Capriccio italien, Op. 45, is a 15-minute fantasy for orchestra by Pyotr Ilyich Tchaikovsky. Composed between January and May 1880, it premiered on 18 December that year (New System) in Moscow with Nikolay Rubinstein conducting the Orchestra of the Imperial Russian Musical Society. [1] The dedicatee was cellist Karl Davydov. [2] The work's initial name was Italian Fantasia, after Mikhail Glinka's Spanish pieces. [3]
Capriccio italien was inspired by a trip Tchaikovsky took to Rome with his brother Modest as respite from the composer's disastrous marriage with Antonina Miliukova. It was there that the observant Tchaikovsky called Raphael a "Mozart of painting." [4] And from Rome he wrote to his friend Nadezhda von Meck:
I have already completed the sketches for an Italian fantasia on folk tunes for which I believe a good fortune may be predicted. It will be effective, thanks to the delightful tunes which I have succeeded in assembling partly from anthologies, partly from my own ears in the streets. [5]
Conductor JoAnn Falletta says:
We are hearing foreigners' views of Italy. […] Capriccio Italien has great power even though it's practically a pops piece. Tchaikovsky knows what the instruments can do in a virtuoso way. He brings them to their limit in the most thrilling fashion. He has a gift for mixing families of instruments just right, like cantabile strings along with mighty brass. I hear the ballet element in everything Tchaikovsky writes, in his sense of rhythm. You can practically dance to [this score]! [6]
Capriccio italien is scored for: 3 flutes (3rd doubling on piccolo), 2 oboes, English horn, 2 clarinets in A, 2 bassoons, 4 horns in F, 2 cornets in A, 2 trumpets in E, 3 trombones (2 tenor, 1 bass), tuba, 3 timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp and strings.
After a brief bugle call, inspired by a Il Silenzio d’Ordinanza, a bugle call Tchaikovsky heard daily in his rooms at the Hotel Costanzi, next door to the barracks of the Royal Italian Cuirasseurs, [7] a stoic, heroic, unsmiling melody is played by the strings. Eventually, this gives way to music sounding as if it could be played by an Italian street band, beginning in the winds and ending with the whole orchestra. [8] Next, a lively march ensues, followed by a lively tarantella. [3] One of the main themes is another Italian folk song, precisely from Tuscany, Bella ragazza dalle trecce bionde.
The brothers were there during Carnival, and, despite calling it "a folly," the composer was able to soak up Italian street music and folk songs which he then incorporated into his Capriccio. [9] This enables some "bright primary colors and uncomplicated tunefulness." [10]
Constantin-Nicolae Silvestri was a Romanian conductor and composer.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in E♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia's successful defense of the French invasion of the country by Napoleon in 1812.
Capriccio espagnol, Op. 34, is the common Western title for a five movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. It received its premiere on 31 October 1887, in St. Petersburg, performed by the Imperial Orchestra conducted by the composer. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы.
Mikhail Vasilievich Pletnev is a Russian pianist, conductor and composer.
Giuseppe Martucci was an Italian composer, conductor, pianist and teacher. Sometimes called "the Italian Brahms", Martucci was notable among Italian composers of the era in that he dedicated his entire career to absolute music, and wrote no operas. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. Nevertheless, as a conductor, he did help to introduce Wagner's operas to Italy and also gave important early concerts of English music there.
The Marche slave in B-flat minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It was written to celebrate Russia's intervention in the Serbo-Ottoman War.
Pyotr Ilyich Tchaikovsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878. Its first performance was at a Russian Musical Society concert in Moscow on February 22, 1878, with Nikolai Rubinstein as conductor. In Middle Europe it sometimes receives the nickname "Fatum", or "Fate".
The Symphony No. 2 in E minor, Op. 27, is a four-movement composition for orchestra written from October 1906 to April 1907 by the Russian composer Sergei Rachmaninoff. The premiere was performed at the Mariinsky Theatre in Saint Petersburg on 26 January 1908, with the composer conducting. Its duration is approximately 60 minutes when performed uncut; cut performances can be as short as 35 minutes. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Pyotr Ilyich Tchaikovsky. The piece remains one of the composer's most popular and best known compositions.
The Symphonie espagnole in D minor, Op. 21, is a work for violin and orchestra by Édouard Lalo.
Francesca da Rimini: Symphonic Fantasy after Dante, Op. 32, is a symphonic poem by Pyotr Ilyich Tchaikovsky. It is a symphonic interpretation of the tragic tale of Francesca da Rimini, a beauty immortalized in Dante's Divine Comedy.
A capriccio or caprice, is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuosic in nature.
Carlos Païta was an Argentine conductor. He was born in Buenos Aires.
Pyotr Ilyich Tchaikovsky wrote his Symphony No. 1 in G minor, Winter Daydreams , Op. 13, in 1866, just after he accepted a professorship at the Moscow Conservatory: it is the composer's earliest notable work. The composer's brother Modest claimed this work cost Tchaikovsky more labor and suffering than any of his other works. Even so, he remained fond of it, writing to his patroness Nadezhda von Meck in 1883 that "although it is in many ways very immature, yet fundamentally it has more substance and is better than any of my other more mature works." He dedicated the symphony to Nikolai Rubinstein.
The Symphony No. 2 in C minor, Op. 17 by Pyotr Ilyich Tchaikovsky was composed in 1872. One of Tchaikovsky's joyful compositions, it was successful right from its premiere and also won the favor of the group of nationalistic Russian composers known as "The Five", led by Mily Balakirev. Because Tchaikovsky used three Ukrainian folk songs to great effect in this symphony, it was nicknamed the "Little Russian" by Nikolay Kashkin, a friend of the composer as well as a well-known musical critic in Moscow. Ukraine was at that time frequently called "Little Russia".
The Concert Fantasia in G, Op. 56, for piano and orchestra, was written by Pyotr Ilyich Tchaikovsky between June and October 1884. It was premiered in Moscow on 6 March [O.S. 22 February] 1885, with Sergei Taneyev as soloist and Max Erdmannsdörfer conducting. The Concert Fantasia received many performances in the first 20 years of its existence. It then disappeared from the repertoire and lay virtually unperformed for many years, but underwent a revival in the latter part of the 20th century.
Caprice bohémien, Op. 12, also known as the "Capriccio on Gypsy Themes", is a symphonic poem for orchestra composed by Sergei Rachmaninoff from 1892 to 1894.
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more mainstream compositions than they became; the fantasia was intended as a piano concerto, while the suite was conceived as a symphony.
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, the compositions of Pyotr Ilyich Tchaikovsky became dominant in 19th century Russia, with Tchaikovsky becoming known both in and outside Russia as its greatest musical talent. His formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th century Rococo elegance to a style more characteristic of Russian nationalists or a musical idiom expressly to channel his own overwrought emotions.
Hooked on Classics, produced by Jeff Jarratt and Don Reedman, is a multi-million selling album recorded by Louis Clark and the Royal Philharmonic Orchestra, published in 1981 by K-tel and distributed by RCA Records, part of the Hooked on Classics series.
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