Chris Steele-Perkins

Last updated

Christopher Horace Steele-Perkins (born 28 July 1947) is a British photographer and member of Magnum Photos, best known for his depictions of Africa, Afghanistan, England, Northern Ireland, and Japan.

Contents

Life and career

Steele-Perkins was born in Rangoon, Burma, in 1947 to a British father and a Burmese mother; but his father left his mother and took the boy to England at the age of two. [1] He grew up in Burnham-on-Sea. [2] He went to Christ's Hospital and for one year studied chemistry at the University of York before leaving for a stay in Canada. Returning to Britain, he joined the University of Newcastle upon Tyne, where he served as photographer and picture editor for a student magazine. After graduating in psychology in 1970 he started to work as a freelance photographer, specializing in the theatre, while he also lectured in psychology.[ citation needed ]

By 1971, Steele-Perkins had moved to London and become a full-time photographer, with particular interest in urban issues, including poverty. He went to Bangladesh in 1973 to take photographs for relief organizations; [3] some of this work was exhibited in 1974 at the Camerawork Gallery (London). In 1973-74, he taught photography at the Stanhope Institute and the North East London Polytechnic. [3]

In 1975, Steele-Perkins joined the Exit Photography Group with the photographers Nicholas Battye and Paul Trevor, and there continued his examination of urban problems: Exit's earlier booklet Down Wapping [4] had led to a commission by the Calouste Gulbenkian Foundation to increase the scale of their work, and in six years they produced 30,000 photographs as well as many hours of taped interviews. [5] This led to the 1982 book, Survival Programmes. Steele-Perkins' work included depiction from 1975 to 1977 of street festivals, and prints from London Street Festivals were bought by the British Council and exhibited with Homer Sykes' Once a Year and Patrick Ward's Wish You Were Here; Steele-Perkins' depiction of Notting Hill has been described as being in the vein of Tony Ray-Jones. [6]

Steele-Perkins became an associate of the French agency Viva in 1976, and three years after this, he published his first book, The Teds, an examination of teddy boys that is now considered a classic of documentary and even fashion photography. [7] He curated photographs for the Arts Council collection, and co-edited a collection of these, About 70 Photographs.[ citation needed ]

In 1977, he made a brief detour into "conceptual" photography, working with the photographer Mark Edwards to collect images from the ends of rolls of 35mm film taken by themselves and others. (These were exposures taken immediately after loading a fresh film and without focusing or aiming, in order to wind along the fogged film leader and ensure that the film in position for the first wanted exposure was unfogged.) Forty were exhibited in "Film Ends". [8]

Work documenting poverty in Britain took Steele-Perkins to Belfast, which he found to be poorer than Glasgow, London, Middlesbrough, or Newcastle, as well as experiencing "a low-intensity war". [9]

Of his experiences in Northern Ireland, he was quoted as saying: "I intended to cover the situation from the standpoint of the underdog, the downtrodden: I was not neutral and was not interested in capturing it so… I began to see that my work in Northern Ireland had always been a celebration of the resilience and unyielding way that the Catholic community resisted." [10]

He stayed in the Catholic Lower Falls area, first squatting and then living in the flat of a man he met in Belfast. His photographs of Northern Ireland appeared in a 1981 book written by Wieland Giebel. Thirty years later, he returned to the area to find that its residents had new problems and fears; the later photographs appear within Magnum Ireland. [9] Both the earlier and the later photographs are collected in The Troubles (2021).

Steele-Perkins photographed wars and disasters in the Third World, leaving Viva in 1979 to join Magnum Photos as a nominee (on encouragement by Josef Koudelka), and becoming an associate member in 1981 and a full member in 1983. [11] He continued to work in Britain, taking photographs published as The Pleasure Principle, an examination (in colour) of life in Britain but also a reflection of himself. With Peter Marlow, he successfully pushed for the opening of a London office for Magnum; the proposal was approved in 1986. [12]

Steele-Perkins made four trips to Afghanistan in the 1990s, sometimes staying with the Taliban, the majority of whom "were just ordinary guys" who treated him courteously. [13] Together with James Nachtwey and others, he was also fired on, prompting him to reconsider his priorities: in addition to the danger of the front line:

. . . you never get good pictures out of it. I've yet to see a decent front-line war picture. All the strong stuff is a bit further back, where the emotions are. [14]

A book of his black and white images, Afghanistan, was published first in French, and later in English and in Japanese. The review in the Spectator read in part:

These astonishingly beautiful photographs are more moving than can be described; they hardly ever dwell on physical brutalities, but on the bleak rubble and desert of the country, punctuated by inexplicable moments of formal beauty, even pastoral bliss . . . the grandeur of the images comes from Steele-Perkins never neglecting the human, the individual face in the great crowd of history.

—  Philip Hensher [15]

The book and the travelling exhibition of photographs were also reviewed favorably in the Guardian, Observer, Library Journal, and London Evening Standard. [16]

Steele-Perkins served as the President of Magnum from 1995 to 1998. [17] One of the annual meetings over which he presided was that of 1996, to which Russell Miller was given unprecedented access as an outsider and which Miller has described in some detail. [18]

With his second wife the presenter and writer Miyako Yamada (山田美也子), whom he married in 1999, [19] Steele-Perkins has spent much time in Japan, publishing two books of photographs: Fuji, a collection of views and glimpses of the mountain inspired by Hokusai's Thirty-six Views of Mount Fuji ; and Tokyo Love Hello, scenes of life in the city. Between these two books he also published a personal visual diary of the year 2001, Echoes.

Work in South Korea included a contribution to a Hayward Gallery touring exhibition of photographs of contemporary slavery, "Documenting Disposable People", in which Steele-Perkins interviewed and made black-and-white photographs of Korean "comfort women". "Their eyes were really important to me: I wanted them to look at you, and for you to look at them", he wrote. "They're not going to be around that much longer, and it was important to give this show a history." [20] The photographs were published within Documenting Disposable People: Contemporary Global Slavery. [n 1]

Steele-Perkins returned to England for a project by the Side Gallery on Durham's closed coalfields (exhibited within "Coalfield Stories" [21] ); after this work ended, he stayed on to work on a depiction (in black and white) of life in the north-east of England, published as Northern Exposures. [22]

In 2008 Steele-Perkins won an Arts Council England grant for "Carers: The Hidden Face of Britain", a project to interview those caring for their relatives at home, and to photograph the relationships. [23] Some of this work has appeared in The Guardian, [24] and also in his book England, My England, a compilation of four decades of his photography that combines photographs taken for publication with much more personal work: he does not see himself as having a separate personality when at home. [25] "By turns gritty and evocative," wrote a reviewer in The Guardian, "it is a book one imagines that Orwell would have liked very much." [26]

Steele-Perkins has two sons, Cedric, born 16 November 1990, and Cameron, born 18 June 1992. With his marriage to Miyako Yamada he has a stepson, Daisuke and a granddaughter, Momoe.

Publications

Books by Chris Steele-Perkins, whether alone or in collaboration (flanked by irrelevant Pelicans); this copy of The Teds is the 2003 edition. Photobooks by Chris Steele-Perkins.jpg
Books by Chris Steele-Perkins, whether alone or in collaboration (flanked by irrelevant Pelicans); this copy of The Teds is the 2003 edition.

Photobooks by Steele-Perkins

Zines by Steele-Perkins

Other book contributions

  • Young British Photographers. London: Co-optic Photography, [1975]. Photographs by, among others, Valerie Wilmer, Brian Griffin, Paddy Summerfield, Homer Sykes, and Simon Marsden. Co-edited with Mark Edwards.
  • About 70 Photographs. London: Arts Council of Great Britain, 1980; ISBN   0-7287-0208-8 (paperback); ISBN   0-7287-0209-6 (hardback). Steele-Perkins and William Messer comment on about seventy photographs by other photographers.
  • La Grèce au présent, ed. Luce M. Albiges. Paris: Bibliothèque Publique d'Information, Centre Georges Pompidou, 1981. (in French) Exhibition catalogue, works by various photographers.
  • Das kurze Leben des Brian Stewart: Alltag im irischen Bürgerkrieg. West Berlin: Elefanten Press, 1981; ISBN   3-88520-051-1. Text by Wieland Giebel. Steele-Perkins contributes eighteen (18) photographs.
  • El Salvador: Work of Thirty Photographers, ed. Carolyn Forché et al. New York: Writers & Readers, 1982; ISBN   0-86316-064-6 (paperback); ISBN   0-86316-063-8.
  • Survival Programmes: in Britain's Inner Cities (with Nicholas Battye and Paul Trevor, as the Exit Photography Group). Milton Keynes: Open University Press, 1982; ISBN   0-335-10111-9.
  • Beirut: Frontline Story. London: Pluto Press; Trenton, N.J.: Africa World Press, 1983; ISBN   0-86104-397-9. Text by Selim Nassib and Caroline Tisdall, photographs by Steele-Perkins.
  • The Indelible Image: Photographs of War, 1846 to the Present, ed. Frances Fralin. New York: Abrams, 1985; ISBN   0-8109-1110-8. Catalogue of the exhibition at the Corcoran Gallery.
  • In Our Time: The World as Seen by Magnum Photographers. New York: Norton, 1989; ISBN   0-393-02767-8. London: André Deutsch, 1993; ISBN   0-233-98822-X. Text by William Manchester et al.
  • Way to Gods: Magunamu Foto: Kumano kodō, Santiago e no michi (WAY to GODS　マグナム フォト　熊野古道 サンティアゴへの道), ed. Nagasaka Yoshimitsu (永坂嘉光). Tokyo: Kawade Kobō Shinsha, 1999; ISBN   4-309-90293-6. (in Japanese) (Additional title on front cover: Ancient Kumano Roads and Roads to Santiago.) Contains photographs by Steele-Perkins of Kumano Kodō (pp. 103-120); as well as photographs of Kumano kodō by Elliott Erwitt and Peter Marlow, and of camino de Santiago by Marlow and Harry Gruyaert.
  • Magnum°. London: Phaidon, 2000; ISBN   0-7148-9065-0. (Also called Magnum Degrees.) Steele-Perkins edited this collection of work by Magnum photographers during the last decade or so of the twentieth century. His own photographs of Tiananmen Square, the effects of war in Somalia, Uganda and Afghanistan, and the work of Abdul Sattar Edhi are included.
  • Arms against Fury: Magnum Photographers in Afghanistan, ed. Robert Dannin. New York: PowerHouse, 2002; ISBN   1-57687-151-7; London: Thames & Hudson, 2002; ISBN   0-500-54263-5.
  • Magnum Football (distributed in the US as Magnum Soccer). London: Phaidon, 2002; ISBN   0-7148-4236-2. London: Phaidon, 2005; ISBN   0-7148-4521-3. With other Magnum photographers. Contains eight photographs by Steele-Perkins.
  • The Face of Human Rights, ed. Walter Kälin et al. Baden, Switzerland: Lars Müller, 2004; ISBN   3-03778-017-7. Steele-Perkins contributes ten or more photographs.
  • Magnum Stories, ed. Chris Boot. London: Phaidon, 2004; ISBN   0714842451. Steele-Perkins' story on famine in Somalia in August 1992 appears with an introduction by him on pp. 442-49.
  • Magnum Ireland, ed. Brigitte Lardinois and Val Williams. New York: Thames & Hudson, 2005; ISBN   0-500-54303-8. With other Magnum photographers. Steele-Perkins' 1978 photographs of West Belfast are on pp. 116-23; his photographs of the Milltown Cemetery attack (West Belfast, 1988) are on pp. 160-63.
  • Euro visions: Chypre, Estonie, Hongrie, Lettonie, Lituanie, Malte, Pologne, République Tchèque, Slovaquie, Slovenie par dix photographes de Magnum. Paris: Magnum, 2005; ISBN   2-84426-293-7.
    • Magnum Photos: Euro Visions, the New Europeans by Ten Magnum Photographers. Göttingen: Steidl, 2006; ISBN   3-86521-223-9. English translation. Steele-Perkins' photographs of Slovakia appear on pp. 152-61, with one page for each of ten themes; an interview with him precedes the photographs. [n 8]
  • United Opus, ed. Justyn Barnes. London: Kraken Opus, 2006; ISBN   1-905794-03-7, ISBN   1-905794-00-2. With other photographers and writers. A book about Manchester United F.C. [29]
  • How We Are: Photographing Britain from the 1840s to the Present, ed. Val Williams and Susan Bright. London: Tate Publishing, 2007; ISBN   978-1-85437-714-2.
  • Magunamu ga totta Tōkyō (マグナムが撮った東京) / Tokyo Seen by Magnum Photographers. Tokyo: Magnum Photos Tokyo, 2007.
  • Magnum Magnum: with 413 photographs in colour and duotone, ed. Brigitte Lardinois. London: Thames & Hudson, 2007; ISBN   978-0-500-54342-9. London: Thames & Hudson, 2008; ISBN   0-500-54366-6 (in English) pp. 144-49 is a selection of Steele-Perkins' photographs by Bruno Barbey; elsewhere, he presents a selection of photographs taken by Alex Webb.
  • Ces images qui nous racontent le monde, ed. Éric Godeau. Paris: Albin Michel, 2007; ISBN   2-226-15219-9 (in French). With other Magnum photographers.
  • Darfur: Twenty Years of War and Genocide in Sudan, ed. Leora Kahn. New York: PowerHouse, 2007; ISBN   1-57687-385-4 (hard). New York: PowerHouse, 2008; ISBN   1-57687-415-X (paper). Photographs taken by Steele-Perkins in 1991 and by seven others.
  • Documenting Disposable People: Contemporary Global Slavery. London: Hayward Publishing, 2008; ISBN   978-1-85332-264-8. The book of the exhibition.
  • Korea: As Seen by Magnum Photographers. New York: Norton, 2009; ISBN   978-0-393-06774-3. Steele-Perkins was one of twenty photographers who combined to photograph South Korea from 2006 to 2007.
  • Chris Steele-Perkins Issue 44 (October 2019) of Magnum La Storia Le Immagini ( ISSN   2532-733X). Milan: Hachette Fascicoli. With texts by Rosa Carnevale and David Clark.

CD-ROMs

Archives

Films

Exhibitions

Solo

Group or shared

As co-curator

Collections

Awards

Notes

  1. ↑ For bibliographic detail see the list of publications. Samples can be seen in Chris Steele-Perkins, "Comfort Women", The Drawbridge, no. 13 (Summer 2009). Retrieved 13 January 2010.
  2. ↑ ""Afghanistan", The New Yorker, 1 October 2001. Retrieved 15 March 2009.
  3. ↑ Dewi Lewis's page about A Place in the Country is here.
  4. ↑ Website about the book and related exhibitions. Dewi Lewis's page about The New Londoners is here.
  5. ↑ Bluecoat Press's page about The Troubles is here.
  6. ↑ Café Royal Books' page about Wolverhampton 1978 is here.
  7. ↑ Café Royal Books' page about Brixton 1973–1975 is here.
  8. ↑ For comments on Steele-Perkins' work, see John Petrenko, "Chris Steele-Perkins", John Petrenko Photography and Art Blog, 2 November 2009. Retrieved 21 January 2010.

Related Research Articles

<span class="mw-page-title-main">Martin Parr</span> British photographer

Martin Parr is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.

<span class="mw-page-title-main">Marc Riboud</span> French photographer

Marc Riboud was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China.

David Goldblatt HonFRPS was a South African photographer noted for his portrayal of South Africa during the period of apartheid. After apartheid had ended he concentrated more on the country's landscapes. What differentiates Goldblatt's body of work from those of other anti-apartheid artists is that he photographed issues that went beyond the violent events of apartheid and reflected the conditions that led up to them. His forms of protest have a subtlety that traditional documentary photographs may lack: "[M]y dispassion was an attitude in which I tried to avoid easy judgments. . . . This resulted in a photography that appeared to be disengaged and apolitical, but which was in fact the opposite." He has numerous publications to his name.

Yutaka Takanashi is a Japanese photographer who has photographed fashion, urban design, and city life, and is best known for his depiction of Tokyo.

Christopher David Killip was a Manx photographer who worked at Harvard University from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is known for his black and white images of people and places especially of Tyneside during the 1980s.

<span class="mw-page-title-main">Tim Hetherington</span> British photojournalist

Timothy Alistair Telemachus Hetherington was a British photojournalist. He produced books, films and other work that "ranged from multi-screen installations, to fly-poster exhibitions, to handheld device downloads" and was a regular contributor to Vanity Fair.

Graham Smith is a photographer from Middlesbrough, England, who was particularly active in photographing Middlesbrough and the north-east of England in the 1970s and 1980s. Smith curtailed his career as a photographer in 1990, since when he has been a professional woodworker.

Bruce Gilden is an American street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow. Gilden has been a member of Magnum Photos since 1998. He was born in Brooklyn, New York.

<span class="mw-page-title-main">Markéta Luskačová</span> Czech photographer

Markéta Luskačová is a Czech photographer known for her series of photographs taken in Slovakia, Britain and elsewhere. Considered one of the best Czech social photographers to date, since the 1990s she has photographed children in the Czech Republic, Slovakia, and also Poland.

Trent Parke is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections. He is a member of Magnum Photos.

Nikos Economopoulos is a Greek photographer known for his photography of the Balkans and of Greece in particular.

<span class="mw-page-title-main">Sirkka-Liisa Konttinen</span> Finnish/British photographer

Sirkka-Liisa Konttinen is a Finnish photographer who has worked in Britain since the 1960s. Her work is held in the collections of the Museum of Fine Arts, Houston, National Gallery of Art, Washington, D.C., Tate and the UK Memory of the World Register.

Homer Warwick Sykes is a Canadian-born British documentary photographer whose career has included personal projects and landscape photography.

Dorothy Bohm was a German-born British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris; she is considered one of the doyennes of British photography.

<span class="mw-page-title-main">Peter Marlow (photographer)</span> British photographer

Peter Marlow was a British photographer and photojournalist, and member of Magnum Photos.

Mikiko Hara, born in Toyama in 1967, is a Japanese photographer.

<span class="mw-page-title-main">Christopher Anderson (photographer)</span> American photographer

Christopher Anderson is an American photographer. He is a member of Magnum Photos.

Café Royal Books is an independent publisher of photography photobooks or zines, run by Craig Atkinson and based in Ainsdale, Southport, England. Café Royal Books produces small-run publications predominantly documenting social and cultural change, Including themes of youth, leisure, music, protest, race, religion, industry, identity, architecture and fashion, often in Britain and Ireland, using both new work and photographs from archives. Café Royal Books has been operating since 2005 and has so far published over 950 books and zines.

Peter van Agtmael is a documentary photographer based in New York. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He is a member of Magnum Photos.

Matt Stuart (1974) is a British street photographer. He was a member of the In-Public street photography collective. Stuart also works as an advertising photographer.

References

  1. ↑ Unless otherwise noted, biographical information comes from the profile of Steele-Perkins in Contemporary Authors vol. 211 (Farmington Hills, Mich.: Gale, 2003; ISBN   0-7876-6635-1), pp. 378-81.
  2. ↑ "The Teds are back in town – as Chris Steele-Perkins' photographs go on show". TheGuardian.com . 10 October 2016.
  3. 1 2 William Manchester et al., In Our Time: The World as Seen by Magnum Photographers (New York: Norton, 1989; ISBN   0-393-02767-8), p. 453.
  4. ↑ The booklet states that "Exit is a collective of four photographers: Nicholas Battye, Diane 'Hank' Olson, Alex Slotzkin and Paul Trevor"
  5. 1 2 "Tales of Survival" [ permanent dead link ], British Journal of Photography, 10 January 2007. Retrieved 23 March 2009.
  6. ↑ David Alan Mellor, No Such Thing as Society: Photography in Britain 1967–1987: From the British Council and the Arts Council Collection (London: Hayward Publishing, 2007; ISBN   978-1-85332-265-5), p. 52. Mellor talks of the "international touring exhibition England at Play; this may have been an alternative English title for Il Regno Unito si diverte and it is the subtitle of Ward's book, Wish You Were Here.
  7. ↑ Documentary: Page about The Teds, Magnum Photos. Retrieved 23 March 2009. Fashion: Max Décharné, "Max Décharné's top 10 London fashion books", The Guardian, 22 November 2005. Retrieved 15 March 2009.
  8. 1 2 3 4 5 6 7 Profile in Contemporary Authors vol. 211.
  9. 1 2 "War and Peace: Life in Belfast after the Troubles", Times (London), 12 July 2008. Retrieved 12 March 2010.
  10. ↑ "The Troubles in Northern Ireland, 1978 Through the Lens of Chris Steel-Perkins".
  11. ↑ Russell Miller, Magnum: Fifty Years at the Front Line of History (New York: Grove, 1998; ISBN   0-8021-3653-2), p. 268.
  12. ↑ Miller, Magnum, pp. 268-70.
  13. ↑ "Witness: The Taliban are seen as extremists, but photographer Chris Steele-Perkins has captured their humanity", Scotland on Sunday, 23 September 2001; quoted in the Contemporary Authors vol. 211 profile of Steele-Perkins.
  14. ↑ Quoted by Miller, Magnum, p.304.
  15. ↑ Philip Hensher, The Spectator, 19 May 2001; quoted in the Contemporary Authors vol. 211 profile.
  16. ↑ Review of Afghanistan by John F. Riddick in the Library Journal, December 2001; Nick Redman, "9 to 5, Afghan Style," Evening Standard, 6 April 2001; Jonathan Jones, "The Guide Thursday: Exhibitions: Chris Steele-Perkins", The Guardian, 17 August 2000. Each of the three is quoted in the Contemporary Authors vol. 211 profile. Review by Jason Burke, The Observer, 13 May 2001.
  17. ↑ "Chris Steele-Perkins", Magnum Photos (London: Thames & Hudson, 2008; ISBN   0-500-41094-1), unpaginated (opp. pl. 65).
  18. ↑ Miller, Magnum, pp. vii–viii, 3–15.
  19. ↑ "Kyapa-shō kameraman ga shuzai Archived 5 August 2012 at archive.today ", Hibakusha ga egaita genbaku no e o machikado ni kaesu kai, n.d. (in Japanese) Biography for the 2009 Prix Pictet shortlist. Both accessed 6 January 2010.
  20. ↑ Quoted in Farah Nayeri, "'Comfort Women', exploited maids show slavery's face in photos", Bloomberg News, 8 October 2008. Retrieved 11 January 2010.
  21. ↑ Exhibition notice Archived 7 July 2011 at the Wayback Machine , Side Gallery. Retrieved 19 March 2009.
  22. ↑ Chris Steele-Perkins, foreword to Northern Exposures.
  23. ↑ "Grants for the Arts: December 2008 Awards Archived 10 December 2009 at the Wayback Machine " (PDF file), Arts Council England. Retrieved 13 January 2010.
  24. ↑ Chris Steele-Perkins, "The Hidden Face of Caring", The Guardian, 14 November 2009. Retrieved 13 January 2010.
  25. ↑ Gemma Padley, "Being English: Chris Steele-Perkins, Magnum Photographer", Amateur Photographer, 19–26 December 2009, pp. 25–30. An interview with Steele-Perkins primarily about the book England, My England.
  26. ↑ Sean O'Hagan, "Something old, something new: The year's best photography books", The Guardian, 28 December 2009. Retrieved 12 January 2010.
  27. ↑ Phil Coomes, "Mixing personal and professional", Viewfinder, BBC News, 10 November 2009. Retrieved 21 January 2010.
  28. ↑ "Oldest person in Devon features in new book" Archived 22 July 2012 at the Wayback Machine , Western Morning News, 21 July 2012. Retrieved 11 August 2012.
  29. ↑ Andrew Baker, "Sportsbooks: Don't spill your coffee on United", The Daily Telegraph, 30 November 2006. Retrieved 21 January 2010.
  30. ↑ Description of the film Archived 21 November 2008 at the Wayback Machine , Film Society of Lincoln Center, 2007. Retrieved 28 March 2009.
  31. 1 2 3 4 5 6 7 8 9 10 11 12 "Chris Steele-Perkins", author page at Northumbria University website. Retrieved 16 March 2009.
  32. ↑ "Art Exhibitions", New York, 13 May 1991. (At Google Books.) Accessed 27 March 2009.
  33. ↑ List of 1992 exhibitions Archived 3 March 2016 at the Wayback Machine , Visa pour l'image. Retrieved 23 March 2009.
  34. ↑ List of exhibitions in 1999, PGI. Retrieved 23 March 2009.
  35. ↑ List of 1999 exhibitions Archived 15 June 2009 at the Wayback Machine , Visa pour l'image. Retrieved 23 March 2009.
  36. ↑ Exhibition notice, Side Gallery. Archived by the Wayback Machine on 3 March 2016.
  37. ↑ Preview/interview, BBC News Online, 7 August 2000. Retrieved 4 April 2009.
  38. ↑ "Art Highlights 2002", The Guardian. Retrieved 18 March 2009.
  39. ↑ Crefft issue 102 Archived 10 October 2006 at the Wayback Machine (May 2002). Retrieved 9 March 2009.
  40. ↑ Short review, York Evening Press, 16 August 2002. Retrieved 18 March 2009.
  41. ↑ List of past exhibitions Archived 3 May 2009 at the Wayback Machine , Magnum Photos Japan. Retrieved 17 March 2009.
  42. ↑ Short review in the New York Times. Accessed 17 March 2009.
  43. ↑ Exhibition notice Archived 28 March 2008 at the Wayback Machine , Stephen Daiter Gallery. Retrieved 17 March 2009.
  44. ↑ Exhibition announcement Archived 6 October 2011 at the Wayback Machine , Magnum Photos Japan. Retrieved 17 March 2009. News release, Nihon Hewlett-Packard, 27 July 2005. (in Japanese) Accessed 2010-02-09.
  45. ↑ Exhibition notice, Side Gallery. Retrieved 17 March 2009.
  46. ↑ Exhibition announcement, Host Gallery. Retrieved 25 March 2009.
  47. ↑ Exhibition preview at Culture 24. Retrieved 4 April 2009.
  48. ↑ "Aosta, Mountain Photo Festival [ permanent dead link ]", Regione Autonoma Valle d'Aosta. Retrieved 25 March 2009.
  49. ↑ "Chris Steele-Perkins: England My England Archived 21 June 2010 at the Wayback Machine ", Kings Place Gallery. Pascal Wyse, "Photographer Chris Steele-Perkins's view of England" (slideshow narrated by Steele-Perkins), The Guardian, 30 June 2010. Lillian He, "Review: Art at Kings Place - Sally Soames and Chris Steele-Perkins", Londonist, 29 June 2010. All accessed 2010-07-01.
  50. ↑ Exhibition notice Archived 11 January 2012 at the Wayback Machine , Third Floor Gallery. Joni Karanka, "For Love of the Game Archived 7 July 2011 at the Wayback Machine ", artcardiff.com, 2 June 2010. Both accessed 2010-07-01.
  51. ↑ "Galleries Inc at Central Square North – Chris Steele-Perkins: Northern Exposures", NewcastleGateshead. Robert Clark, "Chris Steele-Perkins, Newcastle upon Tyne"; in "This week's new exhibitions", The Guardian, 15 January 2011. Both accessed 15 January 2011.
  52. ↑ Exhibition notice, Open Eye Gallery. Retrieved 1 November 2011.
  53. ↑ Alan Sykes, "Portrait photographs of the 100-up club", The Guardian, 18 October 2012. Retrieved 21 January 2013.
  54. ↑ "Exhibition record". Archived from the original on 12 May 2006. Retrieved 8 May 2010., British Council. Retrieved 11 January 2010. This does not specify the place(s) of exhibition, but the OPAC of the libraries of the Province of Prato lists a publication titled Il Regno Unito si diverte that specifies Milan. Retrieved 2009-03-28.
  55. 1 2 "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010. Retrieved 2 May 2010.
  56. ↑ Press release for a second exhibition in 2005 Archived 4 July 2009 at the Wayback Machine (PDF file, 625 kB), ICP.
  57. ↑ Derek Bishton, "New image for the image-makers", Electronic Telegraph (Daily Telegraph), 15 December 1999. Retrieved 21 January 2010.
  58. ↑ Exhibition notice Archived 20 February 2010 at the Wayback Machine , Staley-Wise Gallery. Retrieved 30 March 2009.
  59. ↑ "Chris Steele-Perkins / Dettaglio evento Archived 24 July 2011 at the Wayback Machine ", Artkey. (in Italian) Accessed 11 January 2010.
  60. ↑ Exhibition notice, Rhubarb Exhibitions. Retrieved 30 March 2009.
  61. ↑ List of exhibitions by Chris Steele-Perkins, photography-now.com. Retrieved 29 March 2009.
  62. ↑ Exhibition notice, The Guardian. Retrieved 29 March 2009.
  63. ↑ Brochure about photography exhibitions by Fnac across Italy, website of the Commune of Verona. List of exhibitions by Chris Steele-Perkins, photography-now.com. Both accessed 29 March 2009.
  64. ↑ Press release [ permanent dead link ] (PDF file), Houston Museum of Natural Science, 2006. Retrieved 27 March 2009.
  65. ↑ Exhibition notice, the Photographers' Gallery. Retrieved 7 January 2010.
  66. ↑ Exhibition notice, Centre Georges Pompidou. Retrieved 26 March 2009.
  67. ↑ List of exhibitions at Ujazdów Castle Archived 9 January 2009 at the Wayback Machine , photography-now.com. Retrieved 27 March 2009.
  68. ↑ Press release Archived 4 July 2009 at the Wayback Machine (PDF file, 625 kB), ICP. List of exhibitions by Chris Steele-Perkins, photography-now.com. Both accessed 29 March 2009.
  69. ↑ Exhibition notice, Royal Museums of Fine Arts of Belgium. Retrieved 27 March 2009.
  70. ↑ Exhibition leaflet Archived 12 June 2011 at the Wayback Machine (PDF file), SeaBritain 2005. Retrieved 26 March 2009. Serena Davies, "Viewfinder: Serena Davies discusses Surfers by Chris Steele-Perkins", The Daily Telegraph, 26 March 2005. Retrieved 2010-01-21.
  71. ↑ "I Shot Norman Foster Archived 5 December 2008 at the Wayback Machine ", the Architecture Foundation exhibition notice. Retrieved 26 March 2009.
  72. ↑ Simon Bainbridge, "Shooting Norman Foster [ permanent dead link ]", British Journal of Photography, 23 November 2005. Retrieved 5 February 2010.
  73. 1 2 "After Image: Social Documentary Photography in the 20th century Archived 16 March 2011 at the Wayback Machine ", NGV News, 11 October 2006. Retrieved 2009-03-28.
  74. ↑ Stuart Franklin, "Tokyo in Passing Archived 26 April 2009 at the Wayback Machine ", Magnum Photos, 15 March 2007. Retrieved 26 March 2009. Also exhibition notice (in Japanese), Tokyo Metropolitan Museum of Photography. Retrieved 2009-03-27.
  75. ↑ Exhibition notice (PDF file), jolonghurst.com. Retrieved 21 January 2010.
  76. ↑ Press release Archived 17 July 2008 at the Wayback Machine for the exhibition, British Council. Retrieved 27 March 2009.
  77. ↑ Press release, Holocaust Museum Houston. Retrieved 20 January 2010.
  78. ↑ Exhibition notice, Holocaust Museum Houston. Retrieved 20 January 2010.
  79. ↑ Exhibition notice Archived 3 September 2009 at the Wayback Machine , Magnum Photos. Retrieved 8 January 2010.
  80. ↑ Exhibition notice, Southbank Centre. Retrieved 11 January 2010.
  81. ↑ Simon Bainbridge, "Brits Abroad Archived 24 October 2010 at the Wayback Machine ", British Journal of Photography, 13 August 2010. "British Documentary Photography", Photomonth Kraków. Both accessed 25 February 2011.
  82. ↑ Sean O'Hagan, "Mass Photography: Blackpool Through the Camera", The Guardian, 31 July 2011. "6/08/2011 — 5/11/2011: Mass Photography: Blackpool through the camera", Grundy Art Gallery. Both accessed 31 July 2011.
  83. ↑ Exhibition notice, Shizuoka City Tokaido Hiroshige Museum of Art. (in Japanese) Accessed 6 November 2013.
  84. ↑ Exhibition notice, Shift. Retrieved 6 November 2013.
  85. ↑ Manchester et al., In Our Time, p.453. The Contemporary Authors vol. 211 profile says Steele-Perkins "was part of" this show but does not specify his role.
  86. 1 2 "Survival Programmes: Exit Photography Group" (reference code GB 0097 SURVIVAL) at AIM25. Retrieved 17 March 2009.
  87. ↑ Catalogue search results, V&A website. Retrieved 7 January 2010
  88. ↑ Olivier Laurent, "Tate doubles its photography collection after donation Archived 4 July 2012 at the Wayback Machine ", British Journal of Photography, 2 May 2012. Retrieved 1 July 2012.
  89. ↑ Chris Steele-Perkins within the NPG database. Retrieved 6 March 2009.
  90. 1 2 Biography for the 2009 Prix Pictet shortlist. Retrieved 6 January 2010.
  91. ↑ "La collection photographique de la Fnac : Images entre histoire et poésie Archived 30 November 2006 at the Wayback Machine ", exhibition notice for la Conciergerie, photographie.com, 2004. (in French) Accessed 23 March 2009.
  92. ↑ "World press photo 1988", Zoom 80 (May 1988): 36–42. Abstract here in ProQuest.
  93. ↑ "1987, Christopher Steele-Perkins, Individual awards, Oskar Barnack Award", World Press Photo. Retrieved 22 May 2014.
  94. ↑ Manchester et al., In Our Time, p.453.
  95. 1 2 "The Coast Exposed: Photographers Archived 17 February 2009 at the Wayback Machine ". National Maritime Museum. Retrieved 15 March 2009.
  96. ↑ Biography of Steele-Perkins at Amber Online. Retrieved 28 March 2009.
  97. ↑ "Daniel Meadows awarded RPS Fellowship", Cardiff School of Journalism, Media, and Cultural Studies, 22 September 2008. Retrieved 28 March 2009.
  98. ↑ "Chris Steele-Perkins: Mount Fuji", Prix Pictet. Retrieved 1 June 2014.
  99. ↑ "Honorary Fellowships (HonFRPS)". Royal Photographic Society. Archived from the original on 27 January 2017. Retrieved 8 March 2017.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.