"Another Park, Another Sunday" | ||||
---|---|---|---|---|
Single by The Doobie Brothers | ||||
from the album What Were Once Vices Are Now Habits | ||||
B-side | "Black Water" | |||
Released | March 13, 1974 | |||
Genre | Rock | |||
Length | 4:27 | |||
Label | Warner Bros. | |||
Songwriter(s) | Tom Johnston | |||
Producer(s) | Ted Templeman | |||
The Doobie Brothers singles chronology | ||||
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"Another Park, Another Sunday" is a song by American rock band The Doobie Brothers. It was released as the lead single from their fourth studio album What Were Once Vices Are Now Habits on March 13, 1974. It peaked at number 32 on the Billboard Hot 100. [1] The song was later included on the compilation The Very Best of the Doobie Brothers (2007).
Despite reaching the top 40, the song fell short of the band's previous singles, both of which had cracked the top 20. [1] However, the single's B-side, "Black Water" started to receive more airplay. [2] The band then released "Black Water" as an A-side (the third single from the album), and it eventually became the band's first number one hit. [1] [2]
Billboard has described "Another Park, Another Sunday" as a "tale of heartbreak and loss." [3]
Music writer Steve Millward described the Doobie Brothers as being technically proficient without self-indulgence and noted that the songs on What Were Once Vices Are Now Habits are almost all up-tempo rockers. He considered "Another Park, Another Sunday" is a partial exception, stating that "even when they threaten to go in another direction – as on the reflective 'Another Park, Another Sunday'...the lure of returning to their comfort zone is too strong." [4]
Songwriter and vocalist Tom Johnston blamed its relative lack of success on reaction from FM radio stations due to a certain line: "[the song] was doing real well [in single release], and then it got yanked off the radio for the line '…and the radio just seems to bring me down'". [5]
In 1980, Pickwick International, Inc. released an album, entitled "Introducing The Doobie Brothers", of the band's earliest songs which were recorded in 1970. The last song on Side Two, "I'll Keep On Giving", is the obvious precursor to "Another Park, Another Sunday" since the melody is almost identical.
Cashbox called "Another Park, Another Sunday" an "almost lazy Summer Sunday afternoon type track" and found it likely to be a hit on pop and progressive radio stations. [6] Record World said that it was "gentler fare" than previous Doobie Brothers' hits and "more melodic and easy-tempoed this time, in tune with the pastoral weekend setting." [7] Allmusic critic Bruce Eder said it "[outdoes] the Eagles and Poco at their respective country-rock games (and [keeps] a certain soulful edge, too). [8] Billboard ranked it fifth in their list of the ten best Doobie Brothers songs. [3]
The Doobie Brothers are an American rock band formed in 1970 in San Jose, California, known for their flexibility in performing across numerous genres and their vocal harmonies. Active for five decades, with their greatest success during the 1970s, the group's current lineup consists of founding members Tom Johnston and Patrick Simmons, alongside Michael McDonald and John McFee, and touring musicians including John Cowan, Marc Russo (saxophones), Ed Toth (drums), and Marc Quiñones.
Charles Thomas Johnston is an American musician. He is a guitarist and vocalist, known principally as a founder, guitarist, lead vocalist and songwriter for the rock group the Doobie Brothers, as well as for his own solo career. He has played off and on with the Doobie Brothers for 50 years, in several styles.
The Captain and Me is the third studio album by American rock band The Doobie Brothers. The album was released on March 2, 1973, by Warner Bros. Records. It features some of their most popular hits including "Long Train Runnin'", "China Grove" and "Without You". The album is certified 2× Platinum by the RIAA.
What Were Once Vices Are Now Habits is the fourth studio album by American rock band the Doobie Brothers. The album was released on February 1, 1974, by Warner Bros. Records.
Stampede is the fifth studio album by American rock band the Doobie Brothers. The album was released on April 25, 1975, by Warner Bros. Records. It was the final album by the band before Michael McDonald replaced Tom Johnston as lead vocalist and primary songwriter. The album has been certified gold by the RIAA.
Takin' It to the Streets is the sixth studio album by American rock band The Doobie Brothers. The album was released on March 19, 1976, by Warner Bros. Records. It was the first to feature Michael McDonald on lead vocals.
Minute by Minute is the eighth studio album by American rock band the Doobie Brothers, released on December 1, 1978, by Warner Bros. Records. It was their last album to include members John Hartman and Jeff "Skunk" Baxter.
Cycles is the tenth studio album by American rock band The Doobie Brothers. The album was released on May 17, 1989, by Capitol Records.
Brotherhood is the eleventh studio album by American rock band The Doobie Brothers. The album was released on April 15, 1991, by Capitol Records. It was their second and final album for Capitol. It also marked the final appearances on a Doobie Brothers album by bassist Tiran Porter and original drummer John Hartman.
Rockin’ Down the Highway: The Wildlife Concert is the second double live album by American rock band The Doobie Brothers, released in 1996. The concerts were performed to benefit the Wildlife Conservation Society, hence the album's title.
On Our Way Up is one of several unauthorized releases of an early Doobie Brothers demo recorded in 1970. Other unauthorized releases of some or all of the tracks on this recording include Runaround Ways, Introducing The Doobie Brothers, Still Smokin' and Excitement, among other titles. The covers of the releases commonly show pictures of later Doobie Brothers lineups, including members that don't appear on the recording.
Live at Wolf Trap is the third live album by US rock band The Doobie Brothers, released in 2004.
"Black Water" is a song recorded by the American music group the Doobie Brothers from their 1974 album What Were Once Vices Are Now Habits. The track features its composer Patrick Simmons on lead vocals and, in mid-March 1975, became the first of the Doobie Brothers' two No. 1 hit singles.
"Long Train Runnin'" is a song recorded by American rock band the Doobie Brothers and written by band member Tom Johnston. It was included on the band's third album, The Captain and Me (1973), and was released as a single by Warner Bros., becoming a hit and peaking at No. 8 on the US Billboard Hot 100.
"China Grove" is a song by American rock band the Doobie Brothers, released in 1973 on their third studio album, The Captain and Me. It was written and sung by the band's original lead singer and songwriter Tom Johnston. The song reached number 15 on the US Billboard Hot 100. While there is a real place named China Grove in Texas, Johnston's lyrics about the community are mostly fictional. The song spent eight weeks in the Top 40.
"Listen to the Music" is a song by American rock band the Doobie Brothers, released on their second album, Toulouse Street (1972). The song was their first major hit. It was written by Tom Johnston. In 1994, it received a remix by Steve Rodway a.k.a. Motiv8 in 1994, which eventually peaked at #37 UK.
Greatest Hits is a 2001 compilation album by the Doobie Brothers. Its 20 songs appear in chronological order of original release, except for their debut single "Nobody" being placed at track 7 because it was reissued in 1974 to greater chart success than its original release. Greatest Hits peaked at number 142 on the US Billboard 200 and it also peaked at number 45 on the UK Albums Chart.
Patrick Simmons is an American musician best known as a founding member of the rock band The Doobie Brothers, with whom he was inducted as into the Rock and Roll Hall of Fame in 2020. Born in Aberdeen, Washington, he has been the only consistent member of the band throughout their tenure.
"Wheels of Fortune" is a song written by Patrick Simmons, Jeff Baxter and John Hartman. It was first released by the Doobie Brothers on their 1976 album Takin' It to the Streets. It was also released as the second single from the album.