Chinese folk art

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Paper cutting for a Year of the Dog celebration. DogYearPaperCutting.jpg
Paper cutting for a Year of the Dog celebration.

Chinese folk art or Chinese handcrafts are artistic forms inherited from a regional or ethnic scene in China. Usually there are some variation between provinces. Individual folk arts have a long history, and many traditions are still practiced today. The general definition of folk art incorporates Chinese art forms that are not classified as Chinese fine art.

Contents

Chinese folk art is the ancient forms of art that originated in China. Some of these ancient art forms include jade carvings, performance art such as music and their respective instruments, textile art such as basket weaving, paper art and clothing.

Jade Carving

Jade is a semi-rare green mineral found in prominent use in Chinese art since prehistoric times. Carvings using jade have been a common elevated folk art in China. From objects such as masks to animals, jadealong with cheaper wood and bamboofound use in many works of art. At times, the highest quality jade has been esteemed more highly than gold, diamonds, or pearls. Due to the toughness of jade, it is believed that Chinese jade carvings were first carved into weapons such as swords, although it is unclear if the sword carvings were for ceremonial or utilitarian use. As time went on, jade was carved into many different shapes and forms. An important early example of jade carving were the circular disks known as bi, generally understood to represent the heavens in some fashion. By 3000 BC, jade was referred to yu (). By 206 BC, Xu Shena Chinese scholar under the Han listed the Five Virtues of Jade as benevolence, honesty, wisdom, integrity, and bravery.[ citation needed ] It further represents love, strength, purity, luck, and gentleness.[ citation needed ] Jade is also used in fengshui, adding harmony and balance to its space.

Basket weaving

Baskets are mainly woven with bamboo or plant stems.

Chinese kites

China is the birthplace of the kite, and Weifang is one of the chief places where Chinese kites originated. Kite-flying became prevalent in Weifang in the Song dynasty (960–1279). By the Ming dynasty (1368–1644) kite-flying had become even more popular, and kite fairs on a rather large scale had appeared. Kites were sold not only across Shandong, but also to Jiangsu, Fujian, Anhui and other places. The noted English scholar Joseph Needham listed kites in his book History of Science and Technology in China as one of the important contributions in science and technology that the Chinese introduced to Europe.[ citation needed ]

Food art

Sugar

Sugar painting Chinese sugar painting 01.jpg
Sugar painting

Sugar painting ( t 糖畫, s 糖画,tánghuà) is a form of traditional Chinese folk art using hot, liquid sugar to create two dimensional objects on a marble or metal surface.

Sugar people (糖人) is a traditional Chinese form of folk art using hot, liquid sugar to create three-dimensional figures.

Flour figures

Mian Ren (Flour Figure) are made of coloured flours. Craftsmen used to travel with their tools to villages and towns to make and sell flour figures for a very basic income. Sometimes flour figures are used in dishes together with vegetable carvings.

Paper art

Paper cuttings Chinese paper cuttings.jpg
Paper cuttings
Traditional paper folding Chinesepaperfoldteal.jpg
Traditional paper folding

The first two forms of paper art began in the Han dynasty with Chinese paper cutting and Chinese paper folding, together with the hand fan and pinwheel (toy).

Chinese paper cutting (剪纸, jianzhi) is a type of folk art that has roots in China during the 6th century and is attributed to Cai Lun during the Han Dynasty.

Known to be very intricate with the use of negative space, paper cutting is used for mostly decorative reasons, appearing on mirrors, lanterns, walls, etc.

In most cities and Chinatowns, paper art will adorn many street corners, business fronts, and inside buildings.

Performances

Puppetry

One of the oldest forms of folk art is puppetry. Puppeteers use various kinds of puppets, including marionettes, glove puppets, rod puppets, cloth puppets and wire puppets in performances incorporating folk songs and dances over some dialogues. The subject matter is derived mainly from children's stories and fables.

Shadow play

Shadow plays are a form of puppetry that is performed by moving figures made of animal skins or cardboard held behind a screen lit by lamplight. The subject matter and singing style in shadow plays are closely related to Chinese opera, except without using live actors or actresses. This art style was passed down from master to apprentice until recently. The most common troupe roster is one puppeteer, one singer, and a band of musicians. Shadow puppetry was banned by the government in 1966 during the Cultural Revolution, but allowed back in the late 1970s.

Textile arts

Chinese knot

Chinese knot.JPG

Chinese knotting (中國結) is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song dynasty (AD 960–1279) in China. It was later popularized in the Ming. The art is also referred to as Chinese traditional decorative knots. [1] One of the more traditional art forms, it creates decorative knot patterns. It was not practiced during the Culture Revolution, but nowadays it is very popular again.

Tiger-head shoes

Tiger-head shoes (虎头鞋) are an example of traditional Chinese folk handicraft used as footwear for children. Their name comes from the toe cap, which looks like the head of a tiger.

Musical instruments

Bolang gu, a traditional Chinese pellet drum and toy.

Muyu, a rounded woodblock carved in the shape of a fish, it is played by striking the top with a wooden stick; often used in Buddhist chanting.

See also

Related Research Articles

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<span class="mw-page-title-main">Bambooworking</span>

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<span class="mw-page-title-main">Qinhuai lantern</span>

Qinhuai lantern is the traditional art of Jurong City, Jiangsu Province, in China, and part of the national intangible cultural heritage of China. Qinhuai lantern, also known as "Jinling lantern" and "Nanjing lantern", is one of the representative folk arts in Nanjing. The origin of Qinhuai lantern colour can be traced back to the Eastern Wu period, it draws on the traditional Chinese paper tie, painting, calligraphy, paper cutting, shadow puppetry, embroidery, sculpture and other arts, in the production of integrated carpentry, lacquer, painting, carving, clay sculpture, knotting and many other technical means. Qinhuai has a variety of lanterns, reaching from the traditional lanterns to lotus lanterns and lion lanterns. The variety and design of lantern works represents also current events to the time of design, such as ocean-going ships, carrier rockets, urban construction, mountain and forest landscapes.

References

Citations

Bibliography

  • Chang Zonglin; et al. (2006), Aspects of Chinese Culture中国文化导读 (in Chinese), Tsinghua University Press.