Bust (magazine)

Last updated
Bust
Bust (magazine) cover.jpg
Categories Feminism
FrequencyEvery three months
PublisherStreet Media LLC
Founder Debbie Stoller, Laurie Henzel, and Marcelle Karp
Founded1993 (1993)
Country United States
Based in New York City
Language English
Website bust.com
ISSN 1089-4713

Bust is a women's lifestyle magazine that is published four times a year. The magazine was started by Debbie Stoller and Laurie Henzel and is currently published by Street Media LLC. Bust covers music, news, crafts, art, sex, and fashion from an independent ("indie"), third wave feminist perspective. The magazine's slogan is "For women with something to get off their chest."

Contents

Content

In the book titled Girl Culture: An Encyclopedia Volume 1, Miranda Campbell wrote a section on Bust and its features, including "Real Life: Crafts, Cooking, Home and Hearth" which encourages readers to make their own items instead of buying them, "Fashion and Booty" which suggests clothing, accessories, and other novelty items readers might be interested in purchasing, and articles on car maintenance featuring auto technician Lucille Treganowan. BUST magazine promotes a balance of contributing to consumerism as well as encouragement of independence from consumerism. The magazine also features articles on issues about sex in which they encourage women to embrace their sexuality and each issue also includes an erotic short story. [1]

Many mainstream and indie actors, directors, comedians, and musicians have appeared on the cover. [2]

History

Bust was founded in New York City in 1993 [3] [4] by Stoller, Henzel, and Marcelle Karp. The trio founded BUST after meeting at Nickelodeon; [5] they wanted to create a positive and outspoken women's magazine for their generation. "Our intention," Stoller said, "was to start a magazine that would be a real alternative to Vogue, Cosmo, Mademoiselle, and Glamour, something that was as fierce and as funny and as pro-female as the women we knew." She said the women she knew who read the Cosmos of the world "always ended up feeling bad afterward. They support very stereotypical ideas about women." [6] BUST started off as a zine, with Stoller, Henzel, and Karp photocopying, stapling, and distributing the issues themselves after work and on weekends. After receiving positive feedback on their zine, Stoller, Henzel, and Karp left their jobs to work on BUST full-time, putting out four issues a year.

Stoller named the magazine Bust because she wanted a name that was "provocative, funny, and also sexy." [7]

Bust was purchased by Razorfish Studios in August 2000; one year later, after September 11, Razorfish Studios went out of business. [5] Stoller and Henzel later bought Bust back from Razorfish Studios. Bust was purchased by Street Media, LLC in 2022. [8]

Events

Bust sponsors the Holiday Craftacular, [9] an annual craft fair in New York City that began in December 2005, and added a Spring Fling Craftacular in 2008.

On July 25, 2013 Bust held 'The Bust Magazine 20th Anniversary Extravaganza' in Brooklyn, New York. To commemorate the magazine's 20th anniversary, they held the 'Golden Bra Awards'. [10]

DIY Guide To Life

Stoller and Henzel are the authors of Bust's DIY Guide to Life, consisting of more than 250 of the best DIY projects from the magazine's then 15 years of publication. There are guides for a wide range of things from gardening, to weddings, and sex projects, organized by category.

The Bust Guide to the New Girl Order

Stoller and Karp are also the authors of The Bust Guide to the New Girl Order which was published on August 1, 1999, by Penguin Books. The book has eight topics on female issues and includes the best writings from the magazine. There are essays about girls' culture, such as women in media, sex, fashion, growing up, and relationships with boys. [11]

Related Research Articles

<span class="mw-page-title-main">Do it yourself</span> Building, modifying, or repairing, without the aid of experts or professionals

"Do it yourself" ("DIY") is the method of building, modifying, or repairing things by oneself without the direct aid of professionals or certified experts. Academic research has described DIY as behaviors where "individuals use raw and semi-raw materials and parts to produce, transform, or reconstruct material possessions, including those drawn from the natural environment ". DIY behavior can be triggered by various motivations previously categorized as marketplace motivations, and identity enhancement.

<span class="mw-page-title-main">Zine</span> Collection of self-published work reproduced by photocopying

A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.

<span class="mw-page-title-main">Sexual objectification</span> Treating a person primarily as a sexual object

Sexual objectification is the act of treating a person solely as an object of sexual desire. Objectification more broadly means treating a person as a commodity or an object without regard to their personality or dignity. Objectification is most commonly examined at the level of a society, but can also refer to the behavior of individuals and is a type of dehumanization.

<span class="mw-page-title-main">Punk zine</span> Fanzines of punk rock

A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.

<span class="mw-page-title-main">Third-wave feminism</span> Feminist movement, 1990s–2010s

Third-wave feminism is a feminist movement that began in the early 1990s, prominent in the decades prior to the fourth wave. Grounded in the civil-rights advances of the second wave, Gen X third-wave feminists born in the 1960s and 1970s embraced diversity and individualism in women, and sought to redefine what it meant to be a feminist. The third wave saw the emergence of new feminist currents and theories, such as intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism. According to feminist scholar Elizabeth Evans, the "confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."

Girl power is a slogan that encourages and celebrates women's empowerment, independence, confidence and strength. The slogan's invention is credited to the US punk band Bikini Kill, who published a zine called Bikini Kill #2: Girl Power in 1991. It was then popularized in the mainstream by the British girl group Spice Girls in the mid-1990s. According to Rolling Stone magazine, the Spice Girls' usage of "girl power" was one of the defining cultural touchstones that shaped the Millennial generation, particularly during their childhood in the 1990s. However, since the maturing of older Millenials in the late 2000s, it has increasingly been dropped in favor of challenging real-world sexism that has become mainstream as of Generation Z's maturing of the 2020s.

<i>Bitch</i> (magazine) American feminist magazine

Bitch was an independent, quarterly alternative magazine published in Portland, Oregon. Its tagline described it as a "feminist response to pop culture", and it was described in 2008 by Columbia Journalism Review as "a respected journal of cultural discourse". As a feminist publication, it took an intersectional approach.

<span class="mw-page-title-main">Debbie Stoller</span> American author and publisher

Debbie Stoller is a New York Times best-selling American author, publisher, feminist commentator and knitting expert whose work includes magazines as well as books. She lives in Brooklyn, New York City. Stoller is the co-founder, co-owner and editor-in-chief of the culture magazine BUST, which she and Marcelle Karp launched in 1993.

Marcelle Karp, a.k.a. Betty Boob,, is an American feminist writer, editor, and television director and producer.

Lipstick feminism is a variety of feminism that seeks to embrace traditional concepts of femininity, including the sexual power of women, alongside traditional feminist ideas. The concept emerged within the third-wave as a response to ideals created by previous movements, where women felt that they could not both be feminine and a feminist.

Sexualization is the emphasis of the sexual nature of a behavior or person. Sexualization is linked to sexual objectification, treating a person solely as an object of sexual desire. According to the American Psychological Association, sexualization occurs when "individuals are regarded as sex objects and evaluated in terms of their physical characteristics and sexiness." "In study after study, findings have indicated that women more often than men are portrayed in a sexual manner and are objectified. In addition, a narrow standard of physical beauty is heavily emphasized. These are the models of femininity presented for young girls to study and emulate."

<i>Venus Zine</i> American magazine

Venus Zine was a quarterly internationally circulated magazine covering women in music, film, art, entertainment, literature, fashion, indie culture and DIY culture. It was published from 1995 through 2010.

<span class="mw-page-title-main">Stitch 'n Bitch</span> Name for some social knitting groups

Stitch 'n Bitch is a name that has been used to refer to social knitting groups since at least World War II. Before the slang term "Stitch 'n Bitch" was used, groups of women in the 1940s would join to knit and talk in organized Stitch and Bitch clubs. The term was further used in the 1980s as part of the book Social History of American Knitting by Anne Macdonald. It is partly due to the book's success that the modern day Stitch 'n Bitch knitting groups have emerged in cities around the world. The groups, mainly women, meet to knit, stitch and talk. Typically, attendees knit, though others crochet, and still others engage in cross-stitching, embroidery, and other needlecraft. Nowadays, the groups have been analyzed by scholars as expressions of resistance to major political, social and technological change in Western societies. However, political discussion is not unusual at these events, and at least some participants are proponents of progressive, liberal, and/or leftist social and political change. Furthermore, the term Stitch 'n Bitch is now used by women from across the globe to connect with others in the virtual space seeing as the term has re-emerged in a world where the public sphere is the cyberspace.

Chick flick is a slang term, for the film genre catered specifically to women's interests, and is marketed toward women demographics. They generally tend to appeal more to a younger female audience and deal mainly with love and romance. Although many types of films may be directed toward a female audience, the term "chick flick" is typically used only in reference to films that contain personal drama and emotion or themes that are relationship-based. Chick flicks often are released en masse around Valentine's Day.

Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men." This is reflected in a variety of forms, including literature, music, film and other screen cultures.

Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.

<span class="mw-page-title-main">Susan J. Douglas</span> Writer

Susan J. Douglas is an American feminist columnist, and cultural critic who writes about gender issues, media criticism and American politics. She has published five books on American history, and is currently Catherine Neafie Kellogg Professor of communication studies at the University of Michigan at Ann Arbor.

<span class="mw-page-title-main">Pretty Porky and Pissed Off</span> Canadian performance art collective

Pretty Porky & Pissed Off(PPPO) was a Canadian fat activist and performance art collective based in Toronto, Ontario from 1996 to 2005. They used their bodies as modes of resistance against discriminatory language, cultural, social practices, and policies. Their feminist, queer, and LGBT politics were part of the DIY ethics of punk rock and the Riot Grrrl movement, and feminist activism. PPPO was a Canadian trailblazer in the international fat liberation movement.

<span class="mw-page-title-main">Women in punk rock</span> Womens music history


Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.

<span class="mw-page-title-main">Gurl.com</span> Former social networking website

Gurl.com was an American website for teenage girls that was online from 1996 to 2018. It was created by Rebecca Odes, Esther Drill, and Heather McDonald as a resource centered on teen advice, body image, female sexuality, and other teen-related concerns. First published as an online zine, it later expanded into an online community. At one point, it provided a free e-mail and web hosting service, known as Gurlmail and Gurlpages respectively.

References

  1. Girl Culture: An Encyclopedia Volume 1 pp. 208-210 [ permanent dead link ]
  2. "Current and Past Issues". Bust.
  3. Elizabeth Groeneveld (2010). "Join the Knitting Revolution: Third-Wave Feminist Magazines and the Politics of Domesticity" (PDF). Canadian Review of American Studies. 40 (2). Retrieved March 14, 2016.
  4. Mary Kosut (May 1, 2012). Encyclopedia of Gender in Media. SAGE Publications. p. 756. ISBN   978-1-5063-3828-6 . Retrieved June 18, 2016.
  5. 1 2 "BUST Magazine Refuses to Go, Well, Bust". LA Times. April 1, 2002. Retrieved June 10, 2012
  6. Kuczynski, Alex (September 10, 2001). "The New Feminist Mystique; Variety of Brash Magazines Upset the Old Stereotypes". The New York Times.
  7. ""The Four Questions," The Association of Magazine Media, May 11, 2007".
  8. "LA Weekly's controversial publisher wants to revive OC Weekly. Should he?". LA Times. January 19, 2023
  9. "Bust Magazine Craftacular and Food Fair Holiday 2011". Inhabitat New York. inhabitat.com. Archived from the original on 2015-03-01. Retrieved 10 June 2012.
  10. "BUST's Turning 20...Come Party with Us!". bust.com.
  11. "The Bust Guide to the New Girl Order". NPR. 1999-09-24. Retrieved 2020-08-26.

Further reading