Bukka White | |
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 White playing slide guitar | |
| Background information | |
| Birth name | Booker T. Washington White |
| Born | November 12, 1900–1909 between Aberdeen and Houston, Mississippi, U.S. |
| Died | February 26, 1977 (aged 67-76) Memphis, Tennessee |
| Genres | |
| Occupation(s) |
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| Years active | Late 1920s–1977 |
| Labels | |
Booker T. Washington "Bukka" White (born on November 12, between 1900 and 1909; died February 26, 1977) was an American Delta blues guitarist and singer.
Booker T. Washington White was born on a farm south of Houston, in northeastern Mississippi. [1] He was born on November 12; various years between 1900 and 1909 are recorded – census data suggests 1904. [1] Bukka is a phonetic spelling of White's first name; he was named after the African-American educator and civil rights activist Booker T. Washington. White was a first cousin of B.B. King's mother (White's mother and King's maternal grandmother were sisters). [2] His father John White was a railroad worker, [3] and also a musician who performed locally, [1] primarily playing the fiddle, but also mandolin, guitar and piano. He gave Booker a guitar for his ninth birthday. [4] White started his career playing the fiddle at square dances.[ citation needed ] He got married at 16 years old, with his father giving him a new Stella guitar as a wedding present. He and his wife lived at Houston, but after a few years she died of a burst appendix. [5]
White moved from the hill country to work on a farm at Swan Lake in the Mississippi Delta. [6] He was a fan of Charley Patton, telling friends, "I wants to come to be a great man like Charlie Patton". [7] He said he never met Patton, [8] though he also claimed to have done so, although this is doubted. [9] White was approached by Ralph Lembo, a white store owner and talent scout, who saw him walking past his store in Itta Bena with a guitar. Lembo took him and his friend Napoleon Hairiston to Memphis, Tennessee, in May 1930 for White's first recording session, with Victor Records. [10] [11] Like those of many other bluesmen, the recordings comprised country blues and gospel music. The gospel songs were done in the style of Blind Willie Johnson, with a female backing singer accentuating the last phrase of each line. [12] From fourteen songs recorded, Victor released two records under the name Washington White, two gospel songs on one released in 1930 and two country blues on the other, released in 1931. Victor published his photograph in 1930.
White's mother died in 1933 and in 1934 he married Susie Simpson, a niece of George 'Bullet' Williams, a harmonica player who White had started playing with at Glendora in 1932. White and his second wife started farming near Aberdeen, back in the Mississippi hill country east of Houston. [13] He probably first went to Chicago in 1935, travelling from St. Louis with Peetie Wheatstraw, where he made friends with Big Bill Broonzy, Washboard Sam, Memphis Slim and Tampa Red. [14]
He was in Chicago again for a recording session with producer Lester Melrose in early September 1937, where he recorded two songs, "Pinebluff Arkansas" and "Shake 'Em On Down". Back home in Aberdeen in October, he was arrested and charged with murder over shooting a man in the thigh. He was tried on 8 November, convicted of murder and sentenced to life imprisonment, to be served in Mississippi State Penitentiary, commonly known as Parchman Farm. [15] His Chicago recordings were released on a 78 record by Vocalion while he was serving time and "Shake 'Em on Down" became a hit. His version of the oft-recorded song [16] is considered definitive. The folklorist John Lomax visited Parchman Farm in 1939 to record White. [17] As a professional musician who had recorded commercially, White was reluctant to be recorded for free and allowed Lomax to record just two songs, "Po' Boy" and "Sic 'Em Dogs On". "Shake 'Em On Down" and "Po' Boy" became his most well known songs.
White was released from Parchman Farm after serving two years. Soon after, in early 1940, he went to Chicago to record for Melrose again. He arrived with transcripts of the songs he intended to record, but Melrose dismissed them as they were songs that others had recorded, so there would be little money in them. Melrose put him up in a hotel and told him to produce some original songs. White returned to Melrose with twelve songs, and recorded them on 7 March. [18] They included two relating to his experience in prison – "Parchman Farm Blues" and "When Can I Change My Clothes" [17] – and "Fixin' to Die Blues". After returning to Mississippi, where he and his wife decided to permanently separate, he went back to Chicago, playing in small clubs with his own four-piece band. [19]
In 1942, he settled in Memphis, where he worked for two years as a laborer at the Memphis Defense Depot, and then started a job in manufacturing storage tanks at the Newberry Equipment Company, where he remained for 20 years. He continued part-time with professional music, playing small gigs with Frank Stokes for several years, and also playing with Memphis Willie B. (Willie Borum). [20] In the second half of the 1940s his younger cousin B.B. King moved to Memphis and lived with White for a number of months. White helped introduce King to the Memphis music community and to get a job at Newberry Equipment. [21]
The 1950s were lean years for White musically, as new styles of music had largely supplanted the country blues he played. [22]
In 1959, White's recording of "Fixin' to Die Blues" was included on the album The Country Blues , compiled by Samuel Charters to accompany his book of the same name, and a key element in the American folk music revival of the late 1950s and early 1960s. Bob Dylan included a cover version of the song on his first album, released in March 1962. Dylan's cover aided a rediscovery of White in 1963 by guitarist John Fahey and his friend Ed Denson, which propelled him into the folk music revival. Fahey and Denson found White when Fahey wrote a letter to White and addressed it to "Bukka White (Old Blues Singer), c/o General Delivery, Aberdeen, Mississippi", assuming from White's song "Aberdeen, Mississippi", that White still lived there. The postcard was forwarded to Memphis. Fahey and Denson traveled there to meet him, and White and Fahey remained friends for the rest of White's life. [23]
White went to California later in 1963, where he played at university folklore classes and club gigs. He made new recordings of many of his early songs for the Mississippi Blues: Bukka White album, which Denson and Fahey released on their own Takoma Records. He also recorded new material for two LPs, Bukka White: Sky Songs Vol. 1 and Vol. 2, released on Chris Strachwitz's Arhoolie Records. [24] Denson became his manager. White was at one time also managed by Arne Brogger, an experienced manager of blues musicians.
White toured North America and Europe for the rest of the 1960s and up to 1975. [3] He was friends with musician Furry Lewis, and the two were recorded (mostly in Lewis's Memphis apartment) by Bob West in 1968 for an album, Furry Lewis, Bukka White & Friends: Party! At Home, released on the Arcola label. [25] White recorded two more albums in the 1970s. [26]
He died of cancer in Memphis on 26 February 1977.
White played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.
In 1990 White was posthumously inducted into the Blues Hall of Fame (along with Blind Blake and Lonnie Johnson). On November 21, 2011, the Recording Academy announced the addition of "Fixin' to Die Blues" to its 2012 list of Grammy Hall of Fame Award recipients. [27] In 2011, White was honored with a marker on the Mississippi Blues Trail in Houston, Mississippi. [1] The Bukka White Blues Festival is an annual music festival on Columbus Day Weekend in Aberdeen, Mississippi. [28]
The Led Zeppelin song "Hats Off to (Roy) Harper", on the band's 1970 album Led Zeppelin III , was based in large part on White's "Shake 'Em on Down". "Custard Pie", a song on their 1975 album Physical Graffiti , also references "Shake 'Em on Down." [29]
White's 1963 recordings of "Shake 'Em on Down" and spoken-word piece "Remembrance of Charlie Patton" were both sampled by electronic artist Recoil (mostly a one-man effort by Alan Wilder of Depeche Mode) for the track "Electro Blues for Bukka White" on the 1992 album Bloodline . [30] The song was reworked and re-released on the 2000 EP Jezebel .
In 1995, White's "Aberdeen, Mississippi" was covered as "Aberdeen" by guitarist Kenny Wayne Shepherd on his debut album, Ledbetter Heights. It reached number 23 on the Billboard (North America) Mainstream Rock Tracks in 1996. [31]
On January 26, 2010, Eric Bibb released Booker's Guitar (TEL 31756 02) through Telarc International Corporation, after being inspired by playing White's National steel guitar. [32] White's "Parchman Farm Blues" was recorded by Jeff Buckley, and was released posthumously on the bonus disc of Buckley's album Grace: Legacy Edition . [33]
The University Press of Mississippi will publish The Life and Music of Booker "Bukka" White: Recalling the Blues in October 2024.
Citations
Works cited
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Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may be placed on the player's lap and played with a hand-held bar.
Edward James "Son" House Jr. was an American Delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing.
Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of the style. Vocal styles in Delta blues range from introspective and soulful to passionate and fiery.
Fred McDowell, known by his stage name Mississippi Fred McDowell, was an American singer, songwriter and guitarist.
Walter E. "Furry" Lewis was an American country blues guitarist and songwriter from Memphis, Tennessee. He was one of the earliest of the blues musicians active in the 1920s to be brought out of retirement and given new opportunities to record during the folk blues revival of the 1960s.
Takoma Records was a small but influential record label founded by guitarist John Fahey in the late 1950s. It was named after Fahey's hometown, Takoma Park, Maryland, a suburb of Washington, D.C.
Jessie Mae Hemphill was an American electric guitarist, songwriter, and vocalist specializing in the North Mississippi hill country blues traditions of her family and regional heritage.
"Fixin' to Die Blues" is a song by American blues musician Bukka White. It is performed in the Delta blues style with White's vocal and guitar accompanied by washboard rhythm. White recorded it in Chicago on May 8, 1940, for record producer Lester Melrose. The song was written just days before, along with eleven others, at Melrose's urging.
Mose John Allison Jr. was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.
Screamin' and Hollerin' the Blues: The Worlds of Charley Patton is a boxed set collecting remastered versions of the recorded works of blues singer Charley Patton, with recordings by many of his associates, supplementary interviews and historical data. The set won three Grammy awards, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.
John Aloysius Fahey was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.
Eugene "ED" Denson is an American music group manager, producer, record label owner, and, later, lawyer, who has made notable contributions to folk, blues, and early San Francisco rock.
The Voice of the Turtle is the seventh album by American guitarist John Fahey. Recorded and released in 1968, it is considered one of his more experimental albums, combining not only folk elements, but shreds of psychedelia, early blues, country fiddles, ragas, and white noise. The album had many reissues with various track listings, jacket designs and mismatched titles.
"Parchman Farm" or "Parchman Farm Blues" is a blues song first recorded by American Delta blues musician Bukka White in 1940. It is an autobiographical piece, in which White sings of his experience at the infamous Mississippi State Penitentiary, otherwise known as Parchman Farm.
Jeffrey Evans is a singer and songwriter best known for his Memphis, Tennessee based bands: '68 Comeback, The Gibsons Bros., South Filthy and his current solo career. Evans' musical style combines elements of rockabilly, blues, garage rock, punk and rock and roll.
Harry Smith's Anthology of American Folk Music, Volume 4 is a two-disc compilation of twenty-eight American folk recordings originally released on 78 rpm records between 1927 and 1940, issued in May 2000 on Revenant Records, catalogue #211. Compiled by experimental filmmaker and notable eccentric Harry Smith as the fourth album of his Anthology of American Folk Music set from 1952, it was never completed by Smith himself. While the CD is out of print, an LP version has been issued, along with the other three volumes, on the Portland-based Mississippi Records label.
Death Chants, Breakdowns & Military Waltzes is a 1963 album by American fingerstyle guitarist and composer John Fahey. Various sources show either a 1963 or 1964 original release. It was Fahey's second release and the first to gain a national distributor.
"Shake Your Moneymaker" or "Shake Your Money Maker" is a song recorded by Elmore James in 1961 that has become one of his best-known pieces. Inspired by earlier songs, it has been interpreted and recorded by several blues and other artists.
"Shake 'Em On Down" is a Delta blues song by American musician Bukka White. He recorded it in Chicago in September 1937, two months before being incarcerated at the infamous Parchman Prison Farm in Mississippi.
Wade Walton was an American blues musician and local civil rights leader from Mississippi. He was also a renowned barber, who counted many famous musicians amongst his friends, colleagues, and customers.
