Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
The John D. and Catherine T. MacArthur Foundation is a private foundation that makes grants and impact investments to support non-profit organizations in approximately 117 countries around the world. It has an endowment of $7.6 billion and provides approximately $260 million annually in grants and impact investments. It is based in Chicago, and in 2014 it was the 12th-largest private foundation in the United States. It has awarded more than US$7.92 billion since its first grants in 1978.
The Columbia University School of the Arts is the fine arts graduate school of Columbia University in Morningside Heights, New York. It offers Master of Fine Arts (MFA) degrees in Film, Visual Arts, Theatre and Writing, as well as the Master of Arts (MA) degree in Film Studies. It also works closely with the Arts Initiative at Columbia University (CUArts) and organizes the Columbia University Film Festival (CUFF), a week-long program of screenings, screenplay, and teleplay readings.
Campbell John McGrath is an American poet. He is the author of twelve full-length collections of poetry, including Seven Notebooks, Shannon: A Poem of the Lewis and Clark Expedition, In the Kingdom of the Sea Monkeys, and XX: Poems for the Twentieth Century, for which McGrath was a finalist for the Pulitzer Prize in Poetry.
The MacArthur Fellows Program, also known as the MacArthur Fellowship and colloquially called the "Genius Grant", is a prize awarded annually by the John D. and Catherine T. MacArthur Foundation to typically between 20 and 30 individuals working in any field who have shown "extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction" and are citizens or residents of the United States.
Ellen Bryant Voigt is an American poet. She served as the Poet Laureate of Vermont.
Quiara Alegría Hudes is an American playwright, producer, lyricist and essayist. She is best known for writing the book for the musical In the Heights (2007), and screenplay for its film adaptation. Hudes' first play in her Elliot Trilogy, Elliot, A Soldier's Fugue was a finalist for the 2007 Pulitzer Prize for Drama. She received the 2012 Pulitzer Prize for Drama for Water by the Spoonful, her second play in that trilogy.
Annie Baker is an American playwright and teacher who won the 2014 Pulitzer Prize for her play The Flick. Among her works are the Shirley, Vermont plays, which take place in the fictional town of Shirley: Circle Mirror Transformation, Nocturama, Body Awareness, and The Aliens. She was named a MacArthur Fellow in 2017.
Tyshawn Sorey is an American composer, multi-instrumentalist, and professor of contemporary music.
Natalie Diaz is a Pulitzer Prize-winning Mojave American poet, language activist, former professional basketball player, and educator. She is enrolled in the Gila River Indian Community and identifies as Akimel O'odham. She is currently an Associate Professor at Arizona State University.
Curtis Macdonald is a composer and saxophonist. He moved to New York City in 2003 and lives in Brooklyn. He is Faculty at The New School for Jazz.
Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.
