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Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
Skint Records is a Brighton and Hove based dance music record label owned by JC Reid, Tim Jeffery and Damian Harris. It was created as a sublabel of Loaded Records, also founded by Reid and Jeffery. Along with Wall of Sound, the label was a leader in the big beat music scene of the mid to late 1990s.
Catherine Roseanne Dennis is a British singer, songwriter and record producer. She was discovered as a teenager by music manager Simon Fuller, which led to her featuring on the hit dance single "C'mon and Get My Love" with D Mob in 1989.
The music of the Virgin Islands reflects long-standing West Indian cultural ties to the island nations to the south, the islands' African heritage and European colonial history, as well as recent North American influences. Though the United States Virgin Islands and British Virgin Islands are politically separate, they maintain close cultural ties. From its neighbors, the Virgin Islands has imported various pan-Caribbean genres of music, including calypso music and soca music from Trinidad and reggae from Jamaica.
Stereo MC's are an English hip hop/electronic dance group that formed in Clapham, London, England, in 1985. They had an international top 20 hit with their single "Connected" and a UK top 20 hit with "Step It Up". After releasing eight albums for Island Records, K7, Graffiti Recordings, and Pias, they formed the label Connected with the band Terranova to release their own material and that of other artists within the house/techno/electronic genre.
Michael Alec Anthony West, better known as Rebel MC and Congo Natty, is a British jungle producer, spiritual chanter and toaster. He has also gone by aliases including Conquering Lion, Blackstar, Tribe of Issachar, Lion of Judah, X Project and Ras Project.
Profile Records was one of the earliest hip hop labels. As well as hip-hop they released disco, dance, and electro records.
Positiva Records is a subsidiary of Universal Music Group and concentrates on releasing dance music in the UK. The record label was set up in 1993, by Nick Halkes, who previously ran XL Recordings. Its headquarters are at the Universal UK offices, where it is the only large dance music label under the EMI banner.
Juliet Roberts is a British jazz, rock, soul and house music singer of Grenadian descent.
Dreadzone are a British electronic music group formed in 1993 in London by ex-Big Audio Dynamite drummer Greg Roberts and musician Tim Bran. They have released eight studio albums, two live albums, and two compilations.
Loleatta Holloway was an American singer known for disco songs such as "Hit and Run" and "Love Sensation". In December 2016, Billboard named her the 95th-most successful dance artist of all time. According to the Independent, Holloway is the most sampled female singer in popular music, used in house and dance tracks such as the 1989 Black Box single "Ride on Time".
Robin Albers, who uses the stage name Jaydee, is a Dutch house music producer and DJ.
Rob's Records was a British, Manchester-based independent record label founded by Rob Gretton, former manager of Joy Division and New Order, and a co-director of Factory Records.
"Digital Love" is a song by French electronic music duo Daft Punk. It was released as the third single from their second album, Discovery, on 11 June 2001. It reached number 33 in France, number 28 in Italy, and number 14 in the United Kingdom. As part of the album, the song is featured in the film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.
That Petrol Emotion were a London-based Northern Ireland-originating band with an American vocalist, Steve Mack. It featured the O'Neill brothers from celebrated Derry pop-punk band The Undertones plus ex-members of fellow Derry bands Bam Bam and The Calling and The Corner Boys. They recorded five albums between 1986 and 1994, exploring an eclectic fusion of alternative rock, post-punk, garage rock and dance music which in part anticipated and overlapped with the dance-pop era of the 1990s.
Young Disciples was a British / American acid jazz band, formed in London in 1990 by Carleen Anderson, Marco Nelson and Femi Williams.
Rising High Records was a leading British record label, established in 1991, specializing in rave, techno and ambient chillout music. Founded by Caspar Pound, who had chart success with A Homeboy, a Hippie and a Funki Dredd, the label went on to be at the forefront of dance music in the 1990s. The label was formed at F2 studios in London with studio owner Rob Mcluhan. Pound had recorded "Total Confusion" at F2 and decided to form his own label in partnership with the studio, teaming up with the in-house producer Pete Smith to form The Hypnotist. The label's first release "Rainbows in the Sky" became an instant hit, and was quickly followed by "The House Is Mine" and "Hardcore You Know the Score", three tracks that defined the sound of techno through the decade. Vocals and samples for all three were provided by Andy Higgins, who also ran the export and production of the label in the early years, according to Colin Larkin in The Guinness Who's Who of Rap, Dance and Techno.
Love to Infinity are a UK-based remix, production and songwriting team of brothers Andy Lee, Pete Lee and Dave Lee.
Colin Larkin is a British music writer. He founded and was the editor-in-chief of the Encyclopedia of Popular Music. Along with the ten-volume encyclopedia, Larkin also wrote the book All Time Top 1000 Albums, and edited the Guinness Who's Who of Jazz, the Guinness Who's Who of Blues, and the Virgin Encyclopedia of Heavy Rock. He has over 650,000 copies in print.
The Encyclopedia of Popular Music is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the Grove Dictionary of Music, which Larkin describes in less than flattering terms. It was described by The Times as "the standard against which all others must be judged".
References
- 1 2 Colin Larkin, ed. (1998). The Virgin Encyclopedia of Dance Music (First ed.). Virgin Books. pp. 53/4. ISBN 0-7535-0252-6.
