The Australian International Documentary Conference (AIDC) is an Australian conference for the promotion of documentary, factual and unscripted screen content, regarded as one of two major national conferences for filmmakers.
First established in 1987, [1] AIDC began life as a biennial conference. Over time the event has moved to several different regions in Australia, mostly being held in capital cities. Over the years it has grown from being a small conference with a few international guests, to being a major annual international event. Serving both the commercial and creative needs of the industry, the conference provides a marketplace for documentary product for national and international buyers and distributors, showcases the work of Australian and international documentary makers, and creates a forum to discuss content, craft, technology and future directions.
It was as a result of the first AIDC, held in 1987 at McLaren Vale, in the heart of South Australia's wine growing region, that the ABC introduced its pre-sale commissioning system. [2]
It was held in Melbourne in 2006 (and possibly previous to this), before relocating back to Adelaide for five successful years until 2015, again moving to Melbourne in 2016. In that year it was held at the Australian Centre for the Moving Image (ACMI). [3]
AIDC is a not-for-profit organisation [4] committed to the sustainability of documentary, factual and unscripted storytelling. Its goal is to connect creators, purveyors and viewers of non-fiction screen content in ways that promote business, inspire creativity and ignite social change. [1]
As of 2018 [update] the Conference is regarded as one of two major annual conferences for filmmakers, the other being the Screen Makers Conference held in Adelaide. [5]
Year | Location | Theme | Director |
---|---|---|---|
1987 | McLaren Vale | Inaugural Conference | Daniela Torsh |
1991 | Canberra | Ideas for Australia | Marguerite Grey |
1993 | Sydney | Reflecting the Future | Daniela Torsh |
1995 | Melbourne | (no theme) | Deb Verhoeven |
1997 | Brisbane | New Frontiers | Melanie Guiney |
1999 | Adelaide | Creativity & the Freedom to Express It | Michael Elwood |
2001 | Perth | (no theme) | Richard Sowada |
2003 | Byron Bay | Outside the Frame | Catherine Marciniak [2] |
2004 | Fremantle | Journey to where sand & sea meet | John Beaton |
2005 | Adelaide | Common Ground New Horizons | Heather Croall |
2006 | Melbourne | Survival of the Fittest | Heather Croall |
2007 | Adelaide | Documentary: what is it good for? | Joost den Hartog |
2008 | Fremantle | Follow the Story... | Joost den Hartog |
2009 | Adelaide | Who's Watching | Joost den Hartog |
2010 | Adelaide | It's a small world after all | Joost den Hartog |
2011 | Adelaide | Network, Deal, Inspire | Joost den Hartog |
2012 | Adelaide | Network, Deal, Inspire | Joost den Hartog |
2013 | Adelaide | DocWeek | Joost den Hartog [6] |
2014 | Adelaide | DocWeek | Joost den Hartog [7] |
2015 | Adelaide | Net-Work-Play | Joost den Hartog [8] |
2016 | Melbourne | True Stories | Britt Arthur [9] |
2017 | Melbourne | Three Sides to Every Story (30th Anniversary) | Britt Arthur / Andrew Wiseman [10] [11] |
2018 | Melbourne | Southern Exposure | Alice Burgin [12] |
2019 | Melbourne | The Bigger Picture | Alice Burgin [13] |
2020 | Melbourne | Collective Intelligence | Alice Burgin [14] |
2021 | online | Moment of Truth | Alice Burgin [15] |
2022 | Melbourne | Bearing Witness | Natasha Gadd [16] |
The conference was held online in 2021 due to the COVID-19 pandemic in Australia. [15]
The annual Stanley Hawes Award for contribution to the documentary in Australia is announced at each AIDC.
The Stanley Hawes Award was established in 1997 to honour Stanley Hawes as first Producer-in-Chief of the Australian National Film Board and Commonwealth Film Unit. The award recognises the significant support he gave independent filmmakers in the documentary sector and is awarded to a person that makes an outstanding contribution to the documentary sector in Australia. [17]
In 2021, AIDC announced the first nominees for the inaugural AIDC awards [20] in the following categories:
On February 18, 2022 the nominees for the second time were announced. [21]
The conference created the inaugural David and Joan Williams Documentary Fellowship, worth A$50,000, in 2010, transferring its management to the Documentary Australia Foundation in 2015, when it became biennial. [22]
The fellowship is bestowed by Kim Williams, former CEO of News Limited, Foxtel and Fox Studios Australia, in honour of his parents. It is intended "to give an independent filmmaker enough money and time to reflect and prepare for his or her next work or to undertake relevant study and research". [22]
Recipients have included Jennifer Peedom, Matthew Bate, Juliet Lamont, Lynette Wallworth, [23] Al Hicks (2015) [24] and Erica Glynn (2017). [22]
David Gulpilil Ridjimiraril, known professionally as David Gulpilil and posthumously as David Dalaithngu for three days, was an Indigenous Australian actor and dancer, known for the films Walkabout, Storm Boy, Crocodile Dundee, Rabbit-Proof Fence and The Tracker.
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ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of film, television, videogames, and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria.
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John Whitefoord Heyer was an Australian documentary filmmaker, who is often described as the father of Australian documentary film.
Stanley Gilbert Hawes was a British-born documentary film producer and director who spent most of his career in Australia, though he commenced his career in England and Canada. He was born in London, England and died in Sydney, Australia. He is best known as the Producer-in-Chief (1946–1969) of the Australian Government's filmmaking body, which was named, in 1945, the Australian National Film Board, and then, in 1956, the Commonwealth Film Unit. In 1973, after he retired, it became Film Australia.
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David Bradbury is an Australian film maker who began his career in 1972 as an ABC radio journalist, and has since produced 21 documentary films, including many that tackle difficult political issues and highlight the plight of the disadvantaged. Bradbury has won many international film festival prizes, received five Australian Film Industry awards, and two Academy Award nominations. He graduated from the Australian National University with a degree in political science.
Warwick Thornton is an Australian film director, screenwriter and cinematographer. His debut feature film Samson and Delilah won the Caméra d'Or at the 2009 Cannes Film Festival and the award for Best Film at the Asia Pacific Screen Awards. He also won the Asia Pacific Screen Award for Best Film in 2017 for Sweet Country.
Luca Guadagnino is an Italian film director, producer, and screenwriter. He has collaborated a number of times with actress Tilda Swinton, including on the films The Protagonists (1999), I Am Love (2009), A Bigger Splash (2015) and Suspiria (2018), a remake of the 1977 film of the same name.
Mercury CX, formerly Media Resource Centre (MRC), is a not-for-profit film and television training organisation based in the Lion Arts Centre on the corner of Morphett Street and North Terrace, Adelaide, South Australia, which aims to give screening opportunities to emerging South Australian film, video and digital media artists. It also manages the not-for-profit Mercury Cinema, which shows films by subscription to the Adelaide Cinémathèque film society, screening classic or notable films and hosts film festivals and other events. Mercury CX hosts the Screenmakers Conference and the South Australian Screen Awards.
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The Adelaide Film Festival Investment Fund was established in 2003 by the South Australian Premier, Mike Rann, to boost the local production of films.
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chief executive and co-director, Britt Arthur
interview with AIDC Director Andrew Wiseman
Editor's blog