Blason

Last updated

Blason is a form of poetry. The term originally comes from the heraldic term "blazon" in French heraldry, which means either the codified description of a coat of arms or the coat of arms itself. The Dutch term is Blazoen, and in either Dutch or French, the term is often used to refer to the coat of arms of a chamber of rhetoric. [1]

Contents

History

Blason de Clovis Blason de Clovis.png
Blason de Clovis

The term forms the root of the modern words "emblazon", which means to celebrate or adorn with heraldic markings, and "blazoner", one who emblazons. This form of poetry was used extensively by Elizabethan-era poets. The terms "blason", "blasonner", "blasonneur" were used in 16th-century French literature by poets who, following Clément Marot in 1536, practised a genre of poems that praised a woman by singling out different parts of her body and finding appropriate metaphors to compare them with. It is still being used with that meaning in literature and especially in poetry. One famous example of such a celebratory poem, ironically rejecting each proposed stock metaphor, is William Shakespeare's Sonnet 130:

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know,
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

Blason draws on Petrarchan conventions of representing the female beloved in Petrarch's Canzoniere of the 14th century. Petrarch never offers a complete picture of his beloved Laura, but depicts her only as parts of a woman. The French Blason tradition can also be considered anti-Petrarchan, as it moves away from the adulatory tone of the Petrarchan sonnet (Petrarchism was so pervasive in the Renaissance, it also included subversion of Petrarchan conventions). The term Blason populaire is a phrase in which one culture or ethnic group increases its own self-esteem by belittling others e.g. Samuel Johnson's description that "The noblest prospect which a Scotsman ever sees, is the high road that leads him to England!". This term originated from Alfred Canel's travelogue Blason Populaire de la Normandie (1859), in which people from Normandy boasted about themselves while sneering at other regions. [2]

The genre also spawned contreblasons, in which the poet mocked unattractive parts of a woman's body. [3]

Other cultures have types of blason poetry. For instance, Ethiopia has a genre of poetry called Mälkəˀ, meaning "image" or "portrait,” generally written in the language of Gəˁəz in honor of sacred individuals. Such poems list and eulogize the spiritual powers of the saint, using the metaphor of various body parts, starting with the hair, eyelashes, tongue, and lips, moving down to the throat, breasts, and belly, and from there down to legs and toes, among other parts. [4] For an example, see the poem MälkəˀaWälättä Ṗeṭros:

Hail to your back, which cast off luxurious cloaks,
and to your chest, a banquet-table for the wretched.
Walatta Petros, our mother, lover of fasting and prayer,
request forgiveness for our sins before the Lord:
Thus we implore you, we who are yours. [5]

See also

Related Research Articles

<span class="mw-page-title-main">Poetry</span> Form of literature

Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

<span class="mw-page-title-main">Sonnet</span> Poetic form, traditionally fourteen specifically-rhymed lines

A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect.

<span class="mw-page-title-main">Thomas Wyatt (poet)</span> English poet and diplomat (1503–1542)

Sir Thomas Wyatt was a 16th-century English politician, ambassador, and lyric poet credited with introducing the sonnet to English literature. He was born at Allington Castle near Maidstone in Kent, though the family was originally from Yorkshire. His family adopted the Lancastrian side in the Wars of the Roses. His mother was Anne Skinner, and his father Henry, who had earlier been imprisoned and tortured by Richard III, had been a Privy Councillor of Henry VII and remained a trusted adviser when Henry VIII ascended the throne in 1509.

La Pléiade was a group of 16th-century French Renaissance poets whose principal members were Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf. The name was a reference to another literary group, the original Alexandrian Pleiad of seven Alexandrian poets and tragedians, corresponding to the seven stars of the Pleiades star cluster.

An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described and the comparison used to describe it. These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways.

<span class="mw-page-title-main">Elizabethan literature</span>

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney and Thomas Kyd.

<span class="mw-page-title-main">Sonnet 130</span> Poem by William Shakespeare

Sonnet 130 is a sonnet by William Shakespeare, published in 1609 as one of his 154 sonnets. It mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress.

<i>Il Canzoniere</i> Poetry anthology by Petrarch

Il Canzoniere, also known as the Rime Sparse, but originally titled Rerum vulgarium fragmenta, is a collection of poems by the Italian humanist, poet, and writer Petrarch.

<i>Amoretti</i>

Amoretti is a sonnet cycle written by Edmund Spenser in the 16th century. The cycle describes his courtship and eventual marriage to Elizabeth Boyle.

<span class="mw-page-title-main">Sonnet 141</span> Poem by William Shakespeare

Sonnet 141 is the informal name given to the 141st of William Shakespeare's 154 sonnets. The theme of the sonnet is the discrepancy between the poet's physical senses and wits (intellect) on the one hand and his heart on the other. The "five wits" that are mentioned refer to the mental faculties of common sense, imagination, fantasy, instinct, and memory. The sonnet is one of several in which the poet's heart is infatuated despite what his eyes can see.

<span class="mw-page-title-main">Petrarch's and Shakespeare's sonnets</span>

The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's enduring appeal by demonstrating its flexibility and lyrical potency through the exceptional quality of their poems.

<span class="mw-page-title-main">Sonnet 127</span> Poem by William Shakespeare

Sonnet 127 of Shakespeare's sonnets (1609) is the first of the Dark Lady sequence, called so because the poems make it clear that the speaker's mistress has black hair and eyes and dark skin. In this poem the speaker finds himself attracted to a woman who is not beautiful in the conventional sense, and explains it by declaring that because of cosmetics one can no longer discern between true and false beauties, so that the true beauties have been denigrated and out of favour.

<span class="mw-page-title-main">Sonnet 78</span> Poem by William Shakespeare

Sonnet 78 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It is one of the Fair Youth sequence, and the first of the mini-sequence known as the Rival Poet sonnets, thought to be composed some time from 1598 to 1600.

"Elegy XIX: To His Mistress Going to Bed", originally spelled "To His Mistris Going to Bed", is a poem written by the metaphysical poet John Donne.

Waṣf is an ancient style of Arabic poetry, which can be characterised as descriptive verse. The concept of waṣf was also borrowed into Persian, which developed its own rich poetic tradition in this mode.

This page lists the armoury of the communes in la Manche.

<span class="mw-page-title-main">Madeleine de L'Aubépine</span> French writer

Madeleine de l'Aubespine was a French aristocrat, lady in waiting to Catherine de Medicis, poet, and literary patron. She was one of the only female poets praised by "the prince of poets," Pierre de Ronsard and she was one of the earliest female erotic poets.

"They flee from me" is a poem written by Thomas Wyatt. It is written in rhyme royal and was included in Arthur Quiller-Couch's edition of the Oxford Book of English Verse. The poem has been described as possibly autobiographical, and referring to any one of Wyatt's affairs with high-born women of the court of Henry VIII, perhaps with Anne Boleyn.

<span class="mw-page-title-main">Walatta Petros</span> Ethiopian saint in 17th century

Walatta Petros was an Ethiopian saint. Her hagiography, The Life-Struggles of Walatta Petros was written in 1672. She is known for resisting conversion to Roman Catholicism, forming many religious communities, and performing miracles for those seeking asylum from kings.

<i>Elegiac Sonnets</i>

Elegiac Sonnets, titled Elegiac Sonnets, and Other Essays by Charlotte Sussman of Bignor Park, in Sussex in its first edition, is a collection of poetry written by Charlotte Smith, first published in 1784. It was widely popular and frequently reprinted, with Smith adding more poems over time. Elegiac Sonnets is credited with re-popularizing the sonnet form in the eighteenth century. It is notable for its poetic representations of personal emotion, which made it an important early text in the Romantic literary movement.

References

  1. "Blazoens of the Flemish chambers of rhetoric". In the anonymous "Vlaerdings Redenrijck-bergh" published in Amsterdam in 1617 and now available online through the DBNL.
  2. Blason populaire de la Normandie, comprenant les proverbes, sobriquets ou dictons relatifs à cette province, Alfred Canel, 1859, on Google books
  3. "University of Virginia Library Online Exhibits | The Renaissance in Print: Sixteenth-Century Books in the Douglas Gordon Collection". explore.lib.virginia.edu. Retrieved 2024-03-27.
  4. "Habtemichael Kidane, "Mälkəˀ." In Encyclopaedia Aethiopica: He-N: Vol. 3, ed. Siegbert Uhlig, 701-702. Wiesbaden: Harrassowitz, 2007.
  5. Galawdewos (2015-10-13). The Life and Struggles of Our Mother Walatta Petros: A Seventeenth-Century African Biography of an Ethiopian Woman. Princeton University Press. ISBN   9781400874149.