of its creation was forgotten. In modern times, scientists have been able to analyze its chemistry and reconstruct how to make it. However, Raphael apparently also rediscovered it and used it in his Triumph of Galatea.
Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered [the material] with a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass". Its name in the Ancient Egyptian language was tjehenet, and modern archeological terms for it include sintered quartz, glazed frit, and glazed composition. Tjehenet is distinct from the crystalline pigment Egyptian blue, for which it has sometimes incorrectly been used as a synonym.
A frit is a ceramic composition that has been fused, quenched, and granulated. Frits form an important part of the batches used in compounding enamels and ceramic glazes; the purpose of this pre-fusion is to render any soluble and/or toxic components insoluble by causing them to combine with silica and other added oxides. However, not all glass that is fused and quenched in water is frit, as this method of cooling down very hot glass is also widely used in glass manufacture.
Hellenistic glass was glass produced during the Hellenistic period, from the conquests of Alexander the Great to the expansion of the Roman Empire in the Mediterranean, Europe, western Asia and northern Africa. Glassmaking at this time was based on the technological traditions of the Classical antiquity and the Late Bronze Age, but was marked by transition from limited production of luxury objects made for the social elite to mass production of affordable glass vessels used by the broader public to satisfy everyday needs.
The ways in which glass was exchanged throughout ancient times is intimately related to its production and is a stepping stone to learning about the economies and interactions of ancient societies. Because of its nature it can be shaped into a variety of forms and as such is found in different archaeological contexts, such as window panes, jewellery, or tableware. This is important because it can inform on how different industries of sections of societies related to each other – both within a cultural region or with foreign societies.
The following outline is provided as an overview of a topical guide to ancient Egypt:
The history of glass-making dates back to at least 3,600 BC in Mesopotamia, however some claim they may have been producing copies of glass objects from Egypt. Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. The earliest known glass objects, of the mid 2,000 BC, were beads, perhaps initially created as the accidental by-products of metal-working (slags) or during the production of faience, a pre-glass vitreous material made by a process similar to glazing. Glass products remained a luxury until the disasters that overtook the late Bronze Age civilizations seemingly brought glass-making to a halt.
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