Charmaine Nelson

Last updated

Charmaine Nelson
Born
Charmaine Andrea Nelson

1971 (age 5152)
OccupationArt history professor
Years active2001–present
Academic background
EducationArt History
Alma mater University of Manchester (PhD)
Concordia University (BFA & MFA)

Charmaine Andrea Nelson (born 1971) is a Canadian art historian, educator, author, and independent curator. Nelson was a full professor of art history at McGill University until June 2020 when she joined NSCAD University to develop the Institute for the Study of Canadian Slavery. [1] [2] She is the first tenured Black professor of art history in Canada. [3] [4] Nelson's research interests include the visual culture of slavery, race and representation, Black Canadian studies and African Canadian history as well as critical theory, post-colonial studies, Black feminist scholarship, Transatlantic Slavery Studies, and Black Diaspora Studies. [2] [5] [6] [7] [8] In addition to teaching and publishing in these research areas, Nelson has curated exhibitions, including at the Robert McLaughlin Gallery [9] in Oshawa, Ontario, and the Leonard and Bina Ellen Art Gallery at Concordia University in Montreal, Quebec. [10]

Contents

Education

Career

After completing her BFA and MFA degrees at Concordia University, Nelson worked at the Canadian War Museum in Ottawa, Ontario. She then began her PhD at Queen's University which she completed at the University of Manchester (UK) in 2001. Before obtaining her position at McGill University, Nelson was an assistant professor at University of Western Ontario.

Throughout her career, Nelson has held several fellowships and research chairs including a Caird Senior Research Fellowship, National Maritime Museum, Greenwich, UK (2007), a Fulbright Visiting Research Chair, [11] [12] University of California – Santa Barbara (2010) as well as a visiting professorship in the Department of Africology at the University of Wisconsin, Milwaukee (2011). [13]

In 2015, she was an Associate Member of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University. [14] From 2015 to 2017, Nelson was a Faculty Fellow at McGill's Institute for Public Life of the Arts and Ideas. [15] In 2016, she was named as a Fellow of the Royal Society of Canada, College of New Scholars, Artists, and Scientists. [16] [17] From 2017 to 2018, Nelson was the William Lyon Mackenzie King Visiting Professor of Canadian Studies at Harvard University. [2] [8] [15] [18]

In June 2020, Nelson was named as NSCAD University's Tier 1 Canada Research Chair, a funded, seven-year (renewable) position where she will continue her research on Transatlantic Black Diasporic Art and Community Engagement. [19] In addition, Nelson will use the seven-year position to work with NSCAD to develop the Institute for the Study of Canadian Slavery. [20] [21] [22]

As of October, 2022, Nelson has left NSCAD, citing experiences of racism where she felt "undermined and as though she was being questioned about her ability to run an institute." [23] She has re-developed the Institute for the Study of Canadian Slavery into the Slavery North Initiative, a project that she currently leads at the University of Massachusetts Amherst. [24]

Public Speaking

Nelson regularly offers public presentations of her research. Some of these include:

Select Publications

Nelson has published articles in academic journals and popular sources, including the Journal of Transatlantic Studies, [34] The Walrus Magazine, [35] Frieze, [36] [37] RACAR: revue d'art canadienne / Canadian Art Review, [38] [39] American Art, [40] Topia: Canadian Journal of Cultural Studies, [41] and HuffPost. [42] She is author and editor of several books and has contributed chapters to numerous scholarly publications.

As author

As editor

As contributing author

Recognition

Charmaine Nelson has received a Woman of Distinction Award from the Montreal's Women's YWCA in 2012 (Arts and Culture Category) as well as a Teaching Award from The Arts Undergraduate Society of McGill University (2016), and McGill's Faculty Award for Equity and Community Building (2016). [2]

Related Research Articles

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The Underground Railroad was a network of secret routes and safe houses established in the United States during the early to mid-19th century. It was used by enslaved African Americans primarily to escape into free states and from there to Canada. The network, primarily the work of free African Americans, was assisted by abolitionists and others sympathetic to the cause of the escapees. The slaves who risked capture and those who aided them are also collectively referred to as the passengers and conductors of the "Underground Railroad". Various other routes led to Mexico, where slavery had been abolished, and to islands in the Caribbean that were not part of the slave trade. An earlier escape route running south toward Florida, then a Spanish possession, existed from the late 17th century until approximately 1790. However, the network now generally known as the Underground Railroad began in the late 18th century. It ran north and grew steadily until the Emancipation Proclamation was signed by President Abraham Lincoln. One estimate suggests that, by 1850, approximately 100,000 slaves had escaped to freedom via the network.

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<span class="mw-page-title-main">Slavery in Canada</span>

Slavery in Canada includes historical practices of enslavement practiced by both the First Nations during the pre-Columbian era, and by colonists during the period of European colonization.

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Alice Ming Wai Jim is an art historian, curator and Professor at Concordia University in Montreal, Quebec, Canada, as well as an Adjunct Professor in Graduate Studies at OCAD University in Toronto, Ontario, Canada. She focuses her research on diasporic art in Canada, contemporary Asian art and contemporary Asian Canadian art, particularly on the relationships between remix culture and place identity. She currently holds the Concordia University Research Chair in Ethnocultural Art History (2017–2022).

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First Baptist Church is a Baptist in Toronto, Ontario, affiliated with Canadian Baptists of Ontario and Quebec. It is both the first Baptist congregation in Toronto and the oldest black institution in the city. Formed by fugitive enslaved persons, the church played a large role in the abolitionist movement, including hosting lectures against slavery and offering aid to fugitives.

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References

  1. "Charmaine Nelson and NSCAD University to Create Institute for the Study of Canadian Slavery". Canadian Art. Retrieved February 15, 2021.
  2. 1 2 3 4 5 "Charmaine Nelson". McGill University Art History & Communication Studies faculty profiles. Archived from the original on April 7, 2020. Retrieved March 17, 2018.
  3. "Undergrads at Harvard will study Canadian slave history this fall thanks to a professor from McGill | University Affairs". University Affairs. Retrieved March 17, 2018.
  4. 1 2 "A lifetime in academia". concordia.ca. Retrieved March 17, 2018.
  5. Kyle G. Brown. "Canada's slavery secret: The whitewashing of 200 years of enslavement". Canadian Broadcasting Corporation. Retrieved March 28, 2019.
  6. "Fugitive Portraits". Canadian Art. Retrieved March 17, 2018.
  7. Nelson, Charmaine A.; Nelson, Camille A. (2004). Racism, Eh ? A Critical Inter-Disciplinary Anthology of Race and Racism in Canada. Concord, Ont.: Captus Press Inc. p. 463. ISBN   1-55322-061-7.
  8. 1 2 "The little-told history of Canadians as slave owners, not just slave rescuers". CBC Radio: The Sunday Edition. December 8, 2017. Archived from the original on December 9, 2017. Retrieved June 20, 2020.
  9. "Hot Topics: #AskACurator". The RMG. September 19, 2013. Retrieved June 21, 2020.
  10. Leonard & Bina Ellen Art Gallery of Concordia University (2000). "Through An-Other's Eyes: White Canadian Artists-Black Female Subjects, February 10 – March 18, 2000". archive_ellengallery.concordia.ca. Archived from the original on June 23, 2020. Retrieved June 21, 2020.
  11. "Charmaine Nelson | Fulbright Scholar Program". cies.org. Retrieved June 19, 2020.
  12. "Fulbright Canada Annual Report 2011". Issuu. 2011. p. 8. Retrieved June 21, 2020.
  13. 1 2 "From Slavery to Black Power and Hip Hop: McGill's Charmaine Nelson explore Ebony Roots". The Gazette. Montreal. Retrieved June 21, 2020.
  14. "Biographical information". concordia.ca. Retrieved June 19, 2020.
  15. 1 2 "WGS Welcomes Professor Charmaine Nelson!". wgs.fas.harvard.edu. Retrieved March 17, 2018.
  16. 1 2 "Slavery, Race & Representation: Charmaine A. Nelson and Andrew Hunter in Conversation". University of Toronto Scarborough – News and Events. Retrieved June 17, 2020.
  17. "Charmaine Nelson". HuffPost. Retrieved March 17, 2018.
  18. "News in Brief: Unearthing the Visual Culture of Canadian Slavery". Canadian Art. Retrieved June 21, 2020.
  19. "NSCAD University announces Tier 1 Canada Research Chair in Transatlantic Black Diasporic Art and Community Engagement". NSCAD. June 16, 2020. Retrieved June 17, 2020.
  20. "NSCAD University announces Tier 1 Canada Research Chair in Transatlantic Black Diasporic Art and Community Engagement". NSCAD. June 16, 2020. Retrieved June 22, 2020.
  21. "Charmaine Nelson and NSCAD University to Create Institute for the Study of Canadian Slavery". Canadian Art. Retrieved June 19, 2020.
  22. Canadian Broadcasting Corporation (June 22, 2020). "New institute for examining slavery in Canada to be set up at NSCAD University". CBC News. Archived from the original on July 4, 2020. Retrieved July 4, 2020.
  23. Khan, Aman (October 20, 2022). "Accusations of racism shutter groundbreaking Halifax institute studying Canadian slavery". CBC. Retrieved April 28, 2023.
  24. "Charmaine A. Nelson". University of Massachusetts. Retrieved April 28, 2023.
  25. "McCready Lecture on Canadian Art: Charmaine Nelson | AGO Art Gallery of Ontario". ago.net. Retrieved March 17, 2018.
  26. "Celebrated scholar Dr. Charmaine A. Nelson visits Brock University". Brock University. Retrieved March 17, 2018.
  27. "Dr. Charmaine A. Nelson: Speaker provides chilling reminder of Canadian slave history". Brock University. October 29, 2019. Archived from the original on July 7, 2018. Retrieved June 21, 2020.
  28. "RÉSEAU ART ACTUEL: Lectures by Charmaine Nelson and Jennifer Carter, Monday March 27 at 5pm at la Galerie de l'UQAM". rcaaq.org. Archived from the original on March 18, 2018. Retrieved March 17, 2018.
  29. "The Slave's Lament at the Doris McCarthy Gallery UTSC". utsc.utoronto.ca. Retrieved June 17, 2020.
  30. "Fugitive Slave Advertisements and/as Portraiture in late Eighteenth- and early Nineteenth-Century Canada". gallery.ca. Retrieved June 21, 2020.
  31. "ECI Mandela Lecture". Ryerson University. Retrieved June 19, 2020.
  32. "True North: Unmasking Slavery in Canada Ft. Dr. Charmaine Nelson (ECI Mandela Lecture)". Ontario Council for International Cooperation. October 29, 2019. Retrieved June 19, 2020.
  33. "Weintz Art Lecture Series presents Charmaine Nelson | Department of Art & Art History". art.stanford.edu. Retrieved June 19, 2020.
  34. Nelson, Charmaine A. (April 2, 2016). "'I am the only woman!': the racial dimensions of patriarchy and the containment of white women in James Hakewill's A Picturesque Tour of the Island of Jamaica … (1825)". Journal of Transatlantic Studies. 14 (2): 126–138. doi:10.1080/14794012.2016.1169871. ISSN   1479-4012. S2CID   147868277.
  35. "charmaine nelson | The Walrus" . Retrieved June 20, 2020.
  36. Nelson, Dr Charmaine A. "The Black Female Figure". frieze. No. 7. ISSN   0962-0672 . Retrieved June 20, 2020.
  37. Higgie, Jennifer. "Celebrating Women's Work Throughout Art History". frieze. No. 7. ISSN   0962-0672 . Retrieved June 20, 2020.
  38. "2000–2009: Vol. 27, no. 1/2 (2000)". RACAR. Archived from the original on September 12, 2017. Retrieved June 21, 2020.
  39. Nelson, Charmaine A. (2000). "White Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture". RACAR: Revue d'art canadienne / Canadian Art Review. 27 (1/2): 87–101. doi: 10.7202/1069725ar . ISSN   0315-9906. JSTOR   42631206.
  40. Nelson, Charmaine A. (June 1, 2017). "Interrogating the Colonial Cartographical Imagination". American Art. 31 (2): 51–53. doi:10.1086/694062. ISSN   1073-9300. S2CID   193916143.
  41. Igloliorte, Heather; Jim, Alice Ming Wai; Morton, Erin; Nelson, Charmaine A.; Nighttraveller, Cheli; Ripley, A. J.; Taunton, Carla; Vukov, Tamara; Cahill, Susan; Holmes, Kristy A. (March 12, 2018). "Killjoys, Academic Citizenship and the Politics of Getting Along". Topia: Canadian Journal of Cultural Studies. 38: 187–208. doi:10.3138/topia.38.187. S2CID   158602909.
  42. "Charmaine Nelson". HuffPost. Retrieved June 21, 2020.
  43. "Captus Catalogue: Towards an African Canadian Art History – Charmaine A. Nelson". captus.com. Retrieved March 28, 2019.