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An anti-nihilistic novel [note 1] is a form of novel from late 19th-century Russian literature, that came as a reaction to the disillusioned attitudes of the Russian nihilist movement and revolutionary socialism of the 1860s and 1870s. [1] The genre was influential in shaping subsequent ideas on nihilism as a philosophy and cultural phenomenon. [2] Its name derives from the historical usage of the word nihilism as broadly applied to revolutionary movements within the Russian Empire at the time.
In the more formulaic works of this genre, the typical protagonist is a nihilist student. In contrast to the Chernyshevskian character of Rakhmetov however, the nihilist is weak-willed and is easily seduced into subversive activities by a villain, often a Pole (in reference to Polish nationalist insurrectionary efforts against the Russian Empire). [note 2] [3] The more meritous works of this genre managed to explore nihilism with less caricature. [3] Many anti-nihilistic novels were published in the conservative literary magazine The Russian Messenger edited by Mikhail Katkov. [1]
From the period 1860–1917, Russian nihilism was both a nascent form of nihilist philosophy and broad cultural movement which overlapped with certain revolutionary tendencies of the era, [4] for which it was often wrongly characterized as a form of political terrorism. [5] Russian nihilism centered on the dissolution of existing values and ideals, incorporating theories of hard determinism, atheism, materialism, positivism, and rational egoism, while rejecting metaphysics, sentimentalism, and aestheticism. [6] Leading philosophers of this school of thought included Nikolay Chernyshevsky and Dmitry Pisarev. [7]
The intellectual origins of the Russian nihilist movement can be traced back to 1855 and perhaps earlier, [8] where it was principally a philosophy of extreme moral and epistemological skepticism. [9] However, it was not until 1862 that the name nihilism was first popularized, when Ivan Turgenev used the term in his celebrated novel Fathers and Sons to describe the disillusionment of the younger generation towards both the progressives and traditionalists that came before them, [10] as well as its manifestation in the view that negation and value-destruction were most necessary to the present conditions. [11] The movement very soon adopted the name, despite the novel's initial harsh reception among both the conservatives and younger generation. [12]Nihilism came into conflict with Orthodox religious authorities, as well as with the Tsarist autocracy. [13] Young radicals began calling themselves nihilists in university protests, innocuous youthful rebellions, and ever-escalating revolutionary activities, which included widespread arson. [14] The theoretic side of nihilism was somewhat distinct from this violent expression however. [15] Nevertheless, nihilism was widely castigated by conservative publicists and government authorities. [16] Fathers and Sons is sometimes considered a more sympathetic work of the anti-nihilistic genre, as with Dostoevsky's The Brothers Karamazov ; [2] Turgenev's own opinion of his nihilist character Bazarov was ambivalent, stating: "Did I want to abuse Bazarov or extol him? I do not know myself, since I don't know whether I love him or hate him." [17]
Egoism is a philosophy concerned with the role of the self, or ego, as the motivation and goal of one's own action. Different theories of egoism encompass a range of disparate ideas and can generally be categorized into descriptive or normative forms. That is, they may be interested in either describing that people do act in self-interest or prescribing that they should. Other definitions of egoism may instead emphasise action according to one's will rather than one's self-interest, and furthermore posit that this is a truer sense of egoism.
Fyodor Mikhailovich Dostoevsky, sometimes transliterated as Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Numerous literary critics regard him as one of the greatest novelists in all of world literature, as many of his works are considered highly influential masterpieces.
Nihilism is a family of views within philosophy that rejects generally accepted or fundamental aspects of human existence, such as knowledge, morality, or meaning. The term was popularized by Ivan Turgenev and more specifically by his character Bazarov in the novel Fathers and Sons.
Ivan Sergeyevich Turgenev was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West.
The House of the Dead is a semi-autobiographical novel published in 1860–2 in the journal Vremya by Russian author Fyodor Dostoevsky. It has also been published in English under the titles Notes from the House of the Dead, Memoirs from the House of the Dead and Notes from a Dead House, which are more literal translations of the Russian title. The novel portrays the life of convicts in a Siberian prison camp. It is generally considered to be a fictionalised memoir; a loosely-knit collection of experiences, events and philosophical discussion based on Dostoevsky's experiences as a prisoner, organised around theme and character rather than plot. Dostoevsky spent four years in a forced-labour prison camp in Siberia following his conviction for involvement in the Petrashevsky Circle. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts.
Nikolai Semyonovich Leskov was a Russian novelist, short-story writer, playwright, and journalist, who also wrote under the pseudonym M. Stebnitsky. Praised for his unique writing style and innovative experiments in form, and held in high esteem by Leo Tolstoy, Anton Chekhov and Maxim Gorky among others, Leskov is credited with creating a comprehensive picture of contemporary Russian society using mostly short literary forms. His major works include Lady Macbeth of Mtsensk (1865), The Cathedral Folk (1872), The Enchanted Wanderer (1873), and "The Tale of Cross-eyed Lefty from Tula and the Steel Flea" (1881).
Demons is a novel by Fyodor Dostoevsky, first published in the journal The Russian Messenger in 1871–72. It is considered one of the four masterworks written by Dostoevsky after his return from Siberian exile, along with Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880). Demons is a social and political satire, a psychological drama, and large-scale tragedy. Joyce Carol Oates has described it as "Dostoevsky's most confused and violent novel, and his most satisfactorily 'tragic' work." According to Ronald Hingley, it is Dostoevsky's "greatest onslaught on Nihilism", and "one of humanity's most impressive achievements—perhaps even its supreme achievement—in the art of prose fiction."
Dmitry Ivanovich Pisarev was a Russian literary critic and philosopher who was a central figure of Russian nihilism. He is noted as a forerunner of Nietzschean philosophy and for the impact his advocacy of liberation movements and natural science had on Russian history.
Fathers and Sons, literally Fathers and Children, is an 1862 novel by Ivan Turgenev, published in Moscow by Grachev & Co. It is one of the most acclaimed Russian novels of the 19th century.
Mikhail Nikiforovich Katkov was a conservative Russian journalist influential during the reign of tsar Alexander III. He was a proponent of Russian nationalism, an important figure in the creation of a feeling of national identity and purpose. After the Crimean War (1856) and the Polish insurrection of 1863, Katkov abandoned his liberal Anglophile views and rejected the early reforms of Tsar Alexander II. Instead, he promoted a strong Russian state supported by an enthusiastic Russian people with a unified national outlook. His ideas were based on Western ideas, as opposed to Slavophile ideas. His literary magazine Russkii Vestnik and newspaper Moskovskie Vedomosti were successful and influential media for promoting his views.
The Russian nihilist movement was a philosophical, cultural, and revolutionary movement in the Russian Empire during the late 19th and early 20th centuries, from which the broader philosophy of nihilism originated. In Russian, the word nigilizm came to represent the movement's unremitting attacks on morality, religion, and traditional society. Even as it was yet unnamed, the movement arose from a generation of young radicals disillusioned with the social reformers of the past, and from a growing divide between the old aristocratic intellectuals and the new radical intelligentsia.
Pochvennichestvo was a late 19th-century movement in Russia that tied in closely with its contemporary ideology, Slavophilia.
The Catechism of a Revolutionary refers to a manifesto written by Russian revolutionary Sergey Nechayev between April and August 1869.
The paradox of nihilism is a family of paradoxes regarding the philosophical implications of nihilism, particularly situations contesting nihilist perspectives on the nature and extent of subjectivity within a nihilist framework. There are a number of variations of this paradox.
Evgenia Tur was a Russian writer, critic, journalist and publisher. Her birth name was Elizaveta Vasilyevna Sukhovo-Kobylina. Her full married name was Countess Elizaveta Vasilyevna Salias De Tournemire. The novelist Evgeny Salias De Tournemire was her son. The playwright Aleksandr Sukhovo-Kobylin was her brother. Her sister, Sofia, was a painter of some note.
At Daggers Drawn is an anti-nihilist novel by Nikolai Leskov, first published in 1870 and 1871 by Russky Vestnik. In November 1871, the novel was released in book form. The novel's original text was severely edited by the magazine's staff.
Nikolay Gavrilovich Chernyshevsky (24 July [O.S. 12 July] 1828 – 29 October [O.S. 17 October] 1889) was a Russian literary and social critic, journalist, novelist, democrat, and socialist philosopher, often identified as a utopian socialist and leading theoretician of Russian nihilism and Narodniks. He was the dominant intellectual figure of the 1860s revolutionary democratic movement in Russia, despite spending much of his later life in exile to Siberia, and was later highly praised by Karl Marx, Georgi Plekhanov, and Vladimir Lenin.
Maxim Alexeyevich Antonovich was a Russian literary critic, essayist, memoirist, translator and philosopher.
Viktor Petrovich Klyushnikov was a Russian writer, editor and journalist, whose debut novel, Marevo, was considered by contemporary Russian critics to be one of the four 'great anti-nihilist' novels of the time, alongside Troubled Seas by Alexey Pisemsky, No Way Out by Nikolai Leskov and Demons by Fyodor Dostoyevsky. Both Ivan Turgenev and Alexey K. Tolstoy reacted positively, hailing the arrival of the original, even if erratic literary talent, "who [was playing] with his gift in acrobatic fashion," according to Tolstoy.
Nihilism, (from Latin nihil, "nothing"), originally a philosophy of moral and epistemological skepticism that arose in 19th-century Russia during the early years of the reign of Tsar Alexander II.
In Russia, nihilism became identified with a loosely organized revolutionary movement (C.1860-1917) that rejected the authority of the state, church, and family.
Nihilism was a broad social and cultural movement as well as a doctrine.
The philosophy of nihilism then began to be associated erroneously with the regicide of Alexander II (1881) and the political terror that was employed by those active at the time in clandestine organizations opposed to absolutism.
The major theorists of Russian Nihilism were Nikolai Chernyshevskii and Dmitrii Pisarev, although their authority and influence extended well beyond the realm of theory.
Russian Nihilism is perhaps best regarded as the intellectual pool of the period 1855–66 out of which later radical movements emerged.
Nihilism and anarchism, which for a while would completely dominate the intelligentsia and become a major factor in the history of nineteenth-century Russia, emerged in the final years of the reign of Alexander I.
Nihilism, (from Latin nihil, "nothing"), originally a philosophy of moral and epistemological skepticism that arose in 19th-century Russia during the early years of the reign of Tsar Alexander II.
Even so, the term nihilism did not become popular until Turgenev published F&C in 1862. Turgenev, a sorokovnik (an 1840s man), used the term to describe "the children", the new generation of students and intellectuals who, by virtue of their relation to their fathers, were considered šestidesjatniki.
It was Ivan Turgenev, in his celebrated novel Fathers and Sons (1862), who popularized the term through the figure of Bazarov the nihilist.
Fathers and Sons concerns the inevitable conflict between generations and between the values of traditionalists and intellectuals.
The "fathers" of the novel are full of humanitarian, progressive sentiments ... But to the "sons," typified by the brusque scientifically minded Bazarov, the "fathers" were concerned too much with generalities, not enough with the specific material evils of the day.
For it was Bazarov who had first declared himself to be a "Nihilist" and who announced that, "since at the present time, negation is the most useful of all," the Nihilists "deny—everything."
At the novel's first appearance, the radical younger generation attacked it bitterly as a slander, and conservatives condemned it as too lenient
When he returned to Saint Petersburg in 1862 on the same day that young radicals—calling themselves "nihilists"—were setting fire to buildings.
Since nihilists denied the duality of human beings as a combination of body and soul, of spiritual and material substance, they came into violent conflict with ecclesiastical authorities. Since nihilists questioned the doctrine of the divine right of kings, they came into similar conflict with secular authorities.
among the Russian students who used the name "Nihilism" to dignify youthful rebelliousness, this rejection of traditional standards went still further, expressing itself in everything from harmless crudities of dress and behaviour to the lethal fanaticism of a revolutionary like Sergey Nechayev.
young radicals, who claimed the term "nihilist" for themselves, and used it in their violent protests."; "when he returned to Saint Petersburg in 1862 on the same day that young radicals—calling themselves "nihilists"—were setting fire to buildings
The city of St. Petersburg erupted in flames in the spring and summer of 1862. Students of St. Petersburg and Moscow Universities, acting on an upsurge of revolutionary activism, had begun demonstrating their frustrations.
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: CS1 maint: DOI inactive as of August 2023 (link)In 1863 Poland, that had dreamed of an untrampled autonomy, at least since 1815, became the scene of a bloody insurrection, while all over Russia blazed up incendiary fires, and St. Petersburg was threatened with destruction.
Reactionary publicistic writers seized upon the term during a lull in the revolutionary situation and used it as a derisive epithet. As such, it was extensively employed in publicistic articles, official government documents, and antinihilistic novels
Turgenev's own opinion of Bazarov was ambivalent. "Did I want to abuse Bazarov or extol him? I do not know myself, since I don't know whether I love him or hate him!" (FAS, 184; cf 190).
and antinihilistic novels, notably A. F. Pisemskii's Troubled Seas, N. S. Leskov's Nowhere to Go, and V. P. Kliushnikov's The Mirage
25. Терехин, Валерий. "Против течений" : утаенные русские писатели : типология "антинигилистического" романа. 3-е изд. // Терёхин В.Л. Утаённые русские писатели : [монографии, статьи]. М.: Знак, 2009. - C. 3-114 [Valeriĭ Terekhin. "Protiv techeniĭ" : utaennye russkie pisateli : tipologii͡a "antinigilisticheskogo" romana. Utaënnye russkie pisateli : [monografii, statʹi].Moskva: Znak, 2009. - C. 3-114]
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