Castle Agrazant

Last updated
Castle Agrazant
Opera by Ralph Lyford
Ralph Lyford.jpg
The composer in the 1920s
LanguageEnglish
Premiere
April 29, 1926 (1926-04-29)

Castle Agrazant is an opera composed by Ralph Lyford. It premiered on 29 April 1926 at the Cincinnati Music Hall. [1] [2] [3] Castle Agrazant won a Bispham Memorial Medal Award in 1926. [4] [5] [6]

Contents

Background

The opera is set in Northern France in the aftermath of the Ninth Crusade – specified as 1290 in the program for the opera. [3] [7] [8] Characters include Richard of Agrazant (Riego of Agrazant), a young crusader and religious zealot, and his wife Isabeau. In the story, the husband and crusader, Richard, returns to avenge his persecuted wife, Isabeau. [9]

In the 1926 premiere, Olga Forrai performed as Isabeau, Forrest Lamont performed as Richard, and Howard Preston as Geoffrey. [10] [11] [12] The opera's performances included a chorus of 65 members and 60 members of the Cincinnati Symphony. [8] The cost to stage the production in 1926 was $15,000 [3] (approximately $183,000 in 2010).

The opera was broadcast by radio station WLW in Cincinnati on May 3, 1926. [13]

Roles

Roles, voice types, premiere cast
Role Voice type Premiere cast, 29 April 1926 [14]
Conductor: Ralph Lyford
Isabeau soprano Olga Forrai
Richard of Agrazant tenor Forrest Lamont
Geoffrey of Lisiac baritone Howard Preston
A young boyFern Bryson
An old minstrelItalo Picchi
A heraldMoody DeVeaux
A knight of LisiacHerman Wordemann

Synopsis

Act 1

Isabeau is mourning the death of her newborn daughter, alone. Count Lisiac, a former suitor of Isabeau, seizes the opportunity of her husband's absence and her grief to approach Isabeau. When his attempts fail he turns to violence, assaulting the Castle Agrazant and kidnapping Isabeau. Isabeau conceals a note giving details of her abduction before she is taken.

Elsewhere, Richard of Agrazant is returning from Jerusalem. He passes Lisiac Hall ignorant that his wife is imprisoned there. He arrives at Castle Agrazant and sees evidence of the assault. He finds his daughter dead in the cradle and the note from Isabeau. He pledges revenge.

Act 2

Isabeau is feted at Lisiac Hall, but takes no part in the celebrations. Geoffrey becomes inebriated and is more forward with Isabeau. As events spin out of control, Geoffrey's men debate protecting Isabeau from Geoffrey. A herald then announces the arrival of traveling musicians - a monk, a minstrel, and a boy. Geoffrey commands them to perform but asks Isabeau to select a happy song. She requests a song of Nazareth, and Richard (disguised as the monk) thereby confirms she has no desire to stay with Geoffrey.

The Boy then sings of the recent assault of Castle Agrazant, to the astonishment of Geoffrey and his men. Filled with superstitious dread, Lisiac orders the musicians cast out. The Monk interjects, offering to sing a different song - and his voice is recognized by Isabeau as her Richard's. Richard sings of his love for Isabeau and remorse at going to Jerusalem and leaving 'far from home and wife and child'.

Removing his disguise, Richard challenges Geoffrey and a melee ensues. In the melee, Isabeau is stabbed by Geoffrey; Geoffrey is run through by Richard's sword. Richard seizes Isabeau and escapes, followed by the boy and musician.

Act 3

Richard enters, assisting Isabeau. She asks to rest and Richard encourages her to continue on. She weakens further, they do rest, apparently sleeping for the night. In the morning, Richard uses his helmet to fetch water and tells of his visit to Jerusalem. His assessment is that his crusade was in error, he sacrificed all that was worthy in its pursuit. He breaks his blade. Placing the fragments on a rock, he returns to Isabeau. Isabeau bemoans their sad fate and begins to hallucinate that she is comforting her daughter; she hears the horns of Lisiac approaching. She and Richard sing a duet extolling the possibility of living in a brighter realm in the future, forever.

Reception

The review in The Cincinnati Enquirer on April 30, 1926, called the premiere "a worthy effort...given superb production in every department". [15]

Related Research Articles

<i>Mignon</i> Opera by Ambroise Thomas

Mignon is an 1866 opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's "The Dead" and Willa Cather's The Professor's House. Thomas's goddaughter Mignon Nevada was named after the main character.

<i>Nina</i> (opera)

Nina, o sia La pazza per amore is an opera, described in 1790 as a commedia in prosa ed in verso per musica, in two acts by Giovanni Paisiello to an Italian libretto by Giovanni Battista Lorenzi after Giuseppe Carpani's translation of Benoît-Joseph Marsollier's Nina, ou La folle par amour, set by Nicolas Dalayrac in 1786. The work is a sentimental comedy with set numbers, recitative and spoken dialog. It is set in Italy in the 18th century. Nina was first performed in a one-act version at the Teatro del Reale Sito di Belvedere in Caserta, San Leucio on 25 June 1789. The revised and familiar two-act work was presented at the Teatro dei Fiorentini in Naples in the autumn of 1790.

<i>The Consul</i> Opera by Gian Carlo Menotti

The Consul is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera.

<i>Maria Padilla</i> Opera by Gaetano Donizetti

Maria Padilla is a melodramma, or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure María de Padilla, the mistress of Pedro the Cruel, King of Castile.

Isabeau is a leggenda drammatica or opera in three parts by Pietro Mascagni, 1911, from an Italian libretto by Luigi Illica. Mascagni conducted its first performance on 2 June 1911 at the Teatro Coliseo, Buenos Aires.

<i>The Nightingale</i> (opera)

The Nightingale is a short opera in three acts by Igor Stravinsky to a Russian-language libretto by him and Stepan Mitusov, based on a tale by Hans Christian Andersen: a nasty Chinese Emperor is reduced to tears and made kind by a small grey bird. It was completed on 28 March 1914 and premiered a few weeks later, on 26 May, by the Ballets Russes conducted by Pierre Monteux at the Palais Garnier in Paris. Publication, by the then Paris-based Éditions Russes de Musique, followed only in 1923 and caused the opera to become known by its French title of Le Rossignol and French descriptor of conte lyrique, or lyric tale, despite its being wholly Russian.

<i>Le comte Ory</i> Opera by Gioachino Rossini

Le comte Ory is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera Il viaggio a Reims written three years earlier for the coronation of Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.

<i>Richard Coeur-de-lion</i> (opera)

Richard Cœur-de-lion is an opéra comique, described as a comédie mise en musique, by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French opéras comiques. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle.

<span class="mw-page-title-main">Le cheval de bronze</span> Opera by Daniel Auber

Le Cheval de bronze is an opéra comique by the French composer Daniel Auber, first performed on 23 March 1835 by the Opéra-Comique at the Salle de la Bourse in Paris. The libretto is by Auber's regular collaborator, Eugène Scribe and the piece was a great success in its day. In 1857, it was transformed into an opera-ballet, but this did not hold the stage. The overture is one of Auber's most popular. The first-act finale expands on the final phrases from the first-act finale of Mozart's Così fan tutte. The composer tried to reflect the Chinese setting of the story in the music.

<i>Torvaldo e Dorliska</i> Opera by Gioachino Rossini

Torvaldo e Dorliska is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir Les Amours du chevalier de Faublas (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the Lodoïska libretto set by Luigi Cherubini (1791), and Lodoiska set by Stephen Storace (1794), and Simon Mayr (1796).

<i>Le pré aux clercs</i>

Le pré aux clercs is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's Chronique du temps de Charles IX of 1829.

<i>Armida abbandonata</i>

Armida Abbandonata is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem Jerusalem Delivered by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples, on 30 May 1770. The young Wolfgang Amadeus Mozart was in the audience. He described the work as "beautiful but too serious and old-fashioned for the theatre". Nevertheless, despite a lukewarm reception at its premiere, Armida abbandonata was widely performed throughout Italy in the following years.

The Bispham Memorial Medal Award was an award for operas written in English which was named for baritone David Bispham, who was a great proponent of performing opera in English in the United States. It was traditionally awarded to American composers, frequently for an opera on an American subject. It originated from the Opera in Our Language Foundation, Inc., founded by composer Eleanor Everest Freer, and Edith Rockefeller McCormick, in 1921. After David Bispham's death in October 1921, Eleanor Everest Freer also founded the David Bispham Memorial Fund, Inc., in March 1922. Eleanor Everest Freer was chairman, and Edith Rockefeller McCormick was treasurer, of both organizations. On April 7, 1924, the two organizations merged to become the American Opera Society of Chicago. The first medal was awarded by the American Opera Society of Chicago in 1924 to Ernest Trow Carter, for his opera The White Bird, which saw its first full performance at the Studebaker Theater, in Chicago, on March 6, 1924. The last Medal for an opera was awarded around 1953 to Vittorio Giannini for The Taming of the Shrew. The award was funded in part by David Bispham's will, and also in part by Eleanor Everest Freer, who, in addition, was one of its recipients. Other recipients include :

<span class="mw-page-title-main">Ralph Lyford</span> American conductor

Ralph Lyford was an American composer and conductor. He rose to prominence as the managing director of the Cincinnati Opera and as a 20th-century advocate for opera to be written and performed in English.

<i>Violanta</i>

Violanta, Op. 8, is a one-act opera by Erich Wolfgang Korngold. The libretto is by the Austrian playwright Hans Müller-Einigen. It is Korngold's second opera, written when he was seventeen years old.

<span class="mw-page-title-main">Cincinnati Opera</span> Non-profit organisation in the USA

Cincinnati Opera is an American opera company based in Cincinnati, Ohio and the second oldest opera company in the United States. Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the Cincinnati Symphony Orchestra providing orchestral accompaniment.

<i>Eliza</i> (Cherubini)

Eliza, ou Le voyage aux glaciers du Mont St Bernard is an opéra comique in two acts by Luigi Cherubini with a French libretto by Jacques-Antoine de Révéroni Saint-Cyr. It was first performed at the Théâtre Feydeau, Paris on 13 December 1794.

<i>Flammen</i> (Schreker)

Flammen (Flames) is a one-act opera by Franz Schreker, on a libretto by Dora Leen, pseudonym of Dora Pollak.

<span class="mw-page-title-main">Maria Carbone</span> Italian operatic soprano

Maria Carbone was an Italian operatic soprano. She created the lead female roles in two of Gian Francesco Malipiero's operas: the title role in Ecuba and Cleopatra in Antonio e Cleopatra.

References

  1. Thompson, Oscar (1937). The American Singer – A Hundred Years of Success in Opera. The Dial Press. Retrieved 2009-04-11.[ page needed ]
  2. "Prize Opera Is Given; Castle Agrazant by Ralph Lyford Presented in Cincinnati". The New York Times. 30 April 1926.
  3. 1 2 3 Hipsher, Edward Ellsworth (1927). "XXXI: ... Ralph Lyford". American Opera and Its Composers. Theodore Presser. pp. 306–308. Retrieved 2010-10-07.
  4. John Tasker Howard (1948). Our American Music (3rd ed.). New York: Thomas Y. Crowell. p. 444.
  5. Nicolas Slonimsky; Laura Diane Kuhn, eds. (2001). Baker's Biographical Dictionary of Musicians . Vol. 4: Levy–Pisa. Schirmer. ISBN   978-0-02-865529-1.[ page needed ]
  6. "Bispham Memorial Medal" . Retrieved 2020-03-07.
  7. Ralph Lyford (1922). Castle Agrazant. Ralph Lyford.[ full citation needed ]
  8. 1 2 William Osborne (2004). Music in Ohio. Kent State University Press. ISBN   978-0-87338-775-0 . Retrieved 2010-02-16.[ page needed ]
  9. Harold S. Sharp; Marjorie Z. Sharp (1966). Index to Characters in the Performing Arts . Vol. 1. New York: Scarecrow Press. ISBN   9780810804869.[ page needed ]
  10. May Silva Teasdale (1938). 20th Century Opera at Home & Abroad. E. P. Dutton.[ page needed ]
  11. Eleanor Everest Freer (1922). "Opera in the United States". The Drama. Vol. 12. Dramatic Publishing. Retrieved 2009-04-11.
  12. "Mission Statement". The Olga Forrai Foundation. Retrieved 4 September 2020.
  13. "Tonight's Best Radio Features". Hartford Courant . 1926-05-03. Retrieved 2009-09-13.
  14. Casaglia, Gherardo (2005). "Castle Agrazant, 29 April 1926" . L'Almanacco di Gherardo Casaglia (in Italian).
  15. Goldenburg, William Smith (April 30, 1926). ""Castle Agrazant" Receives Premiere; Opera Foundation Project Is Justified By Success of Ralph Lyford's Opera" . The Cincinnati Enquirer . p. 10. Retrieved August 4, 2023 via Newspapers.com.