The Aberdeen Bestiary is a 12th-century English illuminated manuscript bestiary that was first listed in 1542 in the inventory of the Old Royal Library at the Palace of Westminster. Due to similarities, it is often considered to be the "sister" manuscript of the Ashmole Bestiary. The connection between the ancient Greek didactic text Physiologus and similar bestiary manuscripts is also often noted. Information about the manuscript's origins and patrons are circumstantial, although the manuscript most likely originated from the 13th century and was owned by a wealthy ecclesiastical patron from north or south England. Currently, the Aberdeen Bestiary resides in the Aberdeen University Library in Scotland.
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
The Bodleian Library is the main research library of the University of Oxford, and is one of the oldest libraries in Europe. It derives its name from its founder, Sir Thomas Bodley. With over 13 million printed items, it is the second-largest library in Britain after the British Library. Under the Legal Deposit Libraries Act 2003, it is one of six legal deposit libraries for works published in the United Kingdom, and under Irish law it is entitled to request a copy of each book published in the Republic of Ireland. Known to Oxford scholars as "Bodley" or "the Bod", it operates principally as a reference library and, in general, documents may not be removed from the reading rooms.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
The manticore or mantichore is a Persian legendary creature similar to the Egyptian sphinx that proliferated in Western European medieval art as well. It has the head of a human, the body of a lion, and the tail of a scorpion or a tail of venomous spines similar to porcupine quills. There are some accounts that the spines can be launched like arrows. It eats its victims whole, using its three rows of teeth, and leaves no bones behind.
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape.
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles Genesis, Exodus, Daniel, and Christ and Satan. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems.
Francis Douce was a British antiquary and museum curator.
Pseudo-Apuleius is the name given in modern scholarship to the author of a 4th-century herbal known as Pseudo-Apuleius Herbarius or Herbarium Apuleii Platonici. The author of the text apparently wished readers to think that it was by Apuleius of Madaura (124–170 CE), the Roman poet and philosopher, but modern scholars do not believe this attribution. Little or nothing else is known of Pseudo-Apuleius.
The Paris Psalter is a Byzantine illuminated manuscript, 38 x 26.5 cm in size, containing 449 folios and 14 full-page miniatures. The Paris Psalter is considered a key monument of the so-called Macedonian Renaissance, a 10th-century renewal of interest in classical art closely identified with the emperor Constantine VII Porphyrogenitus (909-959) and his immediate successors.
South English legendaries are compilations of versified saints' lives written in southern dialects of Middle English from the late 13th to 15th centuries. At least fifty of these manuscripts survive, preserving nearly three hundred hagiographic works.
William de Brailes was an English Early Gothic manuscript illuminator, presumably born in Brailes, Warwickshire. He signed two manuscripts, and apparently worked in Oxford, where he is documented from 1238 to 1252, owning property in Catte Street near the University Church of St Mary the Virgin, roughly on the site now occupied by the chapel of All Souls College, where various members of the book trade lived. He was married, to Celena, but evidently also held minor orders, as at least three self-portraits show him with a clerical tonsure. This was not unusual: by this date, and with the exception of the St Albans monk Matthew Paris, the only other English illuminator of the period about whom we have significant personal information, most English illumination seems to have been done in commercial workshops run by laymen.
The Winchester Bible is a Romanesque illuminated manuscript produced in Winchester between 1150 and 1175. With folios measuring 583 x 396 mm., it is the largest surviving 12th-century English Bible. The Bible belongs to a group of large-sized Bibles that were made for religious houses all over England and the continent during the 12th century. The Bible is on permanent display in Winchester Cathedral's Kings & Scribes exhibition.
The North French Hebrew Miscellany or "French Miscellany" or "London Miscellany" is an important Hebrew illuminated manuscript from 13th-century France, created c. 1278-98. A miscellany is a manuscript containing texts of different types and by different authors, and this volume contains a wide range of Hebrew language texts, mostly religious but many secular. The manuscript is exceptional among medieval Hebrew manuscripts both for its size and the diversity of the texts and the quality and lavishness of its illuminations, which as was often the case were added by Christian specialists.
The Queen Mary Psalter is a fourteenth-century English psalter named after Mary I of England, who gained possession of it in 1553. The psalter is noted for its beauty and the lavishness of its illustration, and has been called "one of the most extensively illustrated psalters ever produced in Western Europe" and "one of the choicest treasures of the magnificent collection of illuminated MSS. in the British Museum".
The Rochester Bestiary is a richly illuminated manuscript copy of a medieval bestiary, a book describing the appearance and habits of a large number of familiar and exotic animals, both real and legendary. The animals' characteristics are frequently allegorised, with the addition of a Christian moral.
The Worksop Bestiary, also known as the Morgan Bestiary, most likely from Lincoln or York, England, is an illuminated manuscript created around 1185, containing a bestiary and other compiled medieval Latin texts on natural history. The manuscript has influenced many other bestiaries throughout the medieval world and is possibly part of the same group as the Aberdeen Bestiary, Alnwick Bestiary, St.Petersburg Bestiary, and other similar Bestiaries. Now residing in the Morgan Library & Museum in New York, the manuscript has had a long history of church, royal, government, and scholarly ownership.
The Master of Jouvenel was an anonymous master illuminator active between 1447 and 1460. The painter, to whom many manuscripts are attributed, was undoubtedly at the head of a workshop, also called Groupe Jouvenel from which the Master of Boccace of Geneva came from, or the Master of Boethius. The painter owes his name to a manuscript in the Mare Historium commissioned by Guillaume Jouvenel des Ursins, for which his workshop produced 730 miniatures.
