An instrumental or instrumental song is music normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer ; as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra.
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the U.S. and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as, "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
Fables of the Reconstruction, also known as Reconstruction of the Fables, is the third studio album by American alternative rock band R.E.M., released on I.R.S. Records on June 10, 1985. The Joe Boyd-produced album was the first recorded by the group outside the United States. Many of the album's lyrics take inspiration from Southern Gothic themes and characters.
American rock has its roots in 1940s and 1950s rock and roll, rhythm and blues, and country music, and also drew on folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.
Robert Earl Keen is an American country singer-songwriter and entertainer. Debuting with 1984's No Kinda Dancer, the Houston native has recorded 20 full-length albums for both independent and major record labels. His songs have had cover versions recorded by many musicians, including George Strait, Joe Ely, Lyle Lovett, The Highwaymen and Nanci Griffith. Keen has toured extensively in the US and abroad throughout his career.
Parody music, or musical parody, involves changing or copying existing musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music.
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
A piano bar consists of a piano or electronic keyboard played by a professional musician. Piano bars can be located in a cocktail lounge, bar, hotel lobby, office building lobby, restaurant, or on a cruise ship. Usually the pianist receives a small salary plus tips in a jar or basket on or near the piano, especially from patrons requesting a song traditionally written on a beverage napkin. Some piano bars feature a baby grand or grand piano surrounded by stools for patrons. Others have a bar surrounding the piano or keyboard.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
Evan Lurie is an American composer and musician. Playing piano and occasionally organ, Evan was a founding member of the band the Lounge Lizards, along with his saxophonist brother John Lurie.
Will Johnson is an American musician, singer-songwriter, author and painter who is the lead singer of the bands Centro-matic and South San Gabriel. Called "one of the most prolific artists in American indie rock", Johnson has also released solo records, and is a member of the bands Monsters of Folk, New Multitudes and Overseas, and has also performed as part of the Undertow Orchestra. He is currently a member of Jason Isbell's band, the 400 Unit.
This article includes an overview of the events and trends in popular music in the 1960s.
Popular music of the United States in the 1960s became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and environmentalism. This trend took place in a tumultuous period of massive public, unrest in the United States which consisted of the Cold War, Vietnam War, and Civil Rights Movement.
"Mandolin Wind" is a song written by Rod Stewart. It was first released on Stewart's 1971 album Every Picture Tells a Story and later as the B-side of a single from that album, his version of "(I Know) I'm Losing You." Mercury Records issued the song as a 7-inch single in mid-1977. It has also appeared on numerous Rod Stewart compilation and live albums, including Sing It Again Rod, Storyteller – The Complete Anthology: 1964–1990 and Unplugged...and Seated.
Small Minds is a studio album by Austin-based bluegrass band Austin Lounge Lizards. It continues the Lizards' tradition of social and political satire.
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner. Ballads are generally melodic enough to get the listener's attention.
Eugene P. Pittman, better known as Gene "Birdlegg" Pittman, is an American blues harmonicist, singer and songwriter. He was inspired by the harmonica playing and styling of Sonny Boy Williamson II and Sonny Terry, and started playing the harmonica in 1974, turning fully professional three years later. His own style encompasses country blues, urban blues, funk and rock and roll. He has released three albums to date.
