Related Research Articles
Stephen Collins Foster, known as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", "Old Folks at Home", "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today.
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white actors wearing blackface make-up for the purpose of playing the role of black minstrels. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dim-witted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.
"Turkey in the Straw" is an American folk song that first gained popularity in the 19th century. Early versions of the song were titled "Zip Coon", which were first published around 1834 and performed in minstrel shows, with different people claiming authorship of the song. The melody of "Zip Coon" later became known as "Turkey in the Straw"; a song titled "Turkey in de Straw" with different music and lyrics was published in 1861 together with the wordless music of "Zip Coon" added at the end, and the title "Turkey in the Straw" then became linked to the tune of "Zip Coon".
"Old Folks at Home" is a minstrel song written by Stephen Foster in 1851. Since 1935, it has been the official state song of Florida, although in 2008 the original lyrics were revised. It is Roud Folk Song Index no. 13880.
"My Old Kentucky Home, Good-Night!" is a sentimental ballad written by Stephen Foster, probably composed in 1852. It was published in January 1853 by Firth, Pond, & Co. of New York. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel Uncle Tom's Cabin, as evidenced by the title of a sketch in Foster’s sketchbook, “Poor Uncle Tom, Good-Night!”
"Oh, Susanna" is a minstrel song by Stephen Foster (1826–1864), first published in 1848. It is among the most popular American songs ever written. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"The Yellow Rose of Texas" is a traditional American folk song dating back to at least the 1850s. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Several versions of the song have been recorded, including by Elvis Presley, Willie Nelson and Mitch Miller.
"I've Been Working on the Railroad" is an American folk song. The first published version appeared as "Levee Song" in Carmina Princetonia, a book of Princeton University songs published in 1894. The earliest known recording is by the Shannon Quartet, released by Victor Records in 1923.
"Gwine to Run All Night, or De Camptown Races" is a minstrel song by Stephen Foster (1826–1864). It was published in February 1850 by F. D. Benteen of Baltimore, Maryland, and Benteen published a different version with guitar accompaniment in 1852 under the title "The Celebrated Ethiopian Song/Camptown Races". The song quickly entered the realm of popular Americana. Louis Moreau Gottschalk (1829–1869) quotes the melody in his virtuoso piano work Grotesque Fantasie, the Banjo, op. 15 published in 1855. In 1909, composer Charles Ives incorporated the tune and other vernacular American melodies into his orchestral Symphony No. 2.
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song. Over the years, several variants have appeared.
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S.
"Old Dan Tucker," also known as "Ole Dan Tucker," "Dan Tucker," and other variants, is an American popular song. Its origins remain obscure; the tune may have come from oral tradition, and the words may have been written by songwriter and performer Dan Emmett. The blackface troupe the Virginia Minstrels popularized "Old Dan Tucker" in 1843, and it quickly became a minstrel hit, behind only "Miss Lucy Long" and "Mary Blane" in popularity during the antebellum period. "Old Dan Tucker" entered the folk vernacular around the same time. Today it is a bluegrass and country music standard. It is no. 390 in the Roud Folk Song Index.
"Wait for the Wagon" is an American folk song, first popularized in the early 1850s.
Hokum is a particular song type of American blues music—a humorous song which uses extended analogies or euphemistic terms to make sexual innuendos. This trope goes back to early blues recordings and is used from time to time in modern American blues and blues rock.
"Miss Lucy Long", also known as "Lucy Long" as well as by other variants, is an American song that was popularized in the blackface minstrel show.
"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
"Old Rosin the Beau" is an American folk song popular in the 19th century, probably of British or Irish origin, first published in Philadelphia during 1838.
"Bonaparte's Retreat" is the name of two related songs. The original was a wordless melody that existed as various fiddle tunes dating back to at least the late 1800s and probably well before that. In 1950, American country music artist Pee Wee King recorded a modified version of the song, with lyrics added, which he also called "Bonaparte's Retreat". This latter song has been covered by many country artists.
Temperance songs are those musical compositions that were sung and performed to promote the Temperance Movement from the 1840s to the 1920s. It was a distinct genre of American music. In 1830 the US per capita consumption of alcohol was 9.5 gallons yearly, almost four times the rate of consumption in 2008. In response, many temperance organizations formed over the next eighty years. Some temperance song lyrics were sung with already well-known songs of the period, for example, "Oh! Susanna". This Stephen Foster melody was used with lyrics in support of temperance and the title changed to “There's A Good Time Coming,” in 1857, ten years after the publication of the original lyrics of "Oh! Susanna".
References
- ↑ Foster, Stephen (1850). Angelina Baker (musical score). Foster's plantation melodies. Vol. 4. as sung by the Christy Minstrels. Baltimore, New Orleans: F. D. Benteen. OCLC 23161833.
- ↑ The Center for American Music. "Professional Career". University of Pittsburgh . Retrieved 22 November 2010.
- ↑ Ken Emerson. 1998. Doo-dah!: Stephen Foster and the rise of American popular culture . Da Capo Press. p. 162.
- ↑ Uncle Alec Dunford, John A. Lomax. "Angelina the Baker". Archived from the original on October 19, 2012. Retrieved 26 November 2010.
- ↑ ""It's Olt Time we don't have to be in tune" - Telling remark, intended as humorous, indicating that this tune is OT Lonesome River Band at Gettysburg Bluegrass Festival 082308 0000 "Angeline the Baker"". Youtube.com. 2008-09-23. Retrieved 2011-07-27.
- 1 2 NBB at the 2007 Delaware Valley Bluegrass Festival. For more info, visit www.delawarevalleybluegrass.org
- ↑ "Old Songs: Angeline The Baker". Lizlyle.lofgrens.org. Retrieved 2011-07-27.
- ↑ "Crooked Still, Angeline The Baker Lyrics
". Stephen Foster. Retrieved 2015-11-20.
