Ayodhyecha Raja

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Ayodhyecha Raja
Ayodhyecha Raja, 1932 Marathi film, India.jpg
अयोध्येचा राजा
Directed byShantaram Rajaram Vankudre (V. Shantaram)
Written byN.V. Kulkarni (story and screenplay)
Produced by Prabhat Film Company
Starring Govindrao Tembe
Durga Khote
Baburao Pendharkar
Master Vinayak
CinematographyKeshavrao Dhaiber
Edited by Rajaram Vankudre Shantaram
Music by Govindrao Tembe
Production
company
Release date
  • 23 January 1932 (1932-01-23)
Running time
146 min
CountryIndia
Languages Marathi
Hindi

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, [1] [2] directed by Shantaram Rajaram Vankudre. [3] It is based on the puranic story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana . [4]

Contents

The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema, wherein Munshi Ismail Farogh wrote the Hindi dialogue, while screenwriter N.V. Kulkarni also did Marathi dialogue. [5] India's first full-length feature film, Raja Harishchandra (1913), was also made on the same storyline.

Significance

The film was not just Prabhat Film Company's first talkie film, [6] but also for its director, V. Shantaram. [7] In its time, it was a leap in sound, song and dialogue quality and became a hit. Eventually, it turned out to be a social leap as well for the film industry, as the entry of Durga Khote, who belonged to an upper class and elite Brahmin family into Marathi cinema, paved way for other women from upper classes to enter cinema. [8] V. Shantaram made another version film, Duniya Na Mane (Kunku in Marathi) in 1937.

After the 2003 fire at the National Archives of India, Pune in which prints of first Indian talkie Alam Ara (1931) were lost, it is also the earliest surviving talkie of Indian cinema. [9] [10]

Cast

Soundtrack

Ayodhyecha Raja has music by Govindrao Tembe:

Related Research Articles

<span class="mw-page-title-main">Harishchandra</span> King in Hindu literature

Harishchandra is a legendary king of the Solar dynasty, who appears in several legends in texts such as the Aitareya Brahmana, Mahabharata, the Markandeya Purana, and the Devi Bhagavata Purana. The most famous of these stories is the one mentioned in the Markandeya Purana. According to this legend, Harishchandra gave away his kingdom, sold his family, and agreed to be a slave – all to fulfill a promise he had made to the sage Vishvamitra.

<span class="mw-page-title-main">Durga Khote</span> Indian actress (1905–1991)

Durga Khote was an Indian actress, beginning as one of the foremost leading ladies of her time. She remained active in Hindi and Marathi cinema, as well as theatre, for over 50 years, starring in around 200 films and numerous theatre productions.

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Shantaram Rajaram Vankudre, referred to as V. Shantaram or Shantaram Bapu, was an Indian filmmaker, film producer, and actor known for his work in Hindi and Marathi films. He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.

<span class="mw-page-title-main">Marathi cinema</span> Indian Marathi-language film industry

Marathi Cinema, also known as Marathi Chithrapat, is the segment of Indian cinema, dedicated to the production of motion pictures in the Marathi Language widely spoken in the state of Maharashtra. It is based in Mumbai. It is the oldest film industry of India and one of the leader in Filmmaking in India's film industry. The first Marathi talkie film was Ayodhyecha Raja, released in 1932, just one year after Alam Ara the first Hindi talkie, before releasing the Aayodhyecha Raja, all the Marathi films until then were Silent films with Intertitles.

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References

  1. Ayodhyecha Raja 1932 Marathi movie on YouTube
  2. Meera Kosambi (5 July 2017). Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence. Taylor & Francis. pp. 54–. ISBN   978-1-351-56589-9.
  3. Gokulsing, K.; Wimal Dissanayake (2004). Indian popular cinema: a narrative of cultural change. Trentham Books. p. 24. ISBN   1-85856-329-1.
  4. Jonathan Crow (2012). "Ayodhyecha Raja (1932)". Movies & TV Dept. The New York Times . Baseline & All Movie Guide. Archived from the original on 26 October 2012.
  5. The Firsts of Indian Cinema: Milestones from 1896-2000 Archived 19 July 2011 at the Wayback Machine Film and Television Producers Guild of India
  6. "Tribute: Remembering the pioneer". Screen. 8 December 2000. Archived from the original on 14 July 2008.
  7. Lloyd, Ann; David Robinson (1987). The Illustrated history of the cinema. Macmillan. pp.  384. ISBN   0-02-919241-2.
  8. 1 2 Ranade, Ashok Da. (2006). Hindi Film Song: Music Beyond Boundaries. Bibliophile South Asia. pp. 110, 229. ISBN   81-85002-64-9.
  9. Looking back, 1896-1960, by Rani Burra. Pub. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1981. p. 42.
  10. Swamy, Rohan (15 May 2013). "We were lucky that we could save Ayodhyecha Raja: Anil Damle". The Indian Express. Archived from the original on 9 January 2021. Retrieved 9 January 2021.