"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley, Tony Swain, and produced by Jolley and Swain. Released in 1983, it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983 and the group performed it live on the BBC's Top of the Pops that summer, and after its inclusion in the 1984 film The Karate Kid, it reached number nine on the US Billboard Hot 100.
"When I Grow Up" is a 1998 song written, recorded and produced by alternative rock band Garbage. The song was released as the fourth international single to be taken from the band's multi-platinum second album Version 2.0 over the course of the following year.
D.C. LaRue is an American singer, songwriter and producer. His music was successful in clubs and on dance music charts worldwide during the 1970s and early 1980s.
"System Addict" is a 1985 single by the British pop group Five Star. It was the group's first Top 10 hit, reaching number three in 1986. It is also their second biggest-selling single, being certified silver by the British Phonographic Industry for sales in excess of 250,000 copies. It was the seventh and final UK single from their debut album Luxury of Life. The music video was directed by Sebastian Harris.
"Rock My World" is the name of a 1988 hit single by British pop group Five Star. It became their last UK Top 40 hit, peaking at #28. The video saw the band leather clad, with long hair extensions, dancing in the bottom of a quarry, with dumper trucks driving around them. The B-side, "Sweetest Innocence", received a BPI award for best instrumental.
"A Trick of the Night" is a mid-tempo ballad recorded by English girl group Bananarama. It was written and produced by Steve Jolley and Tony Swain and released as the final single from Bananarama's album True Confessions.
Fade to Grey: The Singles Collection is a 1983 compilation album by the British synth-pop group Visage.
"Self Control" is a song by Italian singer Raf, released in 1984. It was written by Giancarlo Bigazzi, Steve Piccolo and Raf, and arranged by Celso Valli. The track topped the charts in Italy and Switzerland, and started the explosion and dominance of Italo disco-style recordings in continental European charts during the 1980s.
"Let Me Be Yours" is the name of a 1988 single by the British pop group Five Star. Released in November of that year as their intended Christmas single, the track entered the UK charts at #51 but failed to go any higher.
"Someone's in Love" is the name of a 1988 US only remixed single by British pop group Five Star. It reached #36 on the US R&B Billboard chart. The single was the third of five releases from their album and the lead single from the album Rock the World in USA.
"If I Say Yes" is a 1986 single by British pop group Five Star, and was the follow-up to their biggest-ever UK single, the #2 ranked "Rain or Shine". It was the fourth release from the group's Silk & Steel album. A 3:43 remixed version of the song, which was the version released in the U.S., appeared on the group's 1989 Greatest Hits album.
"Love Take Over" is a 1985 hit single by British pop group Five Star. The single was written and produced by Rob Van Schaick and Bernard Oates. "Love Take Over" was a UK Top 30 success, peaking at #25 and also at #9 in the Hot R&B/Hip-Hop Songs chart.
"Let Me Be The One" is the name of a 1985 hit single by British pop group Five Star, and was the fourth release from their debut album Luxury of Life, released in the summer of 1985. "Let Me Be The One" was the group's second UK Top 20 single of the year, reaching #18. It also reached #2 on the U.S. R&B Billboard chart.
Rock the World is the fourth album by the British pop group Five Star. It was released in 1988 and reached #17 on the UK charts.
"With Every Heartbeat" is a 1989 single by the British pop group Five Star. It was their last single for RCA, the label they signed with in 1983. It reached #49 on the UK charts.
"Come and Get Your Love" is a song by American rock band Redbone. The song was originally released as a promo track under the name "Hail" and was later featured on their fifth album, Wovoka (1973), under its current name. The song was released as the album's first single the following year. Written and produced by band members Pat and Lolly Vegas, it is one of the band's most successful singles. It made them the first Native American band to reach the top five on the Billboard Hot 100, reaching number five. The song later appeared on many "greatest hits" albums released by the band, as well as on numerous compilation albums of the 1970s. A cutout style-animated music video was released in 2020.
Mollie Elizabeth King is an English pop singer, songwriter, radio presenter and a member of girl group The Saturdays.
"Love Rendezvous" is a song by British band M People, released in October 1995 by Deconstruction as the fourth single from their third album, Bizarre Fruit/Bizarre Fruit II (1994). Written by Mike Pickering, Paul Heard and Heather Small, and produced by M People, the song was released on 14 October after the band's world tour. It peaked at number thirty two on the UK Singles Chart and number 59 on the Eurochart Hot 100. The music video for the song was directed by Matthew Amos and filmed in Rio de Janeiro, Brazil.
"The Pop Kids" is a song by English synth-pop duo Pet Shop Boys from their thirteenth studio album, Super (2016). It was released on 16 February 2016 as the album's lead single.
"Whiggle in Line" is a song by Italian group Black Duck, released as their only single in December 1994 by Flying South Records. It is an electronic Eurodance style take on "Saturday Night" by Danish/Italian act Whigfield. Produced by Davide Riva and Larry Pignagnoli, the producers of the original track, it has an added ragga rap element and slightly different female vocals to the original, which is performed by British singer and TV host Carryl Varley, who also used to front Italian band Jinny. The single was a notable hit in several countries, peaking at number 11 on the Canadian RPM Dance/Urban chart and number 20 in Denmark. In the UK, it reached the top 40, peaking at number 33, but on the UK Dance Chart it fared better, reaching a respectable number 12. It also enjoyed modest airplay in the US.
