Cartonnage (word of French origin) is a type of material used in ancient Egyptian funerary masks from the First Intermediate Period to the Roman era. It was made of layers of linen or papyrus covered with plaster. Some of the Fayum mummy portraits are also painted on panels made of cartonnage. [2]
In a technique similar to papier-mâché, scraps of linen or papyrus were stuck together with plaster or resin and used to make mummy cases and masks. [3] It could be molded to the shape of the body, forming a type of shell. After the material dried it could be painted or gilded. The shell could be decorated with geometric shapes, deities, and inscriptions. During the Ptolemaic era, the single shell method was altered to include four to six pieces of cartonnage. There would generally be a mask, pectoral, apron, and foot casing. In certain instances there were two additional pieces used to cover the ribcage and stomach. [4]
The materials used to produce cartonnage changed over time. In the Middle Kingdom it was common to use plastered linen; during the Third Intermediate Period, linen and stucco; during the Ptolemaic period, old papyrus scrolls; and during the Roman period, thicker fibrous materials. [5]
Reusing papyrus that was considered waste was a common practice during the Ptolemaic period. Many discarded documents from the government and archives were used for this purpose. [4]
The preparation of cartonnage preserved the sections of papyrus; therefore, it is a prominent source of well-preserved manuscript sections. [5] In 1993, the city of Helsinki received fourteen fragments of cartonnages from the Egyptian Museum of Berlin. Conservators were tasked with preserving the cartonnages and publishing all Greek papyrus texts derived from them. [6]
Ancient Egypt was a civilization in Northeast Africa situated in the Nile Valley. Ancient Egyptian civilization followed prehistoric Egypt and coalesced around 3100 BC with the political unification of Upper and Lower Egypt under Menes. The history of ancient Egypt occurred as a series of stable kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age.
Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw, is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as Book of the Dead.
Papier-mâché is a composite material consisting of paper pieces or pulp, sometimes reinforced with textiles, bound with an adhesive, such as glue, starch, or wallpaper paste.
The Eye of Horus, wedjat eye or udjat eye is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
The Petrie Museum of Egyptian Archaeology in London is part of University College London Museums and Collections. The museum contains over 80,000 objects and ranks among some of the world's leading collections of Egyptian and Sudanese material.
Tuna el-Gebel was the necropolis of Khmun. It is the largest known Greco-Roman necropolis in Egypt, dating from the New Kingdom to the Roman Period, and seeing heavy use in the Ptolemaic Period. Tuna el-Gebel is located in Al Minya Governorate in Middle Egypt.
Tomb KV46 in the Valley of the Kings is the tomb of the ancient Egyptian noble Yuya and his wife Thuya, the parents of Queen Tiye and Anen. It was discovered in February 1905 by Chief Inspector of Antiquities James E. Quibell, excavating under the sponsorship of American millionaire Theodore M. Davis. Despite robberies in antiquity, the undecorated tomb preserved a great deal of its original contents including chests, beds, chairs, a chariot, and numerous storage jars. Additionally, the riffled but undamaged mummies of Yuya and Thuya were found within their disturbed coffin sets. Prior to the discovery of the tomb of Tutankhamun, this was considered to be one of the greatest discoveries in Egyptology.
The Valley of the Golden Mummies is a huge burial site at Bahariya Oasis in the Western Desert of Egypt, dating to the Greco-Roman period. Discovered in 1996 by Zahi Hawass and his Egyptian team, approximately two hundred fifty mummies approximately two thousand years old were recovered over the period of several seasons. Eventually, the excavator further estimated a total of more than ten thousand mummies.
This is a glossary of ancient Egypt artifacts.
The Tomb of Aline is an ancient Egyptian grave from the time of Tiberius or Hadrian, excavated at Hawara in 1892.
Animal mummification was common in ancient Egypt. Animals were an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. Many different types of animals were mummified, typically for four main purposes: to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bastet, the cat goddess, is an example of one such deity. In 1888, an Egyptian farmer digging in the sand near Istabl Antar discovered a mass grave of felines, ancient cats that were mummified and buried in pits at great numbers.
Hornedjitef was an ancient Egyptian priest in the Temple of Amun at Karnak during the reign of Ptolemy III. He is known from his elaborate coffins, mummy mask and mummy, dating from the Early Ptolemaic Period and excavated from Asasif, Thebes, Egypt, which are all held in the British Museum. These related objects were chosen as the first of the hundred objects selected by British Museum Director Neil MacGregor in the 2010 BBC Radio 4 series A History of the World in 100 Objects.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
The Ritual of Embalming Papyrus or Papyrus of the Embalming Ritual is one of only two extant papyri which detail anything at all about the practices of mummification used within the burial practices of Ancient Egyptian culture.
The conservation and restoration of papyrus material is an activity dedicated to the preservation and protection of objects of historical and personal value made from papyrus from Ancient Egypt.
Cultural property imaging is a necessary part of long term preservation of cultural heritage. While the physical conditions of objects will change over time, imaging serves as a way to document and represent heritage in a moment in time of the life of the item. Different methods of imaging produce results that are applicable in various circumstances. Not every method is appropriate for every object, and not every object needs to be imaged by multiple methods. In addition to preservation and conservation related concerns, imaging can also serve to enhance research and study of cultural heritage.
The archaeology of Ancient Egypt is the study of the archaeology of Egypt, stretching from prehistory through three millennia of documented history. Egyptian archeology is one of the branches of Egyptology.