Gregg Araki is an American filmmaker. He is noted for his heavy involvement with the New Queer Cinema movement. His film Kaboom (2010) was the first winner of the Cannes Film Festival Queer Palm.
"New queer cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
Mädchen in Uniform is a 1931 German romantic drama film based on the play Gestern und heute by Christa Winsloe and directed by Leontine Sagan with artistic direction from Carl Froelich, who also funded the film. Winsloe also wrote the screenplay and was on the set during filming. Due to the film's overt and openly lesbian themes, the film remains an international cult classic.
Sir Isaac Julien is a British installation artist, filmmaker, and Distinguished Professor of the Arts at the University of California, Santa Cruz.
Bettina Fay Aptheker is an American political activist, radical feminist, professor and author. Aptheker was active in civil rights and anti-war movements of the 1960s and 1970s, and has since worked in developing feminist studies.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
Michelle Citron is a film, video and multimedia artist, scholar and author.
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
Jennie Livingston is an American director best known for the 1990 documentary Paris is Burning.
Why I Hate Abercrombie & Fitch: Essays on Race and Sexuality is a book by Dwight A. McBride on ethno-relational mores in contemporary gay African America with a nod to black, feminist and queer cultural contexts "dedicated to integrating sexuality and race into black and queer studies."
Celine Parreñas Shimizu is a filmmaker and film scholar. She is well known for her work on race, sexuality and representations. She is currently Dean of the Arts Division at the University of California at Santa Cruz.
!Women Art Revolution is a 2010 documentary film directed by Lynn Hershman Leeson and distributed by Zeitgeist Films. It tracks the feminist art movement over 40 years through interviews with artists, curators, critics, and historians.
Latin American nations have been producing national LGBT+ cinema since at least the 1980s, though homosexual characters have been appearing in their films since at least 1923.:75 The collection of LGBT-themed films from 2000 onwards has been dubbed New Maricón Cinema by Vinodh Venkatesh; the term both includes Latine culture and identity and does not exclude non-queer LGBT+ films like Azul y no tan rosa.:6-7 Latin American cinema is largely non-systemic, which is established as a reason for its wide variety of LGBT-themed films.:142
Cecilia Barriga is a Chilean-Spanish film director. Her 1991 film Meeting Two Queens was shown at Montreal Women's Film and Video Festival and New York International Festival of Gay and Lesbian Film. She directed her first feature film Time's Up! in New York City. It premiered at the Donostia-San Sebastián Film Festival in 2000 as part of Zabaltegi.
RSVP is a Canadian short film, directed by Laurie Lynd and released in 1991. It was one of the films singled out by film critic B. Ruby Rich in her influential 1992 essay on the emergence of New Queer Cinema.
Marcia Ochoa is a United States-based professor of Feminist Studies and Critical Race and Ethnic Studies at the University of California, Santa Cruz. They are the co-founder of El/La Para TransLatinas and is credited with popularizing the term "translatina."
The Feminist Studies Department at the University of California, Santa Cruz constitutes one of the oldest departments of gender and sexuality studies in the world. It was founded as a women's studies department in 1974. It is considered among the most influential departments in feminist studies, post-structuralism, and feminist political theory. In addition to its age and reputation, the department is significant for its numerous notable faculty, graduates, and students.
Kay Armatage is a Canadian filmmaker, former programmer at the Toronto International Film Festival and Professor emerita at the University of Toronto's Cinema Studies Institute and Women & Gender Studies Institute. Though she attained a B.A. in English Literature from Queen's University, her name is generally linked with the University of Toronto.
Margo Hendricks is an American professor emerita of literature at University of California, Santa Cruz. Her research focuses on race and culture in literature.
The International Festival of Women's Films was an international film festival held in New York City in 1972 and 1976. The 1972 edition of the festival is significant for being the first major women's film festival.
