Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Marg Sangeet and Shastriya Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from Eastern part of India, i. e. Odissi music has evolved since two thousand years ago.
The Kannadigas or Kannaḍigaru, often referred to as Kannada people, are a Dravidian ethno-linguistic group who natively speak Kannada and trace their ancestry to the South Indian state of Karnataka in India and its surrounding regions. The Kannada language belongs to the Dravidian family of languages. Kannada stands among 30 of the most widely spoken languages of the world as of 2001.
Srinivasa Nayaka,also popularly known as Purandara Dasa was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding proponents of Carnatic music. In honor of his significant contributions to Carnatic music, he is widely referred to as the Pitamaha of Carnatic music. According to a legend, he is considered as an incarnation of Narada.
Dasa Sahitya is a genre of literature of bhakti movement composed by devotees in honor of Vishnu or one of his avatars. Dasa is literally servant in Kannada and sahitya is literature. Haridasas were preachers of bhakti to Vishnu or one of his avatars. The bhakti literature of these Haridasas is collectively referred to as Dasa Sahitya. It is in the Kannada language. Dasas are Dvaita scholars and poets.
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher of Dvaita Vedanta, popularly called Daasashreshta Kanakadasa from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy and a disciple of Vyasatirtha. He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions.
Karnataka is a state of India with a long tradition of innovation in the fields of both Carnatic and Hindustani classical music.
Gamaka, also known as kaavya vaachana, is a form of storytelling by singing that originated in Karnataka, India. One person reads a stanza of a poem with highest emphasis on meaning, applying suitable raga or a dhaati, usually matching the emotion of the poem; the song generally has no established rhythm. Another person then explains the meaning of the stanza with examples and anecdotes. Gamaka draws ragas from Kannada folk music, Yakshagana and Carnatic music. The singing itself is called gamaka and the singer a gamaki. The explanation of the rendering is called vyakyana. The emphasis in kaavya vaachana is on literature (Saahithya) and not on music where singer splits, compounds words in poems to make them easier to understand.
Sripadaraja or Sripadaraya, also known by his pontifical name Lakshminarayana Tirtha, was a Hindu Dvaita philosopher, scholar and composer and the pontiff of the Madhvacharya mutt at Mulbagal. He is widely considered the founder of Haridasa movement along with Narahari Tirtha. He has influenced both Carnatic music and Hindustani music through his compositions. His songs and hymns, written under the mudra of Ranga Vitthala, contain the distillation of Dvaita principles infused with mysticism and humanism. He is also credited with the invention of the suladi musical structure and composed 133 of them along with several kirtanas. He was the advisor of Saluva Narasimha Deva Raya and mentored the young Vyasatirtha. He also authored a commentary on Jayatirtha's Nyaya Sudha called Nyayasudhopanyasa-Vagvajra. Sripadaraja is believed to be the incarnation of Dhruva.
Sri Vadiraja Tirtha was a Dvaita philosopher, poet, traveller and mystic. A polymath of his time, he authored many works, often polemical, on Madhva theology and metaphysics. Additionally, he composed numerous poems and as the pontiff of Sodhe Mutt, renovated the temple complex at Udupi and established the Paryaya system of worship. He is also credited with enriching the Kannada literature of the time by translating Madhvacharya's works to Kannada, giving impetus and contributing to the Haridasa movement. He has influenced both Carnatic and Hindustani music through his compositions. His compositions are mainly in Kannada and Sanskrit. His mudra is 'Hayavadana'. His works are characterised by their poetic flourishes, incisive wit and humour.
The Haridasa Bhakti Sahitya devotional movement (sampradaya) originated in Karnataka, India, after Madhvacharya, and spread to eastern states such as Bengal and Assam of medieval India. Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.
Darbari Kanada, or simply Raga Darbari, is a raga in Carnatic music. It is a janya ragam of 20th Melakarta raga Natabhairavi. Being an ancient raga, its original name is unknown. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in emperor Akbar's court. It belongs to the Kanada family. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance. It is also sometimes written as Durbari and Durbarikanada.
Vijaya Dasa was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saints such as Gopala Dasa, Helevankatte Giriamma, Jagannatha Dasa and Prasanna Venkata Dasa, he propagated the virtues of the philosophy of Madhwacharya across South India through devotional songs called devaranama written in the Kannada language. An integral part of Kannada Vaishnava devotional literature, these compositions in praise of the Hindu god Vishnu as well as other deities are called dasara padagalu. He has influenced both Carnatic music and Hindustani music through his compositions. His ankita is Vijaya vithala. These compositions can be more specifically categorized as keertanas, suladis, ugabhogas, and simply padas. They were easy to sing to the accompaniment of a musical instrument and dealt with bhakti (devotion) and the virtues of a pious life.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Mysore literature in Kannada is a body of literature composed in the Kannada language in the historical Kingdom of Mysore in Southern India and written in the Kannada script. The writings date from the Kingdom of Mysore, which existed from around 1600 CE until the establishment of modern India in 1947. Many of the works of this literature written on religious themes are labeled Veerashaiva or Vaishnava in acknowledgment of the two faiths that gave form to the literature and fostered it until the advent of the modern era. Despite a gradual decline in the popularity of Jainism, authors devoted to the faith produced some works of merit. Secular themes dealing with a wide range of subjects were also written on. Kannada literature flourished for a short while in the court of the neighbouring kingdom of the Nayakas of Keladi whose territory was annexed by Mysore in 1763.
The Haridaasas, the Vaishnava saints of Karnataka, are classified into the Vyaasakuta and Daasakuta. The Vyaasakuta were the pontifical saints known for their scholarship and exposition of Madhva's philosophy. The Daasakuta were the peripatetic saint disciples of the Vyaasakuta sanyasins. They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha.
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music and Yakshagana music. It is an audava rāgam. It is a janya rāgam of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In Hindustani music it is called Durga. According to the school of Muthuswami Dikshitar, this rāgam is called Devakriya. Karnataka Shuddha Saveri, a janya rāgam of 1st melakartaKanakangi, is called Shuddha Saveri by the Dikshitar school.
Kāpi is a popular rāga in Carnatic music, the classical music of South India. Kāpi is a janya rāgam of Kharaharapriya with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. Kāpi is different from the Hindustani raag and thaat Kafi. The equivalent raag in Hindustani is Pilu.
Malahari is a Carnatic raga. This raaga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness. It is associated with the rainy season.
Madhva Brahmins, are Hindu Brahmin communities in India, who follow Sadh Vaishnavism and Dvaita philosophy propounded by Madhvacharya. They are found mostly in the Indian states of Karnataka, Maharashtra, Goa, Tamil Nadu, Kerala, Telangana and Andhra Pradesh.
Sri Purandaradasa Aradhana is the annual aradhana of Kannada saint composer Purandara Dasa, who is considered as "The Pitamaha" of Carnatic Music. The festival is observed in the states of Andhra Pradesh and Karnataka, primarily in Hampi, the place where Purandara Dasa lived and attained Samadhi The aradhana is observed on Pushya Bahula Amavasya day, when the saint attained samadhi.
