Christ Bearing the Cross

Last updated
Christ Bearing the Cross
Greek: Ο Χριστός Φέρων τον Σταυρό,
Italian: Cristo Portacroce
Christ Bearing the Cross MET DP215890.jpg
Artist Nikolaos Tzafouris
Yearc. 1487–1501
MediumTempera on wood
Movement Cretan School
SubjectChrist bearing the Cross
Dimensions69.2 cm× 54.6 cm(27.25 in× 21,5 in)
LocationMetropolitan Museum of Art, New York
OwnerBashford Dean Memorial Collection
Website Christ Bearing the Cross

Christ Bearing the Cross is a painting in tempera attributed to the Greek painter Nikolaos Tzafouris. Tzafouris is considered one of the founding members of the Cretan School along with Andreas Ritzos, Andreas Pavias, and Angelos Akotantos. He was influenced by Angelos Akotantos. According to the Institute of Neohellenic Research, thirteen paintings are attributed to Tzafouris. Active between 1480 and 1501, Tzafouris had a workshop in Heraklion, where he painted religious themes for local churches. His most notable works are the Madre della Consolazione and Christ Bearing the Cross.

Contents

The painting is a mixture of Italian and Greek Byzantine prototypes; it follows the traditional maniera greca and was influenced by Venetian painting. Christ Bearing the Cross is in the Metropolitan Museum of Art in New York. [1] [2] [3]

Description

The work is painted in egg tempera with gold leaf on wood with dimensions of 69.2 cm (27.25 in) x 54.6 cm (21.5 in). The icon was finished towards the end of the 15th century. Christ is shown carrying a cross. The scene is the traditional Golgotha portion of the Crucifixion sequence. The soldiers on the right are dressed in armor modeled after Venetian attire, while the soldiers on the left of the painting wear Byzantine- or Cretan-styled armor.

The soldiers' attire is painted in exquisite detail. The Italian Renaissance painting style closely resembles the sfumato technique. The artist is trying to escape the typical flattened surface prevalent within the Byzantine-influenced maniera greca. Tzafouris attempts to create the illusion of a foreground and a background. The gilded background further accentuates the figures and landscape. The geometric shape of the mountain is reminiscent of Michael Damaskinos's Adoration of the Kings . The painting features Latin and Greek inscriptions. There are five icons signed by the author that survived; Christ Bearing the Cross is one of them. [4]

Damaskinos's Adoration of the Kings Michael Damaskenos Adoration of the Kings.png
Damaskinos's Adoration of the Kings

Related Research Articles

<span class="mw-page-title-main">Heptanese school (painting)</span> School of painting

The Heptanese school of painting succeeded the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world.

<span class="mw-page-title-main">Angelos Akotantos</span> Greek painter and educator

Angelos Akotantos was a Greek painter, educator, and protopsaltis. He painted icons in the maniera greca, at a time when that style was moving away from the traditions of the Byzantine Empire and towards the more refined aesthetic of the Cretan School. Akotantos taught painting to Andreas Pavias, Andreas Ritzos, and Antonios Papadopoulos, and his style influenced later artists such as Georgios Klontzas, Theophanes the Cretan, Michael Damaskinos and El Greco. Angelos's brother Ioannis was also a famous painter. There are 50 extant paintings reliably attributed to Akotantos, 30 of which bear his signature.

<span class="mw-page-title-main">Andreas Ritzos</span> Greek icon painter

Andreas Ritzos also known as (Andreas Rico, Ricio or Rizo) was a Greek icon painter from Crete. Ritzos is considered one of the founding fathers of the Cretan School. He was affiliated with Angelos Akotantos. Most of his work stylistically follows the traditional maniera greca. His children, grandchildren, and great-grandchildren were also painters. He was one of the most influential painters of the Cretan School along with Andreas Pavias and Angelos Akotantos. He influenced the works of Georgios Klontzas, Nikolaos Tzafouris, Theophanes the Cretan, Michael Damaskinos and El Greco. According to the Institute for Neohellenic Research, sixty of his paintings have survived.

<span class="mw-page-title-main">Nikolaos Tzafouris</span> Greek Renaissance painter

Nikolaos Tzafouris, also Niccolo, Niccolò, Niccolö, Zafuri, Zafuris, was a Greek Renaissance painter. He was one of the founders of the Cretan School. He was influenced by Angelos Akotantos. His works influenced Emmanuel Tzanes, Elias Moskos, Georgios Klontzas and Theodoros Poulakis. Tzafouris was one of the most respected artists in Crete. His most notable work is Madre della Consolazione. The painting exhibits a combination of Byzantine and Italian styles. Another notable painter in Crete around the same time was Andreas Pavias. According to the Institute of Neohellenic Research, thirteen paintings are attributed to Tzafouris.

<span class="mw-page-title-main">Andreas Pavias</span> Greek painter and educator

Andreas Pavias was a Greek painter and educator, one of the founding fathers of the Cretan School. His works could be found in churches and private collections throughout Italy and Greece, where they influenced countless artists. Seven of these paintings survive today, six bearing Pavias's signature. The most famous of the group is a Crucifixion.

<i>Madre della Consolazione</i> Painting by Nikolaos Tzafouris

Madre della Consolazione is a tempera painting created by Greek painter Nikolaos Tzafouris. Tzafouris was active during the second half of the 15th century. He was a prominent member of the Cretan School. He was influenced by Angelos Akotantos. The painter was exposed to works of Giovanni Bellini. At some point, he traveled to Venice and studied painting in the city. He is considered one of the most important painters because he introduced two prototypes that were mass produced by Cretan workshops. The painter is attributed with starting the specific style on the island of Crete. Most historians refer to the style as the Italian style Madonna in comparison to its Greek counterparts. Madre della Consolazione is very important because it served as a prototype for workshops on the island and it was heavily copied. Famous Greek painter Nikolaos Gripiotis and his contemporaries mass-produced the prototype. It is very difficult to attribute unsigned works because the prototype was mass-produced.

<span class="mw-page-title-main">Ioannis Apakas</span> Greek painter and priest

Ιoannis Apakas, also known as Johann Apakass was a Greek painter and priest. He was active in the latter part of the 16th century to the early 17th century. He was popular artist during his time.

<span class="mw-page-title-main">Emmanuel Lambardos</span> Cretan painter

Emmanuel Lampardos, also known as Emmanouil Lampardos and Manolitzis. He was a Cretan Renaissance painter. Emmanuel and his nephew Emmanuel Lampardos have been very difficult to distinguish because they were active painters around the same period. Countless Greek and Italian artists emulated the famous painters. The name Lampardos was very notable in reference to Cretan art. The family was affiliated with famous painters Franghias Kavertzas and Tzortzi Papadopoulo. Lampardos emulated Georgios Klontzas, Michael Damaskinos, Angelos Akotantos, Andreas Pavias, Andreas Ritzos and Nikolaos Tzafouris. His style was the typical maniera greca with a strong Venetian influence. Countless images of the virgin and child have survived. Lampardos influenced Franghias Kavertzas, Emmanuel Tzanes, Philotheos Skoufos Elias Moskos, Leos Moskos, Ioannis Moskos and Emmanuel Tzanfournaris. Over fifty-six icons have been attributed to Lampardos.

<span class="mw-page-title-main">Nikolaos Kallergis</span> Greek painter

Nikolaos Kallergis, also known as Kalergis. He was a Greek painter during the Greek Rococo and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. His art also exhibited Venetian influence. Painters of the maniera greca began to refine their art. Philotheos Skoufos, Elias Moskos, and Theodore Poulakis were all active painters on the Ionian Islands prior to Kallergis. They set the stage for the transition to the Heptanese School. Panagiotis Doxaras is the forefather of the new painting style. He was the father of Greek Rococo and the Modern Greek Enlightenment in painting. Kallergis became an active member of the school. Kallergis also represents the Greek Rococo. His art began to exhibit qualities of Greek and Italian Neoclassicism. His style influenced countless painters. Examples include Nikolaos Kantounis, Nikolaos Koutouzis, Nikolaos Doxaras, Spiridione Roma, and Eustathios Karousos. His most famous work is Christ and Angel it is at the Zakynthos Museum.

<span class="mw-page-title-main">Antonios Papadopoulos (painter)</span> Greek painter of the Cretan Renaissance

Antonios Papadopoulos was a Greek painter who represented the Cretan Renaissance. Papadopoulos, Andreas Pavias, Andreas Ritzos, and Nikolaos Tzafouris were all students of famous painter Angelos Akotantos. Papadopoulos reflects the sophistication and evolution of Byzantine painting to a more refined Venetian style. Although Cretan painting continued the tradition of the maniera greca, every icon reflected its own sophistication and uniqueness. Papadopoulos and his contemporaries influenced countless artists, namely Emmanuel Lambardos, Emmanuel Tzanfournaris, Thomas Bathas, and Markos Bathas. His most notable artwork is the Nursing Madonna or Galaktotrophousa. El Greco painted similar subject matter.

<span class="mw-page-title-main">Nikolaos Ritzos</span> Greek painter (1440–1507)

Nicholas Ritzos also known as Rizo and Ricio). He was a Greek Renaissance painter. His father was famous painter Andreas Ritzos. His brother was painter Thomas Ritzos. His son was painter Manea Ritzos. Nicholas and his father Andreas Ritzos are the forefathers of the Cretan School of painting. They influenced countless artists both Greek and Italian. There painting style was the typical Venetian influenced maniera greca in Crete. The island transitioned from the classical Byzantine painting to a more refined style. His contemporaries were Andreas Pavias, Nikolaos Tzafouris, and Angelos Akotantos. They influenced painters such as Michael Damaskinos, Petros Lambardos, and Emmanuel Lambardos. Nine of his works have survived.

<span class="mw-page-title-main">Nikolaos Lampoudis</span> Greek painter

Nikolaos Lampoudis was a 15th Century Greek painter from Sparta. The only work of his of which historians are aware is an icon of the Virgin and Child of a kind known as a hodegetria or eleusa.

<i>The Virgin Eleousa</i> Painting by Angelos Akotantos

The Virgin Eleousa is a tempera painting attributed to Angelos Akotantos. Angelos Akotantos was a Greek painter active on the island of Crete during the first half of the 15th century. He is considered one of the founding members of the Cretan School along with Andreas Pavias, Andreas Ritzos, and Nikolaos Tzafouris. Over fifty paintings are attributed to Angelos Akotantos. His works served as a prototype for Greek paintings for over five hundred years. Angelos Akotantos was active in Heraklion. He was very wealthy. Much of the information about his life was drawn from a will written in 1436. Historians consider him to have been active between 1425 and 1457. Angelos Akotantos completed many icons of the Virgin and Child in the Eleousa position.

<i>Saint Anne with the Virgin</i> Painting by Angelos Akotantos

Saint Anne with the Virgin is a tempera painting attributed to the Greek painter Angelos Akotantos. Angelos Akotantos is one of the founding members of the Cretan School along with Andreas Ritzos, Andreas Pavias, and Nikolaos Tzafouris. Angelos Akotantos was active during the first half of the 15th century. According to the Institute of Neohellenic Research, fifty paintings are attributed to Angelos Akotantos.

<i>Stoning of Stephen</i> (Damaskinos) Painting by Michael Damaskinos

The Stoning of Saint Stephen is an egg tempera and gold leaf painting created by Greek master Michael Damaskinos. He was a member of the Cretan school. He integrated Venetian painting with the Greek mannerisms prevalent at the time. Damaskinos was active in Heraklion, Sicily, Venice, and other parts of Italy. The Stoning of Stephen has been depicted by countless Greek and Italian painters. Saint Stephen was a protomartyr. He was the first martyr of Christianity. He was stoned to death for following the new faith. The painting is a depiction of that event.

<i>Christ the Vine</i> (Moskos) Painting by Leos Moskos

Christ the Vine, also known as the Tree of Christ, is a tempera painting by Leos Moskos. Moskos was active from 1620 to 1690. Twenty of his works have survived. He was originally from Rethimno, Crete. He traveled all over the Venetian empire. He worked on the Ionian islands of Cephalonia and Zakynthos. He also worked in Venice. Two other painters with the same last name were active during the same period. They were Elias Moskos and Ioannis Moskos. All three artists painted in the same style. Leos was in Venice around the same period as Ioannis. There is strong evidence that the three were related. Famous Greek painter and historian Panagiotis Doxaras was Leo’s student.

<i>Christ Enthroned</i> (Moskos) Painting by Elias Moskos

Christ Enthroned is a tempera painting by Elias Moskos, a representative of the Late Cretan School. The artist was also associated with the Heptanese School due to his migration to Zakinthos and the transition of his painting style. Moskos also taught painting. Most of his students became church committee members. Church committees were responsible for commissioning paintings. He was active from 1645 to 1687 on the islands of Crete, Zakynthos, and Kefalonia. Fifty-two of his works survived, over half of them were signed. Two other painters named Moskos were active during the same period Ioannis Moskos and Leos Moskos.

<i>Lady the Lambovitissa</i> Painting by Emmanuel Tzanes

Lady the Lambovitissa is a tempera painting by Emmanuel Tzanes. Tzanes was a Greek painter active from 1625 to 1690. His artistic periods can be broken into three parts. The Cretan Period (1625-1647), The Corfu Period (1647-1655), and the Venetian Period (1655-1690). He was a prominent member of the Late Cretan School. His art was heavily influenced by Greek painter Michael Damaskinos. His brothers Marinos Tzanes and Konstantinos Tzanes were both painters. Tzanes has a massive art collection attributed to him nearing over one hundred thirty works. During the Corfu Period (1647-1655), Konstantinos Tzanes and Emmanuel were heavily active. They painted many works on the island.

<i>Jesus Hominum Salvator</i> (Ritzos) Painting by Andreas Ritzos

Jesus Hominum Salvator is a tempera painting by Andreas Ritzos. Ritzos was one of the founders of the Cretan School of painting. His teacher was Angelos Akotantos. Andreas Ritzos was active from 1436 to 1492. He painted in the traditional Greek-Italian Byzantine style combined with Italian Renaissance Venetian painting. The technique later became known as the maniera greca. Sixty of his works survived.

<i>The Deposition from the Cross</i> (Stavrakis) Painting by Stylianos Stavrakis

The Deposition from the Cross or Descent from the Cross is a tempera painting created by Greek painter Stylianos Stavrakis. He was active during the early part of the 1700s. His nephew and brother were also famous painters. His nephew Demetrios Stavrakis was also his pupil. He was also a goldsmith. Most of his works were completed on the island of Zakynthos. He was a representative of the Heptanese school and Greek Rococo. Fourteen of his paintings survived.

References

  1. Hatzidakis, Manolis (1987). Greek painters after the fall (1450–1830) Volume A. Athens, GR: Center for Modern Greek Studies E.I.E. pp. 292–294.
  2. Eugenia Drakopoulou (November 5, 2021). "Ζαφούρης (Τζαφούρης, Zafuri) Νικόλαος (Nicolo)". Institute for Neohellenic Research. Retrieved November 5, 2021.
  3. Museum Curator (November 5, 2021). "Christ Bearing the Cross". The Met Fifth Avenue. Retrieved November 5, 2021.
  4. Hatzidakis, 1987, pp. 292–294

Bibliography