Black is a color that results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates.
A dagger is a fighting knife with a very sharp point and usually two sharp edges, typically designed or capable of being used as a thrusting or stabbing weapon. Daggers have been used throughout human history for close combat confrontations, and many cultures have used adorned daggers in ritual and ceremonial contexts. The distinctive shape and historic usage of the dagger have made it iconic and symbolic. A dagger in the modern sense is a weapon designed for close-proximity combat or self-defense; due to its use in historic weapon assemblages, it has associations with assassination and murders. Double-edged knives, however, play different sorts of roles in different social contexts.
Lingerie is a category of primarily women's clothing including undergarments, sleepwear, and lightweight robes. The choice of the word is often motivated by an intention to imply that the garments are alluring, fashionable, or both. In a 2015 US survey, 75% of women and 26% of men reported having worn "sexy lingerie" in their lifetime.
A waistcoat, or vest, is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A coat typically is an outer garment for the upper body as worn by either gender for warmth or fashion. Coats typically have long sleeves and are open down the front and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps and hoods.
The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets. The appearance of the garment represented a change from people wearing clothes to fit their bodies to changing the shape of their bodies to support and fit their fashionable clothing.
A belt, especially if a cord or rope, is called a girdle if it is worn as part of Christian liturgical vestments, or in certain historical, literary or sports contexts.
Frock has been used since Middle English as the name for an article of clothing, typically coat-like, for men and women.
A bustle is a padded undergarment used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. Bustles are worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it. As a result a woman's petticoated skirt would lose its shape during everyday wear.
The baselard, Schwiizerdolch in Swiss-German is a historical type of dagger or short sword of the Late Middle Ages.
A petronel is a 16th and 17th century black powder muzzle-loading firearm, defined by Robert Barret as a horsemans peece. It was the muzzle-loading firearm which developed on the one hand into the pistol and on the other into the carbine. The name was given to the weapon either because it was fired with the butt resting against the chest or it was carried slung from a belt across the chest. Petronels are found with either matchlock or wheellock mechanisms.
A chaperon was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood.
A poniard or poignard is a long, lightweight thrusting knife with a continuously tapering, acutely pointed blade, and a cross-guard, historically worn by the upper class, noblemen, or members of the knighthood. Similar in design to a parrying dagger, the poniard emerged during the Middle Ages and was used during the Renaissance in Western Europe, particularly in France, Switzerland, and Italy.
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, in which Fernand Braudel concurs. The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form. Also, the use of lacing and buttons allowed a more snug fit to clothing.
Twelfth century European fashion was simple and differed only in details from the clothing of the preceding centuries. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or gowns. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Breeching was the occasion when a small boy was first dressed in breeches or trousers. From the mid-16th century until the late 19th or early 20th century, young boys in the Western world were unbreeched and wore gowns or dresses until an age that varied between two and eight. Various forms of relatively subtle differences usually enabled others to tell little boys from little girls, in codes that modern art historians are able to understand but may be difficult for the layperson to discern.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
A ferronnière is a style of headband that encircles the wearer's forehead, usually with a small jewel suspended in the centre. The original form of the headband was worn in late fifteenth-century Italy, and was rechristened a ferronnière at the time of its revival in the second quarter of the nineteenth century for both day and formal and evening wear.
Armour in the 18th century was minimalist and restricted almost entirely to cavalry, primarily to cuirassiers and, to a lesser degree, carabiniers and dragoons. Armour had been in rapid decline since the Thirty Years' War, although some archaisms had lingered on into the early years of the 18th century, like Austrian cuirassiers with buff coats and lobster-tailed helmets or Hungarian warriors with mail armour and shields. With the exception of Poland-Lithuania, which still made use of hussars wearing suits of plate armour, armour in Europe was primarily restricted to a breast- and backplate, the cuirass, and a simple iron skull cap worn under the hat. By the later 18th century, there were two contradicting developments. Many cuirassier regiments were discarding their cuirasses, while helmets in the form of so-called dragoon helmets, made of brass or leather, made a comeback among the cavalry and infantry.
