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The Chicago Embroidery Company was founded in 1890 by Johannes Bodenmann, who came to the United States from Switzerland and eventually settled in Chicago in the later part of the nineteenth century. He used his lace making skills and knowledge to form the company, which was formally incorporated in 1894.
During long cold winter nights, Swiss farmers and their families concentrated on handicrafts that could be sold for extra income. The Swiss embroidery tradition, which has roots in flax and linen production dating back hundreds of years, led to the development of distinctive Swiss lace, an intricate, interlaced pattern of threads, looped, twisted or braided to other threads, known throughout the world for its quality and workmanship. Handmade lace and so called hand machine embroidery was often used in decorative clothing, curtains, table linens and many other applications.
Lace making and embroidery changed during the Industrial Revolution with the development of automated lace machines, and the schiffli embroidery machine which greatly increased production efficiency and provided the capability to reproduce any number of identical pieces. In 1913, New Yorker John Avery, an advertising counselor and associate sales manager at Arnold B. Heine Co., a New York-based lace and embroidery company, acquired a one-third interest in the Chicago Embroidery Company. [1]
The company prospered, but Swiss-style lace fell out of fashion in the 1930s. During this period, The Chicago Embroidery company was asked to stitch designs on men's socks, however no one knew how to do this because the sock had to be stitched after it was made and the power looms could not make a design without stitching the sock closed. The company met this challenge by creating a special holder for the socks that allowed the power looms to stitch a design without ruining the sock and in 1938, Otto DeCardy filed for and was granted U.S. patent 2,141,294 for a specialized hose embroidery machine.
[2] With the start of World War II, the U.S. military suddenly needed for millions of embroidered patches to signify rank, unit, and specialty of members of the armed forces. The U.S. Government ordered the major embroidery companies to begin making embroidered patches (also known as shoulder sleeve insignia or SSI) and the looms were converted from lacemaking to war patch production.
After the war, a Chicago cap manufacturer approached the company with an order for patches to be sewn on to caps and sold to members of the Boys Scouts of America. This was the beginning of many decades of a business relationship between Chicago Embroidery and the Boy Scouts of America and other scouting organizations. In the years following the war, the company continued making military SSI patches and many different designs for large and small companies, police and fire departments, municipalities, youth groups, sporting organizations and others. During the 1970s, decorative patches became a fashionable clothing accessory for the general public. Chicago Embroidery opened a second factory, and with three shifts working six days a week on more than 20 looms, millions of patches were produced for shipment around the world.
But with the introduction of new direct embroidery technology in the 1980s, the embroidered patch industry underwent a major upheaval. Computerized digital sewing machines allowed intricate designs to be sewn directly onto shirts, jackets, caps, or other items. While customers continued to buy patches, demand dramatically decreased. Boy Scout membership peaked in 1973 and the number of U.S. military personnel peaked in the early 1980s. Demand for patches began to decline.
By the turn of the millennium, direct embroidery had taken a huge portion of market share away from patches, and low-cost competition from the Far East pressured U.S. patch manufacturers. More production shifted to China. In 2007, after three generations of family owners, the company was sold to a former employee. For the first time in its history, a Bodenmann family member was not at the helm.
The company continues to offer a full line of multi-color patches for a variety of uses and organizations.
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour.
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is divided into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Machine embroidery is an embroidery process whereby a sewing machine or embroidery machine is used to create patterns on textiles. It is used commercially in product branding, corporate advertising, and uniform adornment. It is also used in the fashion industry to decorate garments and apparel. Machine embroidery is used by hobbyists and crafters to decorate gifts, clothing, and home decor. Examples include designs on quilts, pillows, and wall hangings.
A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular or square piece of cloth, which is often folded to make a triangle, but can also be triangular in shape. Other shapes include oblong shawls. It is associated with the inhabitants of the northern Indian subcontinent—particularly Kashmir and Punjab—and Central Asia, but can be found in many other parts of the world.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but it is also possible to darn with a sewing machine. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
Stumpwork or raised work is a style of embroidery in which the stitched figures are raised from the surface of the work to form a 3-dimensional effect.
Tenerife lace or “roseta canaria”is a needle lace from Canary Islands. The first name comes from the fact that the lace made on the islands was exported from that island. The origin of this lace is uncertain and it is not known on which island the technique was born.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace.
An embroidered patch, also known as a cloth badge, is a piece of embroidery which is created by using a fabric backing and thread. The art of making embroidered patches is an old tradition and was originally done by hand. During the first half of the twentieth century they were commonly embroidered using a shiffli embroidery machine. High-speed, computerized machines have led to mass production.
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Cieszyn folk costume, also known as Valachian, is a Silesian folk costume, which used to be worn within majority of the area of Cieszyn Silesia, but mostly by Cieszyn Vlachs. Taking into consideration ornamentation, cutting and materials, it can be observed that it is a replica of historical costumes of the Renaissance. The male folk costume was worn only to the late 19th century, whereas the female folk costume was more popular and spread in the vicinity of the Wisła, Istebna and Koniaków. Previously in this area the costumes of Silesian Gorals prevailed. Female folk costumes in Cieszyn were subjected to many changes, especially in respect to ornamentations and better quality of materials. Due to its richness and elegance the costume quickly became a target of artists and specialists in folk culture.
The term Hedebo embroidery covers several forms of white embroidery which originated in the Hedebo (heathland) region of Zealand, Denmark, in the 1760s. The varied techniques which evolved over the next hundred years in the farming community were subsequently developed by the middle classes until around 1820. They were applied to articles of clothing such as collars and cuffs but were also used to decorate bed linen.
The hand embroidery machine is a manually operated embroidery machine. It was widely used in the Swiss embroidery industry during the late nineteenth and early twentieth centuries. It was also used in the lace industry near Plauen, Germany, and it played a role in the development of the embroidery industry centered in Hudson County, New Jersey during the early 20th century.
The schiffli embroidery machine is a multi-needle, industrial embroidery machine. It was invented by Isaak Gröbli in 1863. It was used to create various types of machine embroidery and certain types of lace. It was especially used in the textile industry of eastern Switzerland and Saxony Germany, but also in the United Kingdom and the United States. Schiffli machines evolved from, and eventually replaced manually operated "hand embroidery" machines. The hand embroidery machine used double ended needles and passed the needles completely through the fabric. Each needle had a single, continuous thread. Whereas the schiffli machine used a lock stitch, the same technique used by the sewing machine. By the early twentieth century schiffli machines had standardized to ten and fifteen meters in width and used more than 600 needles.