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'The Austrian Film Commission (AFC), founded in 1987, is an organisation dedicated to promoting Austrian cinema throughout the world.
The AFC's role is to increase awareness of Austrian film making abroad and to support the positioning and release of Austrian films on the international marketplace.
Acting both as an information clearing house and as a facilitating agency for export purposes, the AFC maintains ongoing contacts with festival directors, sales agents, buyers and distributors, as well as the press, concerning new Austrian productions. Offering a wide variety of services at the domestic and international level, the AFC consults with producers and creative artists attending international festivals and markets and supports their activities.
The AFC represents Austria in the network of European film organisations for the worldwide advertisement of European film, the European Film Promotion.
The AFC represents the Austrian film industry at all important festivals and markets, principally the Cannes Film Festival, Berlin International Film Festival, Venice Film Festival, Toronto International Film Festival, San Sebastián International Film Festival, International Film Festival Rotterdam, Locarno International Film Festival, Karlovy Vary International Film Festival, Pusan International Film Festival, Buenos Aires International Festival of Independent Cinema and the American Film Market in Los Angeles.
The AFC produces a number of publications:
The AFC website provides news on current Austrian filmmaking and interviews, a film database, addresses and data on the Austrian film industry and a comprehensive list of the festival participations of Austrian films since 2006.
The first Diagonale film festivals in Salzburg (1993 to 1995) were organised by the Austrian Film Commission.
Martin Schweighofer has been the director of the Austrian Film Commission since 1992.
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A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some film festivals focus on a specific filmmaker, genre of film, or subject matter. Several film festivals focus solely on presenting short films of a defined maximum length. Film festivals are typically annual events. Some film historians, including Jerry Beck, do not consider film festivals as official releases of the film.
The Sarajevo Film Festival is the premier and largest film festival in Southeast Europe, and is one of the largest film festivals in Europe. It was founded in Sarajevo in 1995 during the siege of Sarajevo in the Bosnian War, and brings international and local celebrities to Sarajevo every year. It is held in August and showcases an extensive variety of feature and short films from around the world. The current director of the festival is Jovan Marjanović.
The New Zealand Film Commission is a New Zealand government agency formed to assist with creating and promoting New Zealand films. It was established under the New Zealand Film Commission Act 1978.
The Panafrican Film and Television Festival of Ouagadougou is a film festival in Burkina Faso, held biennially in Ouagadougou, where the organization is based. It accepts for competition only films by African filmmakers and chiefly produced in Africa. FESPACO is scheduled in March every second year, two weeks after the last Saturday of February. Its opening night is held in the Stade du 4-Août, the national stadium.
Sheffield DocFest, short for Sheffield International Documentary Festival (SIDF), is an international documentary festival and Industry Marketplace held annually in Sheffield, England.
The Hot Docs Canadian International Documentary Festival is the largest documentary festival in North America. The event takes place annually in Toronto, Ontario, Canada. The 27th edition of the festival took place online throughout May and June 2020. In addition to the annual festival, Hot Docs owns and operates the Hot Docs Ted Rogers Cinema, administers multiple production funds, and runs year-round screening programs including Doc Soup and Hot Docs Showcase.
The Australian Film Commission (AFC) was an Australian government agency was founded in 1975 with a mandate to promote the creation and distribution of films in Australia as well as to preserve the country's film history. It also had a production arm responsible for production and commissioning of films for the government. It was superseded by Screen Australia from 1 July 2008.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema.
The Transilvania International Film Festival is the first international feature film festival in Romania, which is held annually in the historic capital of Transylvania, Cluj-Napoca. Founded in 2002 by the Romanian Film Promotion, TIFF has grown rapidly to become the most important film-related event in Romania. It is a member of the Alliance of Central and Eastern European Film Festivals (CentEast) and it is supported by the Creative Europe – MEDIA Programme. In February 2011, TIFF has been accredited by the FIAPF as a "competitive festival specialised on first and second feature films". Indiewire listed it as one of the world's top 50 leading film festivals.
Screen Australia is the Australian Federal Government's key funding body for the Australian screen production industry, created under the Screen Australia Act 2008. From 1 July 2008 Screen Australia took over the functions of its predecessor agencies the Australian Film Commission (AFC), the Film Finance Corporation Australia (FFC) and Film Australia Limited.
Tallinn Black Nights Film Festival, or PÖFF, is an annual film festival held since 1997 in Tallinn, the capital city of Estonia. PÖFF is the only festival in Northern Europe or the Baltic region with a FIAPF accreditation for holding an International Competitive Feature Film Program, which places it alongside 14 other non-specialised competitive world festivals including Berlin, Cannes, Venice, Karlovy Vary, Warsaw, and San Sebastian. With over 250 feature-length and over 250 short films and animations from 80 countries (2018) screened, and an attendance of over 80,000 (2018), PÖFF is one of the largest film festivals in Northern Europe. The festival, its sub-festivals and the audiovisual industry platform Industry@Tallinn hosted around 1200 film professionals and journalists in 2018.
European Film Promotion (EFP) is an international promotion organisation and a unique network of 38 national film promotion institutes who represent films and talent from their respective territories. Under the EFP flag, the members team up on initiatives to promote the diversity and the spirit of European cinema and talent at key international film festivals and markets.
The Trinidad and Tobago film festival is a film festival in the Anglophone Caribbean. It takes place annually in Trinidad and Tobago in the latter half of September, and runs for approximately two weeks. The festival screens feature-length narrative and documentary films, as well as short and experimental films.
Pacific Meridian is an International Film Festival of the Asian-Pacific region, which has been held every September since 2003 in Vladivostok, Russia. Every year it brings together filmmakers from about 108 countries; with more than 1200 films submitted each year.
A growing number of film festivals are held in the Arab world to showcase films from the region as well as international standouts. In addition, institutions and organizations in other parts of the world are increasingly honoring the new generation of filmmakers in the Arab world with Arab film festivals.
The Beijing International Film Festival, abbreviated BJIFF, is a film festival in Beijing, China. Founded in 2011, along with the Shanghai International Film Festival, it is one of China's two biggest film festivals. The festival is one of the world's most prominent film festivals. Since its launch, it has been heavily attended by Hollywood executives, directors, producers, and studio heads, as well as filmmakers and actors from all over the world. It serves as an international venue for different cultures around the globe to communicate.
Creative UK is a not-for-profit organisation that supports the creative industries in the United Kingdom. The business promotes the development of creative companies, which in turn support business across games, film, creative and digital media as well as production services. The company works in partnership with the British Film Institute, has offices in Bristol and Salford, and operates predominantly outside of the city of London.
Despite Jamaica never having a very strong film industry, the island has produced notable films from the 1970s onwards. The most critically acclaimed film is The Harder They Come (1972), by Perry Henzell, which received international acclaim. The Jamaican government and various private citizens have tried to promote the creation of new films by the creation of certain agencies such as the Jamaican Film Commission, and film festivals such as the Reggae Film Festival. The Harder They Come sparked trends that were apparent in following films such as Dancehall Queen and One Love, both directed by Don Letts and Rick Elgood.
Annick Mahnert is a film festival curator and film producer. She is the director of programming at Fantastic Fest and Sitges International Fantastic Film Festival and was named executive director of the Canadian genre industry platform Frontières.