Bristol Black Writers Group

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The Bristol Black Writers group was co-founded by writer Bertel Martin in the late 1980s. [1] The group was based at the Kuumba Centre in St Pauls, Bristol. [2] [3] Bristol Black Writers published a monthly newsletter and held performance groups and workshops [2] that were influential to the development of the career of many British poets and spoken word artists of color. [1] Members included Bertel Martin, Edson Burton, Ros Martin, [4] Rob Mitchell, [5] Restee Kabi, [6] Miles Chambers, and Doreen Baidoo. [7]

Contents

Founding

Martin co-founded the group in 1986 after he attended a Black writers meeting in Lumb Bank, where he met Bristol writers Jean White, Elaine Brissett, and Connie Jones, along with Cheryl Martin and Lemm Sissay. The session instructors were Fred D’Aguire and Jean ‘Binta’ Breeze. [1]

Sissay and Martin later went on to organize a Black Writers’ exchange in 1988 between the cities of Bristol and Manchester, where participants visited both cities, discussed issues faced by Black writers, and conducted multiple performances at local venues. [1]

These early performances reinforced the need for Bristol Black Writers to establish their identity around poetry inside of the growing local performance art scene. Many of the Bristol Black Writers would later participate in the Bristol Poetry Slam, organized by Glenn Carmichael. [1]

In May 1991, Lilleith Morrison completed a short film, Black 'n' Write, featuring men and women from the Bristol Black Writers Group, including both footage of poetry performances and interviews. [8]

Collaborations

Writer Edson Burton was one of the members of the Bristol Black Writers who felt that the Poetry Slam did not take the craft seriously enough or offer sufficient critique. By 1994, the Bristol Black Writers were criticized for not engaging much with the Slam, as Edson and other poets did not wish to constantly be in the minority of writers, having to explain specific cultural elements and experience to the audiences.  Miles Chambers, Bristol City Poet Laureate, noted the “whiteness” of the Poetry Slam at the time. [1] In 1998, Bristol Black Writers collaborated with artist Andrea Baum for Speaking between the lines - a Poetic play written with Restee Kabi from the Bristol Black Writers group and performed at Spike Island in Bristol. [6]

In 1999, the group participated in the first Bristol International Poetry Festival, and was featured in its program. [9]

The Bristol Black Writers group published an anthology, The reality is..., in 1999 with writing from poets Peter Baidoo, Inez Aponte, Rob Mitchell, Edson Burton, Ralph Hoyte, Miles Chambers, Doreen Baidoo, Jamila Yousaf (Martin), Kamaljit Poonia and Ros Martin. [1]

At the start of the 21st Century, the spoken word scene attempted to be more inclusive and British poets of color sought to partner with US poets. Bristol Black Writers were featured in Say it Loud and partnered with visiting poets to run poetry workshops at schools and centers for juvenile criminal offenders. [1]

In 2002, the group produced Songs for Saartje, dedicated to Saartje Baartman, featuring Ros Martin. [4]

In March 2006, Miles Chambers, of Bristol Black Writers' Group, held a workshop in which he demonstrated how to find inspiration and gave general writing advice to year seven and eight pupils at Kelsey Park Sports College, in Manor Way, Beckenham. [10]

In 2011, Edson Burton, co-founder of the writing group, produced Seasoned, a theatrical piece based upon his collection of poetry by the same name. The history of production of Seasoned has been examined as an example of how culture operates in a context of shifting deinstitutionalized production to affect the expression of Black diasporic experience in poetry and theatre. The creation of Seasoned as a recognizable cultural product was heavily dependent on the possibilities of self-publishing, self-broadcasting, and workshopping, through which it was transformed as a work. [11]

By 2012, the spoken word scene in Bristol was burgeoning from the inspiration from rap, hip-hop, YouTube poetry, and the festival scene. Bertel Martin of the Bristol Black Writers co-founded Word of Mouth in Totterdown as a space to exchange ideas and perform verse, prose and musical acts in the style of Dylan Thomas. [1]

As of 2019, the writing group as an entity was defunct. [11]

Cultural and literary influences

Caryl Phillips’ and Edson Burton’s careers in creative writing started with their participation in the Bristol Black Writers group. [12]

Poet Shagufta Iqbal was a member of the Bristol Black Writers and a mentee of Bertel Martin. She saw the spoken word scene in 2005 as ‘very male and very white’ and went on to create Kiota, a networking and creative space for poets and women of color. [1] Iqbal reflects on the significance of the Bristol Black Writers upon her career:

It was Bristol Black Writers that gave me the incentive, encouragement, and confidence to imagine myself as a poet - without which I would not have found this love as quickly as I did. I owe Kuumba and the Bristol Black Writers an immense gratitude for providing an environment that nourished my curiosity about poetry. [13]

Publications

Archives

Material from the Bristol Black Writers Group and its members are held in various collections at Bristol Archives including:

Related Research Articles

<span class="mw-page-title-main">Poetry slam</span> Competition arts event

A poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges. While formats can vary, slams are often loud and lively, with audience participation, cheering and dramatic delivery.

<span class="mw-page-title-main">Performance poetry</span> Poetry composed for live performance

Performance poetry is a broad term, encompassing a variety of styles and genres. In brief, it is poetry that is specifically composed for or during a performance before an audience. During the 1980s, the term came into popular usage to describe poetry written or composed for performance rather than print distribution, mostly open to improvisation.

<span class="mw-page-title-main">Spoken word</span> Type of performance art

Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.

<span class="mw-page-title-main">Bob Holman</span> American poet and poetry activist

Bob Holman is an American poet and poetry activist, most closely identified with the oral tradition, the spoken word, and poetry slam. As a promoter of poetry in many media, Holman has spent the last four decades working variously as an author, editor, publisher, performer, emcee of live events, director of theatrical productions, producer of films and television programs, record label executive, university professor, and archivist. He was described by Henry Louis Gates Jr. in The New Yorker as "the postmodern promoter who has done more to bring poetry to cafes and bars than anyone since Ferlinghetti."

Beau Sia is an American slam poet.

<span class="mw-page-title-main">Patricia Smith (poet)</span> American poet (born 1955)

Patricia Smith is an American poet, spoken-word performer, playwright, author, writing teacher, and former journalist. She has published poems in literary magazines and journals including TriQuarterly, Poetry, The Paris Review, Tin House, and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. She is on the faculties of the Stonecoast MFA Program in Creative Writing and the Low-Residency MFA Program in Creative Writing at Sierra Nevada University.

Tracie Morris is an American poet. She is also a performance artist, vocalist, voice consultant, creative non-fiction writer, critic, scholar, bandleader, actor and non-profit consultant. Morris is from Brooklyn, New York. Morris' experimental sound poetry is progressive and improvisational. She is a tenured professor at the Iowa Writers' Workshop.

<span class="mw-page-title-main">Kelly Writers House</span> Community space at the University of Pennsylvania

The Kelly Writers House is a mixed-use programming and community space on the campus of the University of Pennsylvania in Philadelphia.

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Kay Ulanday Barrett is a published poet, performer, educator, food writer, cultural strategist, and transgender, gender non-conforming, and disability advocate based in New York and New Jersey, whose work has been showcased nationally and internationally. Their second book, More Than Organs received a 2021 Stonewall Honor Book Award by the American Library Association and is a 2021 Lambda Literary Award for Transgender Literature Finalist. They are a 2020 James Baldwin Fellowship recipient, three-time Pushcart Prize Nominee, and two-time Best of the Net Nominee. Barrett's writing and performance centers on the experience of queer, transgender, people of color, mixed race people, Asian, and Filipino/a/x community. The focus of their artistic work navigates multiple systems of oppression in the context of the U.S.

DarkMatter was an art and activist collaboration between Janani Balasubramanian and Alok Vaid-Menon, known for their spoken word performances and queer/trans South Asian themes.

<span class="mw-page-title-main">Dike Chukwumerije</span> Nigerian author, spoken word and performance poet

Dike Chukwumerije is a Nigerian spoken word and performance poetry artist and author. He has eight published books, including the novel Urichindere, which won the 2013 Association of Nigerian Authors (ANA) Prize for Prose Fiction and a poetry theatre production made in Nigeria. In October 2018, he traveled to nine Nigerian cities: Abuja, Lagos, Enugu, Benin, Ile-Ife, Maiduguri, Yola, Bonny, and Jos.

Commonword (1975–present) is a writing development organisation based in Manchester, North West England, providing opportunities for new and aspiring writers to develop their talent and potential, promoting new writing on national and international levels. The organisation was set up in 1975. It is currently the largest new writing, community writing and publishing organisation in the North West. It is a limited company and registered charity, and is Arts Council funded. Activist and writer Deyika Nzeribe was a former chair.

Javon Johnson is an American spoken word poet, writer, and professor. He is the director of African American and African Diaspora Studies in the Department of Interdisciplinary, Gender, and Ethnic Studies at the University of Nevada, Las Vegas, and the author of Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities.

Australian Poetry Slam is an annual poetry slam competition run within Australia. Contestants of all ages, experiences and talents perform live and are judged by the audience to determine the best both locally and nationally through a succession of heats and finals. It is run in the style of an "open slam" in which anyone is able to register to perform. Events are typically hosted by the previous year's Australian Poetry Slam Champion or another established performing writer.

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InsideOut Literary Arts (InsideOut) is a 501(c)(3) literary nonprofit organization based in Detroit, Michigan, that uses creative writing and poetry programs to build students' literary and academic skills. InsideOut provides opportunities for Detroit students to work with professional writers through a school-based Writers-in-Residence program, afterschool programming, and community events.

Ros Martin is a British playwright, poet, performance artist, curator and activist, based in Bristol. She is a founder member of the Bristol Black Women's Writers Group (2002–2005) and "Our Stories Make Waves" (OSMW) and Speakeasy South West, the latter two both associations of African diaspora artists in creativity. She was a member of the Bristol Black Writers Group.

References

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  10. "Working with words for fun". News Shopper. 15 March 2006. Retrieved 2022-08-22.
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  12. Tempestoso, Carla (2020-07-16). "Silences that Ride the Air: Soundscaping Slavery in Caryl Phillips's Crossing the River". Linguæ & - Rivista di lingue e culture moderne. 19 (1): 119–131. doi: 10.7358/ling-2020-001-temp . ISSN   1724-8698. S2CID   225578834.
  13. "Poetry in motion: an interview with local poets". The Bristol Magazine Online. Retrieved 21 May 2023.
  14. "Black n' Write". Bristol Archives. Retrieved 1 February 2023.