Carol Theresa Vaness (born July 27, 1952) is an American lirico-spinto soprano and university professor.
Carol Theresa Vaness (born July 27, 1952) is an American lirico-spinto soprano and university professor.
Vaness was born in San Diego and graduated with her bachelor's degree from California State Polytechnic University, Pomona. She later attended California State University, Northridge where she earned her master's degree in 1976. [1] [2]
Vaness launched her professional career in 1977 with the San Francisco Opera. [3] She appeared regularly at the New York City Opera from 1979 to 1983. She made her Metropolitan Opera debut in 1984 [4] and has sung at many of the major opera houses of Europe, including Teatro alla Scala, the Vienna State Opera, Paris Opera, and the Royal Opera House/Covent Garden. In 1993 she performed the role of Duchess Elena in I vespri siciliani with the Washington Concert Opera.
She was particularly known for her Mozart operatic roles, [2] [5] but she has performed in a wide range of operas, including the title role in Giacomo Puccini's Manon Lescaut with the Seattle Opera. Her interpretations of Mozart's dramatic heroines, including Fiordiligi in Così fan tutte , Donna Anna and Donna Elvira in Don Giovanni , Elettra in Idomeneo , and Vitellia in La Clemenza di Tito , have been hailed as definitive, and she has become especially identifiable with the role of Tosca, which she performed at the Metropolitan Opera in 2004 opposite Luciano Pavarotti in the legendary tenor's final operatic performance.
Vaness made her professional debut as Vitellia for the San Francisco Spring Opera and has been acknowledged as the world's leading interpreter of this role. She has appeared as Vitellia at the Metropolitan Opera, Paris Opera, Royal Opera Covent Garden, Lyric Opera of Chicago, New York City Opera, Liceu, and at the Salzburg Festival and other leading theaters.
Among her celebrated television appearances, she has been featured on the Pavarotti Plus and Pavarotti and Friends telecasts from Lincoln Center, as well as the Richard Tucker Gala and In Performance at the White House with members of the New York City Opera.
Vaness teaches in the renowned voice department of Indiana University. [2] [6] Her hire came as part of the school's "Commitment to Excellence" program, which also brought the matriculation of Jaime Laredo, André Watts, and Joshua Bell. She is a tenured professor of voice working with individual students as well as conducting the opera workshop classes. She began teaching in 2006, and a number of her students have gone to win major nationwide and international competitions and positions in young artist programs.
Ileana Cotrubaș is a Romanian operatic soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.
Dame Joan Alston Sutherland, was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.
Renata Scotto was an Italian soprano, opera director, and voice teacher. Recognised for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered to have been one of the preeminent opera singers of her generation.
Dame Kiri Jeanette Claire Te Kanawa,, is a retired New Zealand opera singer. She had a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced". Her extensive discography includes three albums which featured in the top forty in charts in Australia in the mid-1980s.
Mary Violet Leontyne Price is an American spinto soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a leading performer. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's Aida.
Renée Lynn Fleming is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 18 Grammy Awards and has won five times. In June 2023, the John F. Kennedy Center for the Performing Arts announced that Fleming will be one of the five artists recognized at the 2023 Kennedy Center Honors. Other notable honors won by Fleming have included the Crystal Award from the World Economic Forum in Davos, the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. In May, 2023, Fleming was appointed by the World Health Organization as a Goodwill Ambassador for Arts and Health.
Mirella Freni, OMRI was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's Don Giovanni and as Adina in Donizetti's L'elisir d'amore.
Cristina Deutekom was a Dutch operatic coloratura soprano.
June Anderson is a Grammy Award-winning American coloratura soprano. She is known for bel canto performances of Rossini, Donizetti, and Vincenzo Bellini.
Ruth Ann Swenson is an American soprano who is renowned for her coloratura roles.
Lucia Popp was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly regarded recitalist and lieder singer.
Judith Blegen is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories.
Deborah Voigt is an American dramatic soprano who has sung roles in operas by Wagner and Richard Strauss.
Teresa Żylis-Gara was a Polish operatic soprano who enjoyed a major international career from the 1950s through the 1990s.
Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.
Carol Lee Neblett was an American operatic soprano.
Rachel Willis-Sørensen is an American operatic soprano.
Maralin Niska was an American operatic soprano. Well known as a singing-actress, she was a mainstay of the New York City Opera during the 1960s and 1970s. She was also a regular performer at the Metropolitan Opera from 1970 to 1977.
Susanne Mentzer is an American operatic mezzo-soprano. She is best known for singing trouser roles, such as Cherubino in Mozart's Le nozze di Figaro, Idamante in Mozart's Idomeneo, Octavian in Richard Strauss' Der Rosenkavalier and the composer in Strauss' Ariadne auf Naxos, as well as other music of Mozart, Strauss, Rossini, Berlioz and Mahler.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
