Wives and Other Wives is a 1918 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter, based on a story by Jules Furthman. As with many of Minter's features, it is thought to be a lost film.
Melissa of the Hills is a 1917 American silent film directed by James Kirkwood and starring Mary Miles Minter. As is the case with many of Minter's features, it is thought to be a lost film.
Periwinkle is a 1917 American silent film directed by James Kirkwood and starring Mary Miles Minter. It was based on the 1910 novel Periwinkle; an Idyl of the Dunes written by William Farquhar Payson. As with many of Minter's features, it is thought to be a lost film.
The Gentle Intruder is a 1917 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. The film was Minter's sixth production with Mutual Film. It is one of approximately a dozen of Minter's films known to have survived; a copy is held by the Dutch Filmmuseum.
Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
The Eyes of Julia Deep is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Lloyd Ingraham. The film is based on the short story by the same name, written by Kate L. McLaurin. It is one of the few films starring Minter which are known to have survived, and one of even fewer readily available for the general public to view.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
The Heart Specialist is a 1922 American silent romantic comedy film directed by Frank Urson and starring Mary Miles Minter and Allan Forrest. It was adapted by Harvey Thew from a story by Mary Morrison. As with many of Minter's features, it is thought to be a lost film.
The Amazing Impostor is a 1919 American silent comedy film starring Mary Miles Minter and directed by Lloyd Ingraham. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Rosemary Climbs the Heights is a 1918 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, Allan Forrest, and Margaret Shelby. It is the only one of Minter's feature films not listed in the Library of Congress American Silent Feature Film Database, making its survival status difficult to ascertain.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest, and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players–Lasky, in June 1919.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
A Bit of Jade is a 1918 silent comedy-drama film directed by Edward Sloman and starring Mary Miles Minter. As with many of Minter’s features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.
