Breakdowns | |
---|---|
Creator | Art Spiegelman |
Date | 1977 |
Publisher |
Breakdowns is a collected volume of underground comic strips by American cartoonist Art Spiegelman. The book is made up of strips dating to before Spiegelman started planning his graphic novel Maus , but includes the strip "Maus" which presaged the graphic novel, and "Prisoner on the Hell Planet" which is reproduced in Maus. The original edition of 1977 is subtitled From Maus to Now; the expanded 2008 edition is subtitled Portrait of the Artist as a Young %@&*!. [1]
The original 1977 edition was made up of short, experimental strips, some of which were autobiographical, made between 1972 and 1977. [2] At that stage in his career, Spiegelman was more interested in the formal elements of the comics medium than in its content or storytelling aspects. He experimented with and explored the relation of panels to each other on the page, pictorial manipulation, and how far one could take a story formally before it became incoherent. [3] He parodied and paid homage to his cartoon heroes, notably Chester Gould's Dick Tracy , Rex Morgan, M.D. , and Winsor McCay's Dream of the Rarebit Fiend . [4]
The cover depicts Spiegelman drinking a bottle of India ink [5] over repeated variants of the same image. The title is written in shaky block letters, implying both visual and psychological breakdowns. [6]
The expanded 2008 edition made use of a swirl or squiggle motif. The seemingly tossed-off squiggle is used in a variety of contexts. It is first introduced as the expression of surprise of the character on the cover slipping on a copy of the first edition of Breakdowns (rather than a clichéd banana peel). At other times it is used to represent the artist himself, or the squiggles he makes as a youth learning to draw. [1]
Spiegelman depicts himself in the vest that has become synonymous with his image since Maus, in contrast to his appearance in the comics from the original Breakdowns. [1]
Breakdowns was originally published in an edition that sold less than 3000 copies [7] in 1977 by Belier Press as Breakdowns: From Maus to Now, collecting strips that had appeared between 1972 and 1977 in various underground publications, including Arcade , which Spiegelman had co-edited. Unusually for American comics at the time, it was published in hardcover. [8]
It was republished in an expanded edition by Pantheon Books in 2008 and retitled Breakdowns: Portrait of the Artist as a Young %@&*!, with a new introductory comic and long afterword which nearly double the length of the original book. [9] When Spiegelman had been working on In the Shadow of No Towers , a book with many of the formal concerns of Breakdowns, his editor at Pantheon Books, Dan Frank, approached him to reprint Breakdowns. [10]
Spiegelman visually relates the story of a boy who bullied him and spat on his mother in his youth, echoing with irony the well-known Charles Atlas advertisements such as "The Insult that Made a Man out of Mac" that ran in comic books. He fills the dialog balloons with text from Viktor Shklovsky's essay "Art as Technique". [11]
The volume failed to capture a wide audience. Spiegelman says this indifference was the impetus to take on Maus . [2]
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
A graphic novel is a long-form, fictional work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
Art Spiegelman is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly, and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.
Maus, often published with the subtitle A Survivor's Tale, is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a Polish Jew and Holocaust survivor. The work employs postmodern techniques, and represents Jews as mice and other Germans and Poles as cats and pigs. Critics have classified Maus as memoir, biography, history, fiction, autobiography, or a mix of genres. In 1992 it became the first graphic novel to win a Pulitzer Prize.
Justin Considine Green was an American cartoonist who is known as the "father of autobiographical comics." A key figure and pioneer in the 1970s generation of underground comics artists, he is best known for his 1972 comic book Binky Brown Meets the Holy Virgin Mary.
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Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Pantheon Books is an American book publishing imprint with editorial independence. It is part of the Knopf Doubleday Publishing Group.
Phoebe Louise Adams Gloeckner, is an American cartoonist, illustrator, painter, and novelist.
Françoise Mouly is a Paris-born New York-based designer, editor, and publisher. She is best known as co-founder, co-editor, and publisher of the comics and graphics magazine Raw (1980–1991), as the publisher of Raw Books and Toon Books, and since 1993 as the art editor of The New Yorker. Mouly is married to cartoonist Art Spiegelman, and is the mother of writer Nadja Spiegelman.
Ed the Happy Clown is a graphic novel by Canadian cartoonist Chester Brown. Its title character is a large-headed, childlike children's clown who undergoes one horrifying affliction after another. The story is a dark, humorous mix of genres and features scatological humour, sex, body horror, extreme graphic violence, and blasphemous religious imagery. Central to the plot are a man who cannot stop defecating; the head of a miniature, other-dimensional Ronald Reagan attached to the head of Ed's penis; and a female vampire who seeks revenge on her adulterous lover who had murdered her to escape his sins.
Robert Grossman was an American painter, sculptor, filmmaker, comics artist, illustrator and author.
Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics, a combination of words and drawn images. Typically, sources are actual people featured in each story, and word balloons are actual quotes. The term "comics journalism" was coined by one of its most notable practitioners, Joe Sacco. Other terms for the practice include "graphic journalism," "comic strip journalism", "cartoon journalism", "cartoon reporting", "comics reportage", "journalistic comics", and "sketchbook reports".
Dean Mullaney is an American editor, publisher, and designer whose Eclipse Enterprises, founded in 1977, was one of the earliest independent comic-book companies. Eclipse published some of the first graphic novels and was one of the first comics publishers to champion creators' rights. In the 2000s, he established the imprint The Library of American Comics of IDW Publishing to publish hardcover collections of comic strips. Mullaney and his work have received seven Eisner Awards.
The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany.
Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the very first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced.
Mickey au Camp de Gurs is a 1942 French comic booklet by German-born French cartoonist of Jewish descent Horst Rosenthal. It was created while Rosenthal was a prisoner at the Gurs internment camp in France during World War II. The comic features Walt Disney's Mickey Mouse, who is arrested on suspicion of being Jewish and is sent to Gurs. Rosenthal acknowledged the source of his protagonist by adding "Publié Sans Autorisation de Walt Disney" to the front cover. Rosenthal was detained in Gurs for two years before being sent to Auschwitz in September 1942; he was executed on the day of his arrival.
Raw Books & Graphics is a publishing company specializing in comics and graphic novels. Operating since 1978, it is owned and operated by Françoise Mouly. The company first came to prominence publishing Raw magazine, co-edited by Mouly and her husband, cartoonist Art Spiegelman. In the 1980s the company published graphic novels, and with the formation of Raw Junior in 1999, branched into children's comics with Little Lit and Toon Books.