Cath Palug

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It is generally described as a small black cat that turns into monster Cat---Black---Moertel---(Gentry).jpg
It is generally described as a small black cat that turns into monster

Cath Palug (also Cath Paluc, Cath Balug, Cath Balwg, literally 'Palug's Cat') was a monstrous cat in Welsh mythology associated with Arthurian legend. Given birth to in Gwynedd by the pig Henwen of Cornwall, the cat was to haunt the Isle of Anglesey until Kay went to the island to hunt it down. Outside of Wales, the cat's opponent has been transposed to King Arthur himself or, occasionally, other legendary heroes such as Ogier the Dane. Cath Palug's name in French literature is Chapalu (Old French and variant modern forms: Capalu, Capalus).

Contents

Etymology

The Welsh name Cat Palug may mean "scratching cat", but this is just one of a range of possible meanings. [1] The word palug (paluc) is theorized to have a common pal- stem, which may mean: 'hit, strike', 'cut, lop', 'scratch, claw', [2] or even 'dig, pierce'. [1] [lower-alpha 1] [lower-alpha 2]

Chapalu, the French form can be broken down into chat 'cat' + palu 'bog', hence 'the bog cat'. In an Anglo-Norman poem (see §Li Romanz des Franceis), Chapalu and palu are connected in the story (the words are end-rhymed in the couplet). [lower-alpha 3] [4]

Aquatic nature

Cath Palug is always localised nearby water, such as the lakes of Lac du Bourget and Lake Geneva in France, the sea in Wales. One story describes it as some sort of fish-cat. [5] The monstrous cat of Lausanne, which was the analogue in the Vulgate Merlin started out as a black kitten caught by a fisherman in his net. [6]

Welsh sources

Cath Palug is mentioned in just two works among early Welsh sources, the triads and a fragmentary poem. [4]

Triads

Cath Palug's birth origins are given in "The Powerful Swineherds" in the Welsh Triads ( Trioedd Ynys Prydein , end of the 13th century). According to this source, it started life as a black kitten (lit "whelp"), given birth by the great white sow Henwen at the black rock in Llanfair  [ cy ]. [lower-alpha 4] There the kitten was cast into the sea, but it crossed the Menai Strait and was found on Ynys Môn (Angelsey), where the sons of Palug raised it, not realizing the cat was to become one of the three great plagues of the island. [7] [8]

Pa Gur

Cath Palug was fought and slain by Cai (Kay), or so it is implied, in the incomplete Old Welsh poem Pa Gur yv y Porthaur found in the Llyfr Du Caerfyrddin (The Black Book of Carmarthen, written before 1250). [9] Kay had gone to destroy lleown (possibly meaning 'lions') in Môn (Anglesey). In the encounter, nine scores (180) warriors have been killed by the cat. [9] [10] [11]

The fragmentary poem states that Kay's shield is mynud against the cat, which has been construed in various ways, [lower-alpha 5] but plausibly interpreted as "polished against Palug's cat". [12] This description coincides with the Middle English story in the Lambeth manuscript, [13] in which Arthur raises a shield (presumably mirrored) causing the cats to attack their own shadows reflected in it. [14]

Arthur stories

The Chapalu (Capalu) is the equivalent monster in Old French and Anglo-Norman sources. [lower-alpha 6] [15] [16] Several works relate a battle between Chapalu (or an anonymous monster cat) with King Arthur himself, rather than with his knight Kay. Sometimes the beast wins, sometimes Arthur wins. [17]

Some of the works only speak of an anonymous cat or cats, but are considered examples of Chapalu encounters by commentators, due to the parallels. [lower-alpha 7] [18] [19] The cat of Lausanne (Losan) that Arthur fights in the Vulgate Cycle is a notable example of the cat not being named.

The king is the victor in the Vulgate Merlin and in a Middle-English romance in the Lambert ms. noted above. His defeat is noted in several romances that are essentially non-Arthurian, but can be viewed as a French joke against the English, although some researchers believed some genuine tradition of an alternative death of Arthur. [20]

Li Romanz des Franceis

In the early 13th century, the Anglo-Norman poet André de Coutance rebuked the French for having written a vindictive poem (or poems [21] ) describing King Arthur's death by a cat. André indignantly added that this was an utter lie. [4] [22]

This passage in André's work Li Romanz des Franceis (The Romance of the French) has been excerpted and commented in various studies. [23] [24] [4] [25] [lower-alpha 8] André's short résumé of the French work was that Chapalu kicked Arthur into a bog, afterwards killed Arthur, swam to England and became king in his place. [4]

Manuel und Amande

A French original is thought to have existed [27] to the fragmentary, Middle German poem Manuel und Amande written between 1170 and the beginning of the 13th century. It implies that slain by a sort of a "fish-cat", [28] or strictly according to the text, it was a fish which at the same time "had the form of a cat (katze gestalt)". [29] [30] [32]

This was considered to be a work in the same tradition as the French works that told of Arthur's dishonorable demise, such as polemicized against by André. [lower-alpha 6] [24] [23]

Vulgate Merlin

In the early 13th-century L'Estoire de Merlin (The Story of Merlin), a man fishing in the lake of Lausanne swears that he will dedicate to God the first creature that he catches, but fails to keep his oath. At the third cast of his line he catches a black kitten, which he takes home, only for it to grow to gigantic proportions. The giant cat then kills the fisherman and his entire family, and subsequently any traveller unwise enough to come near the lake. It is finally slain by Arthur. [33] [6]

Galeran de Bretagne

Galeran de Bretagne (Galeran of Brittany, written in the 13th century) is another work that refers to Arthur's combat with the cat. According to the summary given by Emile Freymond  [ de ] (and by Gaston Paris), Galeran of Brittany beats his German opponent Guynant, and the latter tries to rile up the Breton by repeating the contrueve ('idle lie') that the great cat killed Arthur in a pitched battle. [34] [35]

There is some issue of dissent regarding this interpretation. The text can be read in the converse, so that the German knight says Arthur had killed the cat. Freymond noted that while this was grammatically possible, it was not an allowable interpretation in the context. [36] Paris agreed on this point. [35] However, John Beston (2008) translated the portion at issue as "the proverb about King Arthur killing the cat". [37]

Spanish chivalric romance

The oldest chivalric romance in Spanish, The Book of the Knight Zifar speaks of a perilous situation figuratively, as tantamount to King Arthur facing the Gato Paul, which is considered a reference to Arthur fighting the monstrous cat. [lower-alpha 9] [38]

Representation

The fight between Arthur and Cath Palug is figured on a mosaic in the Cathedral of Otranto. The creature believed to represent the Cath Palug is a spotted feline, seeming to attack King Arthur (labeled rex Arturus) mounted on some horned animal, wearing a crown, and holding a club (or sceptre). [39] The crown on Arthur and the horns on the mounting beast appear to be artefacts of the restorer, based on preserved drawings of the mosaic from earlier. [40]

Other heroes

Chapalu is encountered by heroes from the Charlemagne cycle, in either late interpolations or later prose sequels to the original chanson de geste .

Rainouart

Chapalu is fought by the knight Rainouart in a late version of La Bataille Loquifer  [ fr ] in the Guillaume d'Orange cycle ( La Geste de Garin de Monglane ). The epic originally written c.1170 did not contain the episode, but a late-13th century interpolation to it introduced Arthurian elements. [41] An extract containing the Chapalu portion was published by Antoine Le Roux de Lincy in 1836; [42] [lower-alpha 10] Paulin Paris wrote summaries based on a different manuscript. [lower-alpha 11]

Chapalu here was the son born after the lutin Gringalet [lower-alpha 12] [lower-alpha 13] raped the fée (fairy) Brunehold [lower-alpha 14] while she bathed in the fountain of Oricon. Although Chapalu was beautiful, his mother could not bear her shame and turned him into a hideously shaped monster, and this curse could only be lifted when he has sucked a few drops of Rainouart's blood. [44] [46] The description of Chapalu after his metamorphosis was that he had a cat's head with red eyes, [47] a horse's body, a griffon's talons (or dragon's feet), [44] and a lion's tail. [46] [48] [49] Rainouart is then brought to Avalon by three fairies, [50] and Arthur the king of Avalon commands Chapalu to fight this newcomer. In the ensuing battle, Chapalu laps some blood from his opponent's heel, and his human form is restored. [51] [46]

Ogier

Ogier the Dane appears in Jean d'Outremeuse's Ly Myreur des Histors where he fights Chapalu that turns out to be the metamorphosis of his squire Benoit, or else the monster from which Benoit's soul must be liberated. [52] [53] [54] The narrative is similar to Renoart's Avalon adventure in La Bataille Loquifer, [53] and there is "no doubt" Jean knew the chanson in question. [54]

According to the Myreur, Ogier was traveling in the year 896 to succor Guillaume d'Orange when he was shipwrecked with his horse Passevent on an isle (Ysle de Trist, nine days sailing from Cyprus), and combats with Chapalu (Capalu). [53] A fight ensues between Ogier and beasts, including Chapalu, but this is actually Ogier's squire Benoit (or his soul) trapped in monster form due to enchantment, and Ogier is required to tap the creature between the eyes to lift the curse. Ogier subsequently fights Arthur and Gawain, until Arthur's sister Morgan is summoned by her son Auberon (Alberon) to stop the fight. [53] [52]

A similar narrative is incorporated into late reworked versions of the Ogier romance, except Gawain goes without mention. [53] The reworkings (or rifacimenti) exist in decasyllabic form (Rifacimento A) and alexandrines (B). [52] The decasyllabic Roman d'Ogier (c. 1310) summarized by Knut Togeby, and here too, the capalu was a knight transformed into a lutin by the fées, and he offers to become Ogier's squire. [55]

Location

The legend's fight between Arthur and the devil cat of the Lake of Lausanne (in present-day Switzerland) is now considered to have been located in near the Savoie region of France near Lake Bourget, where could be found the Col du Chat. This conforms with the account in the Estoire de Merlin that Arthur, in order to commemorate his victory over the cat, renamed a place that was called Mont du Lac as Mont du Chat ('cat mountain'). [56]

The modern rediscovery of the Arthurian lore here is credited to Emile Freymond  [ de ], who initially searched for local tradition or onomastics around Lausanne, in vain, then crossing the border into France, and found this spot. [56] The community still retained vestigial lore of encounters with the monstrous cat, though Arthur did not figure in them. There was also a piece of 13th-century writing by Etienne de Bourbon saying that King Arthur carried out a hunt at Mont du Chat. [57] [56]

The Welsh tradition gives as location the Isle of Anglesey, but has the cat born at Llanveir.

Explanatory notes

  1. Some words in the group are palu 'to dig' and paladr '(spear) shaft'.
  2. In the group belongs the word palach ('club'; plural pelach glossed in Latin as clavae ), which occurs in the nickname Pen-Pelach ('Cudgel-head'), which alongside Cath Palug is listed among Arthur's or Kay's enemies in the poem Pa Gur. [1] [3]
  3. Bromwich adds this is a case where a Welsh word of an entirely different meaning has been reinterpreted in French in a different meaning. Another example being Caradoc Vreichvras.
  4. Llanfair-is-gaer, a former parish in Arfon (district), Gwynedd
  5. Skene translated this as "ready", Bromwich as "a fragment(?) against".
  6. 1 2 Gaston Paris made the important connection comparing Manuel und Amande with the Anglo-Norman poem and the prose Merlin (Paris (G.) (1888), pp. 219–220), but did not extend the comparison to the Welsh sources. Connection to the Cath Palug of the Welsh were made by Nutt and by Freymond. [15] [16]
  7. Similarities in the personages involved Arthur and other motifs. A motif analysis is given for example in Freymond (1899), pp. 354–357
  8. The lines in the poem skipped over by the commentators in ellipses explicitly state that the French were motivated patriotism and wished to "exact vengeance on the English" ("S'en volent vengier li Engleis). [26]
  9. Michael Harney (Harney (2003)) credits María Rosa Lida de Malkiel with this observation. Charles Philip Wagner  [ es ] (1903), The Sources of El Cavallero Cifar , pp. 49–50 has noted this also.
  10. Le Roux e Lincy identified his manuscript as La Vallière no. 23, now Bibliotheque nationale, Français 24369 - 24370 . [43]
  11. P. Paris in the summary in Hist. vol. XXII, relies more on ms. 7535, ca. fol. now BnF Français 1448 , 295; he does give ms. 2085, now BnF Français 368 , ca. fol. 231, as variant. [44]
  12. "Rigalez .j. muton" in Le Roux de Lincy (1836), p. 253.
  13. Gringalet is also the name of the horse of Gauvain. This might explain the description of the chapalus: the body of a horse (Freymond gave notice of this, crediting his friend S. Singer). [45]
  14. "Brunehold" is given in Paris (P.) (1852), p. 537. "Burneholt" appears as heading in e.g., Walter, Philippe (2015), Dictionnaire de mythologie arthurienne. "Brunehaut" is used in J. Vannérus (1938). "Bruhan" in Le Roux de Lincy (1836), p. 253.

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References

Citations

  1. 1 2 3 Bromwich (2014), p. 473.
  2. Lloyd-Jones (1952), pp. 130–131.
  3. Lloyd-Jones (1952).
  4. 1 2 3 4 5 Bromwich (2014), p. 475.
  5. Paris (G.) (1888) , p. 219
  6. 1 2 Lacy (superv.) & Pickens (tr.) (1993), Ch. 55, "The Devil Cat of Lausanne; King Claudas's Men Routed", Story of Merlin, pp. 410–
  7. Bromwich (2014), pp. 50–58, 473–476.
  8. Guest, Charlotte (1877), The Mabinogion: From the Welsh of the Llyfr coch o Hergest (The red book of Hergest) in the Library of Jesus College, Oxford, London: Quaritch, p. 268
  9. 1 2 Bromwich (2014), pp. 473–475.
  10. Skene, William Forbes (1868), "BBC XXXI What man is the porter?", The Four Ancient Books of Wales, vol. 1, Edinburgh: Edmonston and Douglas, pp. 261–264; II pp. 50-53 Pa gur ẏv ẏ portarthur (Welsh), pp. 350-351 (notes)
  11. "The Black Book of Carmarthen". National Library of Wales. Archived from the original on 23 July 2015. Retrieved 29 May 2014.
  12. Jackson, Kenneth Hurlstone (1959), "Arthur in Early Welsh Verse", Arthurian Literature in the Middle Ages, p. 14; quoted by Matheson (1985) , p. 88
  13. Matheson (1985), p. 88.
  14. Matheson (1985), pp. 86–87.
  15. 1 2 Nutt (1890), pp. 251–252.
  16. 1 2 Freymond (1899), pp. 17–18.
  17. Bromwich (2014), pp. 474–475.
  18. Freymond (1899), pp. 354–357.
  19. Weston, Jessie L. (1900), "(Review) Artus's Kampf mit dem Katzenungetüm, by Freymond", Folklore, 11: 414–416
  20. Matheson (1985), p. 89.
  21. Novati (1888) believed "André alludes not to one but two stories"; tr. Eng. in: Wheatley (1899) , I, pp. ccxxxvi–ccxxxviii
  22. Wheatley (1899), I, pp. ccxxxvi–ccxxxviii.
  23. 1 2 Paris (G.) (1888) , pp. 219–220, see Nutt (1890) , pp. 251–252
  24. 1 2 Novati (1888) , pp. 580–581, tr. Eng. in: Wheatley (1899) , I, pp. ccxxxvi–ccxxxviii
  25. Matheson (1985), pp. 88–89.
  26. Jubinal (ed.) (1842), p. 2.
  27. Wheatley (1899), I, p. 236.
  28. "gatto-pesce, Novati (1888) , p. 580, tr. Eng. in Wheatley (1899) , I, pp. ccxxxvi–ccxxxvii
  29. Zingerle (1882), pp. 297–307.
  30. Wheatley (1899), I, p. ccxxxvi.
  31. Paris (G.) (1888), p. 219: "il semble que le chat était en même temps un poisson"
  32. Gaston Paris called it a being that was "a cat and fish at the same time". [31]
  33. Sommer (1908), pp. 440–444.
  34. Freymond (1899), pp. 25–26.
  35. 1 2 Paris, Gaston (1900), "(Review) Beiträge zur romanischen Philologie, Festgabe für Gustav Gröber (1899)", Romania (in French): 121–124
  36. Freymond (1899), p. 25, note 2: "Ich fasse also le chat als Nominative.., etc."
  37. Renaut (2008), Beston, John (trans.) (ed.), An English Translation of Jean Renaut's Galeran de Bretagne, Edwin Mellen Press, p. 107, ISBN   978-0-7734-5096-7
  38. Harney, Michael (2003), Dove, Carol (ed.), "The Spanish Lancelot-Grail Heritage", A Companion to the Lancelot-Grail Cycle, DS Brewer, p. 186, ISBN   9780859917834
  39. Nickel (1989), p. 96.
  40. Nickel (1989), p. 101.
  41. Larrington, Carolyne (2006), King Arthur's enchantresses Morgan and her sisters in Arthurian tradition, London New York: I. B. Tauris, p. 47, ISBN   978-1-845-11113-7
  42. Le Roux de Lincy (1836).
  43. BnF. "Français 24370. II" . Retrieved 14 November 2017.
  44. 1 2 3 Paris (P.) (1852), p. 537.
  45. Freymond (1899), p. 342, note 2.
  46. 1 2 3 Léglu, Catherine (2007), "Nourishing Lineage in the Earliest French Versions of the Roman de Mélusine", Transmissions: Essays in French Literature, Thought and Cinema, Peter Lang, p. 41, ISBN   9783039107346
  47. Le Roux de Lincy (1836) , p. 252: "Les yex ot roux".
  48. Le Roux de Lincy (1836) , p. 253, "Teste ot de chat et queue de lyon, Cors de cheval, ot ongles de griphon, Les dens agus assez plus d'un gaignon;" (gaignon=mâtin)" The last portion reads "teeth as sharp as a mastiff-dog's".
  49. Le Roux de Lincy (1836), pp. 253.
  50. Paris (P.) (1852), p. 535.
  51. Paris (P.) (1852), pp. 536–537.
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Bibliography

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Triads
What Man is the Porter?
Li Romanz des Franceis
Bataille Loquifer
  • Le Roux de Lincy, Antoine Jean Victor (1836), Le livre des légendes, Paris: chez Silvestre Librarie, pp. 246–; "Appendix 5: extrait du roman de Guillaume au Court Nez, ms. du Roy, n° 23 Laval, tome II" (in French)
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  • Sommer, Heinrich Oskar (1908), "Lestoire de Merlin", The Vulgate Version of the Arthurian Romances (in French and English), vol. 2, Washington: Carnegie Institution, pp. 440–444
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Middle English prose Merlin
  • Wheatley, Henry Benjamin (1899), The Story of Merlin, EETS o.s. 10, 21, 36, 112 - in 4 volumes, vol. II, New York: Early English Text Society(text)I (Introduction)
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Secondary sources