Cassandra Wilson (born December 4, 1955) is an American jazz singer, songwriter, and producer from Jackson, Mississippi.[1] She is one of the most successful female jazz singers and has been described by critic Gary Giddins[2] as "a singer blessed with an unmistakable timbre and attack [who has] expanded the playing field" by incorporating blues, country, and folk music into her work. She has won numerous awards, including two Grammys,[3] and was named "America's Best Singer" by Time magazine in 2001.[4]
Cassandra Wilson is the third and youngest child of Herman Fowlkes, Jr., a guitarist, bassist, and music teacher;[5] and Mary McDaniel, an elementary school teacher who earned her PhD in education. Her ancestry includes Fon, Yoruba, Irish and Welsh. Between her mother's love for Motown and her father's dedication to jazz, Wilson's parents sparked her early interest in music.[6]
Wilson's earliest formal musical education consisted of classical lessons; she studied piano from the age of six to thirteen and played clarinet in the middle school concert and marching bands.[6] When she was tired of this training, she asked her father to teach her the guitar. Instead, he gave her a lesson in self-reliance, suggesting she study Mel Bay method books. Wilson explored guitar on her own, developing what she has described as an "intuitive" approach. During this time she began writing her own songs, adopting a folk style. She also appeared in the musical theater productions, including The Wizard of Oz as Dorothy, crossing racial lines in a recently desegregated school system.
Wilson attended Millsaps College and Jackson State University. She graduated with a degree in mass communications. Outside of the classroom, she spent her nights working with R&B, funk, and pop cover bands, also singing in local coffeehouses. The Black Arts Music Society, founded by John Reese and Alvin Fielder, provided her with her first opportunities to perform bebop. In 2007, Wilson received her PhD in Arts from Millsaps College.
In 1981, she moved to New Orleans for a position as assistant public affairs director for the local television station, WDSU. She did not stay long. Working with mentors who included elder statesmen Earl Turbinton, Alvin Batiste, and Ellis Marsalis, Wilson found encouragement to seriously pursue jazz performance and moved to New York City the following year.
Musical association with M-Base
In New York, Wilson's focus turned towards improvisation. Heavily influenced by singers Abbey Lincoln and Betty Carter, she fine-tuned her vocal phrasing and scat while studying ear training with trombonist Grachan Moncur, III. Frequenting jam sessions under the tutelage of pianist Sadik Hakim, a Charlie Parker alumnus, she met alto saxophonist Steve Coleman, who encouraged her to look beyond the standard jazz repertoire in favor of developing original material. She would become the vocalist and one of the founding members of the M-Base collective in which Coleman was the leading figure, a stylistic outgrowth of the Association for the Advancement of Creative Musicians (AACM) and Black Artists Group (BAG) that re-imagined the grooves of funk and soul within the context of traditional and avant-garde jazz. Peter Watrous in an article for The New York Times states:
The M-Base group in Brooklyn, working with both jazz and pop forms, makes music that at first sounds like funk from the 1970s. Like the music played by Mr. Marsalis (and his brother Wynton) the music made by M-Base - Steve Coleman, with Greg Osby, Cassandra Wilson and Geri Allen – is, at its best, filled with subtle ideas working behind the mask of popular music. In Mr. Coleman's group a singer is supported by an electric bass, guitar, drums and electric keyboards, a shiny musical mix that has familiar rock and funk references; yet, because of all its rhythmic and metric manipulations, sounds new.[7]
Although the voice – typically treated as the focal point of any arrangement in which it is included – was not an obvious choice for M-Base's complex textures or harmonically elaborated melodies, Wilson wove herself into the fabric of these settings with wordless improv and lyrics. She can be heard on Coleman's debut as a leader Motherland Pulse (1985), then as member of his Five Elements on On the Edge of Tomorrow (1986), World Expansion (1986), Sine Die (1987), and on M-Base Collective's sole recording as a large ensemble Anatomy of a Groove (1992).
At the same time, Wilson toured with avant-garde trio New Air featuring alto saxophonist Henry Threadgill and recorded Air Show No. 1 (1987) in Italy. A decade her senior and an AACM member, Threadgill has been lauded as a composer for his ability to transcend stylistic boundaries, a trait he and Wilson share.
Solo career
Like fellow M-Base artists, Wilson signed to the Munich-based, independent label JMT. She released her first recording as a leader Point of View in 1986. Like the majority of her JMT albums that followed, originals by Wilson in keeping with M-Base dominated these sessions; she would also record material by and co-written with Coleman, Jean-Paul Bourelly, and James Weidman as well as a few standards. Her throaty contralto gradually emerges over the course of these recordings, making its way to the foreground. She developed a remarkable ability to stretch and bend pitches, elongate syllables, manipulate tone and timbre from dusky to hollow.[8]
While these recordings established her as a serious musician, Wilson received her first broad critical acclaim for the album of standards recorded in the middle of this period, Blue Skies (1988). Her signing with Blue Note Records in 1993 marked a crucial turning point in her career and major breakthrough to audiences beyond jazz with albums selling in the hundreds of thousands of copies.
Miles Davis was one of Wilson's greatest influences. In 1989, Wilson performed as the opening act for Davis at the JVC Jazz Festival in Chicago. In 1999 she produced Traveling Miles as a tribute to Davis. The album developed from a series of jazz concerts that she performed at Lincoln Center in November 1997 in Davis' honor, and includes three selections based on Davis' own compositions, from which Wilson adapted the original themes.
Personal life
Wilson was married to Anthony Wilson from 1981 to 1983.[9]
She has a son, Jeris, born in the late 1980s. Her song "Out Loud (Jeris' Blues)" on the album She Who Weeps is dedicated to him. For many years she and her son lived in New York City's Sugar Hill, in an apartment that once belonged to Count Basie, Lena Horne and the boxer Joe Louis.[10]
From 2000 to 2003 Wilson was married to actor Isaach de Bankolé, who directed her in the concert film Traveling Miles: Cassandra Wilson (2000).[11]
Wynton Learson Marsalis is an American trumpeter, composer, and music instructor, who is currently the artistic director of Jazz at Lincoln Center. He has been active in promoting classical and jazz music, often to young audiences. Marsalis has won nine Grammy Awards, and his oratorio Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the only musician to have won a Grammy Award in both jazz and classical categories in the same year.
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Days Aweigh is the second studio album by American jazz singer Cassandra Wilson. It was originally released on the JMT label in 1987 and later rereleased on Winter & Winter.
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Blue Light 'til Dawn is a studio album by American jazz singer Cassandra Wilson. Her first album on the Blue Note label, it was released in 1993. It contains Wilson's interpretations of songs by various blues and rock artists, as well as three original compositions. The album marked a shift in Wilson's recording style, mostly dropping the electric instruments of her earlier albums in favor of acoustic arrangements. A critical and commercial breakthrough, the album was re-released in 2014 with three bonus tracks recorded live somewhere in Europe during the Blue Light 'til Dawn Tour. The eponymous single was nominated for the Grammy Award as Best Jazz Vocal Performance.
Blue Skies is the third studio album by American jazz singer Cassandra Wilson. It was released on the JMT label in 1988 and features Wilson performing ten jazz standards accompanied by Mulgrew Miller on piano, Terri Lyne Carrington on drums, and Lonnie Plaxico on bass.
Point of View is the debut studio album by American jazz singer Cassandra Wilson, recorded in Brooklyn, New York, in December 1985, as the fourth release of the German JMT label in 1986. It was also one of the first albums of a group of musicians around Steve Coleman, that became known as M-Base.
Traveling Miles is the thirteenth studio album by American jazz vocalist Cassandra Wilson. Released on the Blue Note label in 1999, it is a tribute to Miles Davis, taking many of its cues from Davis' catalog of recordings with Columbia Records. The album was nominated for the Grammy Award as Best Jazz Vocal Performance.
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She Who Weeps is the fifth studio album by American jazz singer Cassandra Wilson. It was released on June 25, 1991.
After the Beginning Again is the sixth studio album by the American jazz singer Cassandra Wilson originally released on the JMT label in 1992 and later rereleased on Winter & Winter.
↑ Bankolé, Isaach De, Traveling Miles: Cassandra Wilson (Documentary, Music), Cassandra Wilson, Regina Carter, Isaach De Bankolé, retrieved July 28, 2023
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