John Gilling was an English film director and screenwriter, born in London. He was known for his horror movies, especially those he made for Hammer Films, for whom he directed The Shadow of the Cat (1961), The Plague of the Zombies (1966), The Reptile (1966) and The Mummy's Shroud (1967), Cross of the Devil (1975), among others.
The House Across the Lake is a 1954 British film noir crime film directed by Ken Hughes and starring Alex Nicol, Hillary Brooke, Sid James and Susan Stephen. t was produced as a second feature by Hammer Films. It was released in the United States by Lippert Pictures.
The Last Page, released in the United States as Man Bait, is a 1952 British film noir directed by Terence Fisher, starring George Brent, Marguerite Chapman and Diana Dors. The film was also known as Murder in Safety and Blonde Blackmail.
Time Gentlemen, Please! is a 1952 British comedy film directed by Lewis Gilbert and written by Val Valentine and Peter Blackmore. The cast includes Eddie Byrne, Jane Barrett and Raymond Lovell. It was produced by Group 3 Films with funding from the NFFC and distributed by ABPC. It was shot at Southall Studios and on location at Thaxted in Essex. The film's sets were designed by the art director Michael Stringer. The film is based on the 1946 novel Nothing to Lose by R.J. Minney.
Tread Softly is a 1952 British crime film with musical overtones, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. A chorus girl investigates a series of mysterious happenings at a derelict theatre.
Two on the Tiles is a 1951 British comedy film directed by John Guillermin and starring Herbert Lom, Hugh McDermott and Brenda Bruce. It was made at the Walton Studios by the independent Vandyke Productions for release as a second feature. It was one of three back-to-back productions Guillermin directed for the company at Walton Studios, along with Smart Alec and Four Days,. It was released in the U.S. as School for Brides.
The Lost Hours is a 1952 British film noir directed by David MacDonald and starring Mark Stevens, Jean Kent and John Bentley. It was produced by Tempean Films which specialised in making second features at the time, and marked Kent's first descent into B films after her 1940s stardom. It was shot at Isleworth Studios and on location around London. The film's sets were designed by the art director Andrew Mazzei. It was released in the United States the following year by RKO Pictures as The Big Frame.
River Beat is a 1954 British second feature noir crime film directed by Guy Green and starring John Bentley, Phyllis Kirk and Leonard White. It was distributed in the United States by Lippert Pictures.
Impulse is a 1954 British second feature film noir directed by Cy Endfield and starring Arthur Kennedy, Constance Smith and Joy Shelton.
River Patrol is a 1948 British crime film directed by Ben R. Hart and starring John Blythe, Lorna Dean, and Wally Patch. The screenplay concerns a group of undercover British customs officer who investigate a gang of nylon smugglers. It was made by Hammer Film Productions as a supporting feature. It was made at Marylebone Studios in London. It is notable for being one of the earliest films made by Hammer following its relaunch after the Second World War.
The Story of Shirley Yorke is a 1948 British drama film directed by Maclean Rogers and starring Derek Farr, Dinah Sheridan and Margaretta Scott. The film was based on the play The Case of Lady Camber by Horace Annesley Vachell. It was made at the Nettlefold Studios in Walton-on-Thames. Art direction was by Charles Gilbert.
Queer Cargo is a 1938 British drama film directed by Harold D. Schuster and starring John Lodge, Judy Kelly and Kenneth Kent. It was made at Elstree Studios. It was based on a play of the same title by Noel Langley.
Front Line Kids is a 1942 British comedy film directed by Maclean Rogers and starring Leslie Fuller. It was made at the Riverside Studios in Hammersmith. The film's sets were designed by the art director Andrew Mazzei.
Room to Let is a 1950 British historical thriller film directed by Godfrey Grayson and starring Jimmy Hanley, Valentine Dyall and Constance Smith. It was adapted from the BBC radio play by Margery Allingham, broadcast in 1947.
Dark Secret is a 1949 British crime film directed by Maclean Rogers and starring Dinah Sheridan, Emrys Jones and Irene Handl. It was a remake of the 1933 film The Crime at Blossoms, also directed by Rogers.
Death of an Angel is a 1952 British crime drama film directed by Charles Saunders and starring Patrick Barr, Jane Baxter and Jean Lodge. It was filmed at Bray Studios as a second feature.
Hot Ice is a 1952 British comedy crime film directed by Kenneth Hume and starring John Justin, Barbara Murray and Ivor Barnard. It was released as a second feature. It is based on the 1934 novel Weekend at Thrackley by Alan Melville and its subsequent play version. An eccentric invites an assortment of guests to his country house, planning to rob them of their valuables.
My Death Is a Mockery is a 1952 British crime film directed by Tony Young and starring Donald Houston, Kathleen Byron and Bill Kerr.
Group 3 Films was a short lived British film production company that operated from 1951 to 1955.
The Monarch Film Corporation was a British film distribution company active during the 1940s and 1950s. It specialised in supplying second features to British cinemas. The company handled a mixture of British and American films, as well as the Australian film Strong Is the Seed. It involved itself in production at times, and produced several more ambitious features including Hindle Wakes (1952) and A Yank in Ermine (1956). It had an arrangement with ACT Films under John Croydon to handle films made at Walton Studios. The 1952 adventure film Men Against the Sun (1952) was, unusually for the second feature market, a costume adventure film despite its running time.
