Australian Photo-Play Company

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The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.

Contents

Establishment

Stanley Crick, who was Pathe Freres manager in Australia, and Herbert Finlay had enjoyed success producing a series of Australian films directed by John Gavin. [1]

They decided to establish the Australian Photo-Play Company in June 1911 under the management of Crick with capital of £20,000. [2] (Gavin later claimed it was his idea to form the company. [3] ) It was stated in the initial prospectus the aim of the company was to purchase Crick and Finlay's film manufacturing business. [4] [5]

The initial directors of the company Philip Lytton, Stanley Crick, Dr Sherlock Mason, Arthur Upjohn, and Douglas Selkirk. The company decided to erect two studios for film production – "one capable of producing large spectacular productions, and another smaller interior productions." [2] A studio was built in Summer Hill in Sydney. The company secured the services of A .J. Moulton, A. O. Segerberg, Herbert Finlay and Alfred Rolfe. It was also announced a "second company is at present being formed for the production of well known plays." [2] The company said it "intends to make a specialty of Australian-made good, intending to use only Australian-made articles for the production of Australian films, the camera, printing machines, and developing plant being all locally manufactured." [2]

There were to be two production units, one under Gavin and the other under Alfred Rolfe. Gavin wound up only making one movie for the company – he sold out his interest in his four films and received a cash price for his shares. [6] 

Rolfe was extremely prolific. [7]  And the company distributed several that Gavin had made earlier, The Assigned Servant and Ben Hall. [8]

By June 1911 the company had distribution outlets in Australian and New Zealand. They produced an advertisement which claimed they were:

The only real live Independent Australian Manufacturers, we make a specialty of the Australian made pictures, we do not run Shows and BOOM OUR OWN PRODUCTION'S whether they be WORTHY OR NOT; but we rely on the trade independently to say whether our goods are good or bad. The popular verdict can only be gauged by the quantity of shows running; our films all over the Commonwealth. [9]

Growth

The first four films made by the company were all different: Moora Neya, The Mark of the Lash , In the Nick of Time and a picture about snake catching in Australia. [10]

In September, 200 shares were offered for sale at £1 each. [11]

By November the company was estimated to employ over forty staff, with a camera department under Herbert Finlay, a laboratory managed by A. O. Segerberg and an acting troupe managed by Rolfe. [7] Their main actors were Charles Villiers, Stanley Walpole and Ethel Phillips. [12] Filming took place on location and at their facilities in Summer Hill, Sydney. [13]

The prime creative force behind the company was Alfred Rolfe, who had extensive stage experience. According to film historians Graham Shirley and Brian Adams:

The conventions of spectacle melodrama so favourited in late nineteenth century Australian theatre, with their realistic settings and real chases on horseback and train wrecks, played a large role in the films he made [for the company]... They were conventions in which his late father-in-law, Alfred Dampier had excelled in his stage productions... The Australian Photo-Play formula was a string of sensational incidents climaxed by a chase, with actuality footage sometimes cunningly incorporated... Nearly all the APP films made use of popular conceptions of the bush, peopling their stories with marauding Aboriginals, vengeful settlers, English outcasts and shamed women. Revenge melodramas were the staple. [7]

Many of the films were based on plays that were popular in Australia at the time. In particular, several had been performed by Philip Lytton prior to filming. [14]

The company were involved in a number of court actions during its existence [15] including one against Lacey Percival. [16]

Decline

The company found it difficult to secure distribution for its movies and never became financially stable.The film was a financial success. [17]

It wound up production in mid-1912 and was bought out by the local branch of the Gaumont Company, who took over on 25 March. [18] [19] By this stage the company was distributing two films of Gavin's, Keane of Kalgoorlie and Frank Gardiner. [20]

It was eventually absorbed into "the Combine" of Australasian Films and Union Theatres. [7] However, Rolfe, Crick and Finlay all continued their involvement in the film industry. [21]

Filmography

Distributed

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References

  1. ↑ "QUOTA FAVORED". The Sun . No. 5259. New South Wales, Australia. 15 September 1927. p. 14 (FINAL EXTRA). Retrieved 2 December 2023– via National Library of Australia.
  2. 1 2 3 4 "THE AUSTRALIAN PHOTO.-PLAY COMPANY, LIMITED". The Sydney Morning Herald . National Library of Australia. 14 June 1911. p. 17. Retrieved 20 February 2012.
  3. ↑ "Australian Notes", The Moving Picture World 18 November 1916 p 996 accessed 20 November 2014
  4. ↑ "FINANCIAL". The Sydney Morning Herald . National Library of Australia. 2 June 1911. p. 11. Retrieved 21 November 2014.
  5. ↑ "Advertising". The Sydney Morning Herald . National Library of Australia. 3 June 1911. p. 4. Retrieved 20 February 2015.
  6. ↑ Everyones, Everyones Ltd, 1920, retrieved 30 May 2018
  7. 1 2 3 4 Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press 1989 p 40
  8. ↑ "Advertising". The Advertiser . Adelaide: National Library of Australia. 19 August 1911. p. 20. Retrieved 21 November 2014.
  9. ↑ "Advertising". The Referee . Sydney: National Library of Australia. 18 October 1911. p. 16. Retrieved 13 September 2013.
  10. ↑ "THE MOVING PICTURE WORLD". The Referee . Sydney: National Library of Australia. 5 July 1911. p. 16. Retrieved 20 February 2015.
  11. ↑ "Advertising". The Sydney Morning Herald . National Library of Australia. 30 September 1911. p. 3. Retrieved 8 June 2015.
  12. ↑ "MOVIE "HEAVY" CHATS LIGHTLY". The Winner. Melbourne: National Library of Australia. 22 December 1915. p. 12. Retrieved 15 November 2014.
  13. ↑ "PHOTO PLAYS". The North Western Advocate and the Emu Bay Times . Tas.: National Library of Australia. 27 July 1911. p. 1. Retrieved 19 November 2014.
  14. ↑ "Governor-General in Brisbane". The Western Star and Roma Advertiser . Toowoomba, Qld.: National Library of Australia. 17 July 1909. p. 2. Retrieved 14 September 2013.
  15. ↑ "NO. 2 JURY COURT". The Sydney Morning Herald . National Library of Australia. 22 November 1911. p. 7. Retrieved 21 November 2014.
  16. ↑ "DISTRICT COURT". The Sydney Morning Herald . National Library of Australia. 11 September 1912. p. 8. Retrieved 21 November 2014.
  17. ↑ "The Future of Australian Pictures AN INTERVIEW WITH ALEX. HELLMRICH.", Everyones., 4 (261 (4 March 1925)), Sydney: Everyones Ltd, 1920, nla.obj-559978517, retrieved 30 November 2023– via Trove
  18. ↑ "GENERAL GOSSIP". The Referee . Sydney: National Library of Australia. 20 March 1912. p. 16. Retrieved 8 June 2015.
  19. ↑ "Advertising". The Newsletter: an Australian Paper for Australian People . Sydney: National Library of Australia. 21 December 1912. p. 6. Retrieved 14 September 2013.
  20. ↑ "Advertising". The Referee . Sydney: National Library of Australia. 7 February 1912. p. 16. Retrieved 14 September 2013.
  21. ↑ Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 21
  22. ↑ "THE MOVING PICTURE WORLD". The Referee . Sydney: National Library of Australia. 12 July 1911. p. 16. Retrieved 20 February 2015.
  23. ↑ "AMUSEMENTS". The Mercury . Hobart, Tas.: National Library of Australia. 1 November 1911. p. 3. Retrieved 8 June 2015.
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