Andrzej Krauze

Last updated

Andrzej Krauze
Born (1947-03-07) 7 March 1947 (age 77)
NationalityBritish
Alma mater Academy of Fine Arts in Warsaw
Known for Cartoon, drawing, illustration, caricature, painting, poster design, satire
Awards Victoria and Albert Museum Award for Illustration (1996); Ranan Lurie Political Cartoon Award (2002–03)
Website andrzejkrauze.com

Andrzej Krauze (born 7 March 1947) [1] is a Polish-born British cartoonist, illustrator, caricaturist, painter, poster designer [2] and satirist noted for his allegorical, fabulous, symbolic and sometimes scary imagery, as well as his reliance on black ink, bold lines and cross-hatching. [3] [4] His illustrations have been a regular fixture [2] in the British national daily newspaper The Guardian since 1989, [3] and he has also contributed to the English-language newspapers and magazines The New York Times , The Sunday Telegraph , The Times , International Herald Tribune , New Scientist , The Independent on Sunday , The Bookseller , New Statesman , Modern Painters , Campaign , The Listener , [1] New Society [2] and Story Teller . He won the Victoria and Albert Museum Award for Illustration in 1996, [1] and the Ranan Lurie Political Cartoon Award in 2003. [5]

Contents

Life and career

Early life and career in Poland

Andrzej Krauze was born in Dawidy Bankowe, [6] a village on the outskirts of Warsaw, Poland, on 7 March 1947. [1] His father was a small trader and there was no artistic tradition in the family. But his elder brother Antoni had become a film director and Krauze intended to follow him. Film school demanded a degree, so Krauze, who had always loved drawing, [2] began studying painting and illustration at the Academy of Fine Arts in Warsaw in 1967. In 1971, while still a student, he started contributing cartoons to the Polish satirical magazine Szpilki and won first prize in a poster design competition organised by the National Theatre in Warsaw for whom he then worked as a poster designer until 1973, when he graduated. His diploma submission, an animated film entitled The Flying Lesson, [1] was suppressed as anti-Polish [2] and not shown publicly until 2010, [7] but his growing success marked the end of his original ambition to become a film director, [2] and, after graduating, he continued contributing to Szpilki and began working as a political cartoonist for the weekly magazine Kultura. [1] Many of his cartoons were censored, but Krauze found this a creative challenge and spent the next six years irritating the censors and entertaining his readers. "He was a cult artist," recalled Wojciech Chmurzynski, director of Warsaw's Museum of Caricature, in 2001: "He was very important to [Polish] people in the 1970s, and his ... cartoons were universally known." Zuzanna Lipinska, daughter of the Museum of Caricature's founder, agrees: "Cartoons were important because there were a lot of things that couldn't be said directly, so people had to find metaphorical ways of saying them. [Krauze] was expressing the younger generation's discontent with the regime... He caught the tragicomic reality of Poland; the absurdity of Polish life." [2]

Career in Europe and move to London

By the end of the 1970s, Krauze decided to try his luck abroad. He continued to contribute to Kultura, [2] but in 1979 he moved to Paris and, after only a month, to London. After a year there, however, the Home Office refused to extend his visa, [8] forcing him to move to Amsterdam in 1980, where he worked as an illustrator for the Dutch newspaper NRC Handelsblad . From Amsterdam he moved back to Paris once again, where he contributed to the French magazines L'Express , L'Expansion and Lire [1] in 1981. [9] When martial law was declared in Poland in December 1981, he was once again in London organising an exhibition of his drawings. As he later recalled, "I said to myself, if I am a political cartoonist, this is my time. I only had a one-week tourist visa to begin with, but after martial law I published a lot of drawings in English, American and French newspapers, and immediately it was impossible to return [to Poland]. The borders were closed, it was very difficult to send journalists to Poland, there were no photographs coming out, and I was one of the few artists who could draw without fear." [2]

Career in Great Britain

Krauze remained in London and became a British citizen. [2] Between 1986 and 1990 he designed posters for London's Old Vic theatre, then under the directorship of Jonathan Miller, and began contributing cartoons and illustrations to the New Statesman in 1988, [1] The Guardian in 1989, and The Independent on Sunday in 1990. [3] He has also contributed to the English-language newspapers and magazines The New York Times , The Sunday Telegraph , The Times , International Herald Tribune , New Scientist , The Bookseller , Modern Painters , Campaign , The Listener , [1] New Society [2] and Story Teller . He won the Victoria and Albert Museum Award for Illustration in 1996, was appointed external examiner by the Royal College of Art in 1997, [1] and was awarded the Ranan Lurie Political Cartoon Award by the United Nations Correspondents Association in 2003. [5]

Return to Poland

In 2001, Krauze returned to Poland as an artist for the first time in 20 years, with a critically acclaimed exhibition in the Museum of Caricature, Warsaw, attended by the British ambassador and the celebrated Polish film director Andrzej Wajda among others. [10] He has since been widely published in Polish newspapers and weeklies, such as Rzeczpospolita and wSieci , as well as regularly having notable exhibitions in Warsaw. [11] [12]

In 2017, he was honoured with the President Lech Kaczynski Award for outstanding contributions to Polish art and culture, along with his brother, film director Antoni Krauze, at the VII Congress of the Polish Great Project in Warsaw. [13] [14] Andrzej Krauze was further named a laureate of Polish art and awarded the Gold Medal for Merit to Culture – Gloria Artis, which is the highest distinction that the Minister of Culture can give to an artist on behalf of the Polish Republic. [15]

Krauze lives in London. He continues to have his work published widely in both England and Poland and has recently exhibited in Warsaw and Tuscany. [16]

Critical responses to work

Cultural historian Patrick Wright, whose book On Living in an Old Country (1985) Krauze illustrated, recalls of Krauze's early work that it was "like nothing else in Britain at that time... Many of [his drawings] were defiantly crude onslaughts, which used strong ink lines and ferocious cross-hatching to emphasise the violence of the Communist state and then hurl it back in the face of the regime... [H]is eye seemed harsher, and sometimes frankly disrespectful of the foibles and eccentricities of British life. His drawings lacked the cool 'designer' cynicism of an age increasingly defined by advertising imagery... [He was] an illustrator with a more distanced eye than was customary in English illustration." [4]

Alan Rusbridger, editor of The Guardian , has similarly commented that Krauze "helped introduce an intelligence and sophistication into serious British illustration." [17]

Journalist Francis Wheen has written of Krauze that "whatever [his] subject ... his ironic, cosmopolitan intelligence never fails to enlighten... Krauze can do caricatures and jokes, of course, but his real genius lies in the creation of vivid metaphor... absurd, sometimes scary imagery that owes more to writers such as Bulgakov or Alfred Jarry than to Jak or Mac... this is a man who both works hard and thinks hard, as proved by his dozens of brilliantly apt drawings in the book Introducing The Enlightenment [2000]... Krauze is both an artist and an intellectual; but he wears his learning lightly. Like all good intellectuals, he keeps Occam's razor within easy reach, ready to slash through obfuscation and reveal a plain truth in all its simplicity – or perhaps one should say 'in black and white', since he employs black ink more tellingly than any other illustrator I know... this remarkable artist has always accepted the duty that is more traditionally assigned to journalists, though many of them prefer to duck the challenge: he speaks truth to power." [3]

Selected books illustrated by Andrzej Krauze

Children's books

Related Research Articles

<span class="mw-page-title-main">Czesław Miłosz</span> Polish-American poet and Nobel laureate

Czesław Miłosz was a Polish-American poet, prose writer, translator, and diplomat. He primarily wrote his poetry in Polish. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts".

<span class="mw-page-title-main">Cartoon</span> Type of two-dimensional visual art

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

<span class="mw-page-title-main">John Tenniel</span> British illustrator and cartoonist (1820–1914)

Sir John Tenniel was an English illustrator, graphic humourist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist.

<span class="mw-page-title-main">David Low (cartoonist)</span> New Zealand born cartoonist (1891–1963)

Sir David Alexander Cecil Low was a New Zealand political cartoonist and caricaturist who lived and worked in the United Kingdom for many years. Low was a self-taught cartoonist. Born in New Zealand, he worked in his native country before migrating to Sydney in 1911, and ultimately to London (1919), where he made his career and earned fame for his Colonel Blimp depictions and his satirising of the personalities and policies of German dictator Adolf Hitler, Italian dictator Benito Mussolini, Soviet leader Joseph Stalin, and other leaders of his times.

<span class="mw-page-title-main">Cartoonist</span> Visual artist who makes cartoons

A cartoonist is a visual artist who specializes in both drawing and writing cartoons or comics. Cartoonists differ from comics writers or comics illustrators/artists in that they produce both the literary and graphic components of the work as part of their practice.

<span class="mw-page-title-main">Political cartoon</span> Illustration used to comment on current events and personalities

A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.

<span class="mw-page-title-main">Gerald Scarfe</span> English cartoonist, illustrator, animator (born 1936)

Gerald Anthony Scarfe is an English cartoonist and illustrator. He has worked as editorial cartoonist for The Sunday Times and illustrator for The New Yorker.

Edward Sorel is an American illustrator, caricaturist, cartoonist, graphic designer and author. His work is known for its storytelling, its left-liberal social commentary, its criticism of reactionary right-wing politics and organized religion. Formerly a regular contributor to The Nation, New York Magazine and The Atlantic, his work is today seen more frequently in Vanity Fair. He has been hailed by The New York Times as "one of America's foremost political satirists". As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing".

<span class="mw-page-title-main">Edward Linley Sambourne</span>

Edward Linley Sambourne was an English cartoonist and illustrator most famous for being a draughtsman for the satirical magazine Punch for more than forty years and rising to the position of "First Cartoonist" in his final decade. He was also a great-grandfather of Antony Armstrong-Jones, 1st Earl of Snowdon, who was the husband of Princess Margaret.

<span class="mw-page-title-main">Tom Richmond (illustrator)</span> American cartoonist

Tom Richmond is an American freelance humorous illustrator, cartoonist and caricaturist whose work has appeared in many national and international publications since 1990. He was chosen as the 2011 "Outstanding Cartoonist of the Year", also known as "The Reuben Award", winner by the National Cartoonists Society.

Peter Whalley was a Canadian caricaturist, cartoonist, illustrator and sculptor.

Jim Bamber was a British artist and editorial cartoonist specialising in motorsport, who is best known for his motor racing related caricatures which incorporate his distinctive driver designs, that adorned every issue of Autosport magazine as well as his annual compilation of cartoons from the magazine called The Pits.

<span class="mw-page-title-main">Jerzy Zaruba</span> Polish graphic artist

Jerzy Zaruba (1891–1971) was a Polish graphic artist, stage scenographer and caricaturist; author of satirical drawings, political crèches and illustrations for books and magazines. Pupil of Stanisław Lentz. His work was part of the painting event in the art competition at the 1928 Summer Olympics.

<span class="mw-page-title-main">Andrzej Szczypiorski</span> Polish writer

Andrzej Szczypiorski was a Polish novelist and politician. He served as a member of the Polish legislature, and was a Solidarity activist interned during the military crackdown of 1981. He was a secret police agent in the 1950s.

<span class="mw-page-title-main">Kazimierz Brandys</span> Polish academic

Kazimierz Brandys was a Polish essayist and writer of film scripts.

<span class="mw-page-title-main">Museum of Caricature, Warsaw</span> Art museum in Warsaw, Poland

Museum of Caricature is a museum in Warsaw, Poland. The museum was founded by Eryk Lipiński in 1978, and he was the director of the museum until his death in 1991. The museum has a collection of over 20,000 pieces by Polish and foreign artists.

David Alan Parkins is a British cartoonist and illustrator who has worked for D.C. Thomson, publisher of The Beano and The Dandy. Now based in Canada, he illustrates children's picture books.

<span class="mw-page-title-main">Irena Krzywicka</span> Polish feminist (1899–1994)

Irena Krzywicka née Goldberg was a Polish feminist, writer, translator and activist for women's rights, who promoted sexual education, contraception and planned parenthood.

<span class="mw-page-title-main">Antoni Krauze</span> Polish film director and screenwriter

Antoni Krauze was a Polish screenwriter and director.

Tomasz Samojlik is a scientist, a biologist and an environmental historian. In his research he focuses mainly on the history of fires and their role in shaping the Białowieża Primeval Forest's environment, the role of livestock grazing in modifying woodlands of the Białowieża Forest in the last five centuries, and the environmental history of the Białowieża Forest in the 19th and 20th centuries.

References

  1. 1 2 3 4 5 6 7 8 9 10 "Andrzej Krauze". British Cartoon Archive . Retrieved 2 March 2013.
  2. 1 2 3 4 5 6 7 8 9 10 11 Stephen Moss (17 October 2001). "Spitting images". The Guardian . Retrieved 2 March 2013.
  3. 1 2 3 4 Francis Wheen (8 March 2003). "Master of his art". The Guardian. Retrieved 24 February 2013.
  4. 1 2 Patrick Wright (17 November 2007). "Andrzej Krauze comes to London" (PDF). PatrickWright.net. Retrieved 24 February 2013.
  5. 1 2 "UN award for cartoonist". The Guardian. 18 November 2003. Retrieved 2 March 2013.
  6. "Andrzej Krauze 'Trzy Dekady'" [Andrzej Krauze 'Three Decades'] (in Polish). Biuro Wystaw Artystycznych w Jeleniej Górze. Archived from the original on 11 April 2013. Retrieved 23 February 2013.
  7. Krauze, Andrzej (2010). The Sleep of Reason... Drawings 1970–1989. Instytut Pamięci Narodowej. p.  4. ISBN   978-83-7629-129-1. A DVD version of a film entitled The Flying Lesson (1973, dir. Andrzej Krauze) from the Studio Miniatur Filmowych is attached
  8. Krauze (2010). The Sleep of Reason... Drawings 1970–1989. p.  73. ISBN   9788376291291. On 14 August 1979, I left Poland ... After a month spent in Paris we headed for London. ... After a year, however, the Home Office re-fused to extend our visas and we were obliged to leave England.
  9. Krauze (2010). The Sleep of Reason... Drawings 1970–1989. p.  73. ISBN   9788376291291. in January 1981 returned to Paris.
  10. Moss, Stephen (17 October 2001). "Andrzej Krauze's emotional homecoming". The Guardian. ISSN   0261-3077 . Retrieved 7 January 2019.
  11. "Andrzej Krauze – 15 lat z 'Rzeczpospolitą'". Logo RP (in Polish). Retrieved 15 April 2019.
  12. "Wystawa Andrzeja Krauzego "Drzewa" Tygodnik Sieci". www.wsieciprawdy.pl. Retrieved 7 January 2019.
  13. "Andrzej i Antoni Krauze odebrali Nagrodę im. Lecha Kaczyńskiego". www.tvp.info (in Polish). 20 May 2017. Retrieved 7 January 2019.
  14. "Kaczyński wręczył Antoniemu Krauze i Andrzejowi Krauze nagrodę im. L. Kaczyńskiego". Newsweek.pl (in Polish). Retrieved 7 January 2019.
  15. Andrzej Krauze ze Złotym Medalem "Gloria Artis" MKiDN - 2017 (in Polish), retrieved 7 January 2019
  16. "Baudelaire, a Lucca Libri si presentano i 'Quadri parigini'" [Baudelaire, the 'Parisian paintings' are presented at Lucca Libri]. Lucca in Diretta (in Italian). 13 December 2017. Retrieved 15 April 2019.
  17. Alan Rusbridger. "Andrzej Krauze: Drawings 1970–2003". The Guardian. Retrieved 2 March 2013.