| At the Boar's Head | |
|---|---|
| Opera by Gustav Holst | |
 Holst, circa 1921 | |
| Librettist | Gustav Holst |
| Based on | Henry IV, Part 1 & Part 2 by Shakespeare |
At the Boar's Head is an opera in one act by the English composer Gustav Holst, his op. 42. Holst himself described the work as "A Musical Interlude in One Act". The libretto, by the composer himself, is based on Shakespeare's Henry IV, Part 1 and Henry IV, Part 2 .
Holst devised the idea for this opera in 1924, whilst convalescing from an illness. During this period, he alternated between reading Henry IV, Part I and an edition of John Playford's The English Dancing Master , as well as folk melodies collected by Cecil Sharp and others. Holst noticed that the rhythm and metre of Shakespeare's lines matched the tunes in the Playford, as well as the tunes that Sharp and others had collected. He then decided to set a number of those melodies to a story assembled from episodes set at the Boar's Head Inn from the two parts of Henry IV. [1] [2] Three of the melodic passages are original, including a recitative for Prince Hal and a setting for the sonnets. [1] [3] Otherwise, Holst devised his score from reworking the collected folk tunes. Imogen Holst summarised the folk tunes which her father used in the score as follows: [4]
The opera received its first performance at the Palace Theatre, Manchester, on 3 April 1925, by the British National Opera Company, with Malcolm Sargent conducting. A performance at the Golders Green Hippodrome followed on 20 April 1925, with the following singers among the cast: [1]
Holst's opera was part of a double bill with Puccini's Gianni Schicchi . [5] The first US performance was in February 1935 in New York City, at the MacDowell Club, conducted and directed by Sandor Harmati. [6]
Contemporary audiences overall gave the opera a lukewarm reception. [7] Imogen Holst said of the opera that it contained "very little relief from the onslaught of the counterpoint". Hugh Ottaway has commented that another reason for the failure of the opera was that the music did not add sufficiently to the original texts. [8]
| Role | Voice type | Premiere cast, 3 April 1925 [9] Conductor: Malcolm Sargent |
|---|---|---|
| Falstaff | bass | Norman Allin |
| Prince Hal | tenor | Tudor Davies |
| Poins | bass | |
| Bardolph | baritone | |
| Doll Tearsheet | soprano | Constance Willis |
| Peto | tenor | |
| Pistol | baritone | |
| Hostess | soprano | |
The opera observes classical unities of a single setting for the plot, with the events occurring in real time on a single day. The story focuses on the conversations between Falstaff and Prince Hal, and the characters who wander in and out of the Boar's Head Tavern in Eastcheap. Throughout the story, the sound of door knocks bring reminders of events happening in the world outside the tavern, including the marching of soldiers to war. [3]
The story begins in late afternoon, as Bardolph, Gadshill and Peto sing and drink in an upstairs room at the tavern. Falstaff arrives, followed by Prince Hal and Poins, whom Falstaff accuses of cowardice, for not assisting him in an attempted highway robbery earlier that day. Falstaff exaggerates the story, until Prince Hal says that he and Poins had stolen from Falstaff money that had prior been taken from unarmed travellers.
The Hostess announces the arrival of a gentleman from Court, whereupon Falstaff and the others leave. After Prince Hal delivers a soliloquy, Falstaff and the others return with news that civil war has begun. Falstaff advises Prince Hal to rehearse what he will say to the King before he returns to Court. Prince Hal practices with Falstaff in the role of the King, and later the two trade roles.
Doll Tearsheet arrives, and Prince Hal and Poins don disguises to be able to observe her and Falstaff's behaviour. Falstaff asks for a song, whereupon the disguised Prince Hal sings Shakespeare's sonnet 19, "Devouring Time, blunt though the lion's paws". Falstaff is displeased and interrupts with the ballad "When Arthur first in Court began", and the two songs continue in parallel. A distant march precedes a communication from Bardolph to Prince Hal, who must go to the Court at Westminster. Prince Hal and Poins remove their disguises and leave to the shouts of the outside crowd.
Pistol calls to Falstaff off-stage, and then enters the inn, in spite of the misgivings of Doll and the concern of the Hostess for the inn's reputation. Pistol and Doll argue vehemently, and Pistol is ejected. Bardolph arrives with word that a dozen captains are searching all the taverns for Falstaff. Falstaff bids Doll farewell, but at the end, before all the men go off to war, Bardolph brings a last message for Doll Tearsheet to meet Falstaff one last time. The hostess pushes Doll through the door to the assignation at the close of the opera.
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in The Merry Wives of Windsor. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king.
The Merry Wives of Windsor or Sir John Falstaff and the Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that The Merry Wives of Windsor was written at the request of Queen Elizabeth I. After watching Henry IV Part I, she asked Shakespeare to write a play depicting Falstaff in love.
Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal, and his eventual return to court and favour.
Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.
Ancient Pistol is a swaggering soldier who appears in three plays by William Shakespeare. Although full of grandiose boasts about his prowess, he is essentially a coward. The character is introduced in Henry IV, Part 2, and he reappears in The Merry Wives of Windsor and Henry V.
Falstaff (Chimes at Midnight) (Spanish: Campanadas a medianoche) is a 1966 period comedy-drama film directed by and starring Orson Welles. The Spanish–Swiss co-production was released in the United States as Chimes at Midnight and in most of Europe as Falstaff. The film's plot centres on William Shakespeare's recurring character Sir John Falstaff and the father–son relationship he has with Prince Hal, who must choose between loyalty to his father, King Henry IV, and Falstaff.
Falstaff – Symphonic Study in C minor, Op. 68, is an orchestral work by the English composer Edward Elgar. Though not so designated by the composer, it is a symphonic poem in the tradition of Franz Liszt and Richard Strauss. It portrays Sir John Falstaff, the "fat knight" of William Shakespeare's Henry IV Parts 1 and 2.
Mistress Nell Quickly is a fictional character who appears in several plays by William Shakespeare. She is an inn-keeper, who runs the Boar's Head Tavern, at which Sir John Falstaff and his disreputable cronies congregate.
Dorothy "Doll" Tearsheet is a fictional character who appears in Shakespeare's play Henry IV, Part 2. She is a prostitute who frequents the Boar's Head Inn in Eastcheap. Doll is close friends with Mistress Quickly, the proprietress of the tavern, who procures her services for Falstaff.
The Boar's Head Inn is the name of several former and current taverns in London, most famously a tavern in Eastcheap that is supposedly the meeting place of Sir John Falstaff, Prince Hal and other characters in Shakespeare's Henry IV plays. An earlier tavern in Southwark used the same name, and an inn of the name in Whitechapel was used as a theatre.
Sir John in Love is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's The Merry Wives of Windsor and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled The Fat Knight, the opera premiered at the Parry Opera Theatre, Royal College of Music, London, on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre.
The Complete Arkangel Shakespeare is a notable series of audio-drama presentations of 38 of William Shakespeare's 39 plays.
"Henry IV, Part I" and "Henry IV, Part II" are the second and third episodes of the first series of the British television series The Hollow Crown, based on the second set of plays in William Shakespeare's Henriad. The episodes were produced by Sam Mendes, directed and adapted by Richard Eyre and starred Jeremy Irons as King Henry IV, Simon Russell Beale as Falstaff and Tom Hiddleston as Prince Hal. Much of the cast and crew of both episodes overlap and the plot flows directly from the first to the second. The episodes were first broadcast on 7 July and 14 July 2012 on BBC Two.
Bardolph is a fictional character who appears in four plays by William Shakespeare. He is a thief who forms part of the entourage of Sir John Falstaff. His grossly inflamed nose and constantly flushed, carbuncle-covered face is a repeated subject for Falstaff's and Prince Hal's comic insults and word-play. Though his role in each play is minor, he often adds comic relief, and helps illustrate the personality change in Henry from Prince to King.
Robert Shallow is a fictional character who appears in Shakespeare's plays Henry IV, Part 2 and The Merry Wives of Windsor. He is a wealthy landowner and Justice of the Peace in Gloucestershire, who at the time of The Merry Wives of Windsor is said to be over 80.
Falstaff's Wedding is a play by William Kenrick. It is a sequel to Shakespeare's plays Henry IV, Part 2 and The Merry Wives of Windsor. Most of the characters are carried over from the two Shakespeare plays. The play was first staged in 1766, but was not a success. It was infrequently revived thereafter.
Corporal Nym is a fictional character who appears in two Shakespeare plays, The Merry Wives of Windsor and Henry V. He later appears in spin-off works by other writers. Nym is a soldier and criminal follower of Sir John Falstaff and a friend and rival of Ancient Pistol.
Edward "Ned" Poins, generally referred to as "Poins", is a fictional character who appears in two plays by William Shakespeare, Henry IV, Part 1 and Henry IV, Part 2. He is also mentioned in The Merry Wives of Windsor. Poins is Prince Hal's closest friend during his wild youth. He devises various schemes to ridicule Falstaff, his rival for Hal's affections.
The Boar's Head Inn was a tavern in Eastcheap in the City of London which is supposed to be the meeting place of Sir John Falstaff, Prince Hal and other characters in Shakespeare's Henry IV plays.
| Opera | |
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| Orchestral works | |
| Concert/brass band | |
| Chamber music | |
| Choral music | |
| Film score | |
| Named for Holst | |
| Related articles | |
