Chunghi Choo

Last updated
Chunghi Choo
NationalityAmerican
Alma materUniversity of Iowa
Known forMetalsmith and Jewelry Designer

Chunghi Choo (born 1938) is a jewelry designer and metalsmith who was born in Incheon, Korea in 1938. She received a BFA degree from Ewha Womans University in Seoul, Korea, where she majored in Oriental painting and studied philosophy of Oriental art and Chinese brush calligraphy. [1] She moved to the United States in 1961 to study metalsmithing, weaving, and ceramics at Cranbrook Academy of Art in Bloomfield Hills, Michigan, where she received an MFA in 1965. [2]

Contents

She taught jewelry and metal arts at the University of Iowa School of Art and Art History from 1968 to 2015 and is currently Professor Emeritus. [2]

Her works have been exhibited worldwide and are found in the permanent collections of the Victoria & Albert Museum, London; [3] Musée des Arts décoratifs, Paris; the Philadelphia Museum of Art, [4] the Museum fur Kunsthandwerk, Frankfurt, Germany; the Danish Museum of Art & Design, Copenhagen; the Metropolitan Museum of Art, [5] Museum of Modern Art [6] and Museum of Arts and Design, New York; Art Institute of Chicago; [7] and The Museum of Fine Arts, Houston, [8] among others. [9] Her work, Blooming Vessel, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign. [10] [11]

Early life

Chunghi Choo was born on May 23, 1938, to a rather affluent family that was also one of South Korea's most prominent. [12] Despite growing up in the era of Japan's occupation of Korea, Chunghi Choo's family remained in relative safety after relocating from Busan. She was 12 years old when the Korean War began and 15 when it ended. Choo's paternal grandfather, Myung Kee Choo, managed a business that exported rice to Japan and assisted the Commerce and Industry Department in Incheon. [12] Her father, Kwang Hyun Choo, was a lover of art and music. He married Young Bong Choo (Chunghi Choo's biological mother) and had three children. After her mother passed away, Chunghi Choo's father remarried and had five more children. All immersed in classical music and art, Chunghi Choo felt that creating art herself was a form of expression that suited her well.

Chunghi Choo's early education played a great role in shaping her art practice and worldview. She attended Ewha Girls' High School after her family moved to Seoul permanently. She later attended Ewha Womans University in Seoul starting in 1957. [12] Her studies of philosophy and aesthetics greatly contributed to her work and eye for art.

Deciding to leave South Korea behind to further her education and introduce her to American art, Chunghi Choo attended both the Penland School of Handicrafts and the Cranbrook Academy of Art. [12] Choo was a resident at Penland for only two short months, but she formed strong relationships with her mentors and even the founding director of Penland, Lucy Morgan. Choo went on with Morgan and worked together to fundraise for their departments and facilities. Choo also became known for her cullinary skills, which she still highly values today. [2]

Career

Choo was a resident at Penland for only two short months, but she formed strong relationships with her mentors and even the founding director of Penland, Lucy Morgan. Choo went on with Morgan and worked together to fundraise for their departments and facilities. Choo also became known for her cullinary skills, which she still highly values today. [2] Upon Chunghi Choo's arrival at the Cranbrook Academy of Art, she majored in metalsmithing and minored in ceramics. On the side, she was also mentored in weaving by Glen Kaufman. [12]

A metalwork pin by Chunghi Choo, before 1976 Chunghi Choo, 'PIN', from American Metal Work, 1976 p.7.png
A metalwork pin by Chunghi Choo, before 1976

During the 1960s and 70s, Choo created monumental tie-dyed silks using a traditional technique called tritik. [14] Her textile works were exhibited in the "Young Americans 1969" exhibition at what was then the Museum of Contemporary Crafts, now known as the Museum of Arts and Design in New York City. Choo is also well recognized for her work in metal, most notably her silver and copper vessels made using raising and forging techniques. Her desire to achieve fluid, organic shapes in metal caused her to study electroforming processes with Stanley Lechtzin at Tyler School of Art in 1971. Since that time many of her metal vessels are made using that technique, which allows her to work with metal in a more fluid appearance. [1]

Relationships

Mentors

Source: [12]

Students

Source: [12]

Related Research Articles

Stanley Lechtzin is an American artist, jeweler, metalsmith and educator. He is noted for his work in electroforming and computer aided design (CAD) and computer aided manufacture (CAM). He has taught at Temple University in the Tyler School of Art and Architecture, from 1962.

John Rais is an American designer, blacksmith and sculptor, known for his decorative architectural work, vessels, and furniture. Rais primarily works in steel as well as titanium, bronze, copper, stainless steel, and other materials. He is well known for his one-of-a-kind firescreens. He has resided in Layton, New Jersey; and Philadelphia, Pennsylvania.

Ellen M. Wieske is an American artist, metalsmith, goldsmith, curator, educator, author, and an arts administrator. She is the deputy director of the Haystack Mountain School of Crafts. Wieske is known for her wirework pieces.

<span class="mw-page-title-main">Mary Lee Hu</span> American artist, goldsmith and educator

Mary Lee Hu is an American artist, goldsmith, and college level educator known for using textile techniques to create intricate woven wire jewelry.

<span class="mw-page-title-main">L. Brent Kington</span>

L. Brent Kington was an art educator and visual artist who worked in blacksmithing and sculpture. Kington was a product of the studio craft movement in jewelry and hollowware. In 1969 he served as the first president of the Society of North American Goldsmiths. He is frequently hailed as the man responsible for the blacksmithing revival which took place in the late 1960s and early 1970s.

<span class="mw-page-title-main">Fred Fenster</span> American metalsmith

Fred Fenster is a metalsmith and professor emeritus of the University of Wisconsin at Madison where he taught art and education. He is particularly known for his work in pewter, influencing generations of metalsmiths. Fenster was named a Fellow of the American Craft Council in 1995.

Gary Lee Noffke is an American artist and metalsmith. Known for versatility and originality, he is a blacksmith, coppersmith, silversmith, goldsmith, and toolmaker. He has produced gold and silver hollowware, cutlery, jewelry, and forged steelware. Noffke is noted for his technical versatility, his pioneering research into hot forging, the introduction of new alloys, and his ability to both build on and challenge traditional techniques. He has been called the metalsmith's metalsmith, a pacesetter, and a maverick. He is also an educator who has mentored an entire generation of metalsmiths. He has received numerous awards and honors. He has exhibited internationally, and his work is represented in collections around the world.

<span class="mw-page-title-main">June Schwarcz</span> American artist (1918–2015)

June Schwarcz was an American enamel artist who created tactile, expressive objects by applying technical mastery of her medium to vessel forms and plaques, which she considers non-functional sculpture.

<span class="mw-page-title-main">Lois Betteridge</span> Canadian silversmith and goldsmith (1928–2020)

Lois Etherington Betteridge was a Canadian silversmith, goldsmith, designer and educator, and a major figure in the Canadian studio craft movement. Betteridge entered Canadian silversmithing in the 1950s, at a time when the field was dominated by male artists and designers, many of them emigrés from the United States, the United Kingdom, and Europe. In fact, Betteridge was the first Canadian silversmith to attain international stature in the post-war studio craft movement.

Susie Ganch is a first generation American artist of Hungarian heritage. She is a sculptor, jeweler, educator, and founder and director of Radical Jewelry Makeover. Ganch received her Bachelors in Science from the University of Wisconsin-Madison in Geology in 1994 and her Masters in Fine Arts from the University of Wisconsin-Madison in 1997.

Lola Brooks is an educator specializing in jewelry. Brooks' works have been shown at places such as the National Ornamental Metal Museum, The Society of Arts and Crafts, Cleveland Museum of Natural History, the Museum of Craft and Folk Art, and Talente and are held in the permanent collection of The Museum of Art and Design, the Metropolitan Museum of Art.

Jamie Bennett is an American artist and educator known for his enamel jewelry. Over his forty-year career, Bennett has experimented with the centuries-old process of enameling, discovered new techniques of setting, and created new colors of enamel and a matte surfaces. This has led him to be referred to as “one of the most innovative and accomplished enamellers of our time” by Ursula Ilse-Neuman, historian and former curator at the Museum of Art and Design in New York City. Bennett is closely associated with the State University of New York at New Paltz, where he studied himself as a student, and taught in the Metal department for many years. Bennett retired from teaching in 2014, after thirty years at SUNY New Paltz.

Myra Mimlitsch-Gray is an American metalsmith, artist, critic, and educator living and working in Stone Ridge, New York. Mimlitsch-Gray's work has been shown nationally at such venues as the John Michael Kohler Arts Center, Museum of the City of New York, Metropolitan Museum of Art, Cooper-Hewitt Smithsonian Design Museum, and Museum of Arts and Design. Her work has shown internationally at such venues as the Middlesbrough Institute of Modern Art, Stadtisches Museum Gottingen, and the Victoria and Albert Museum, and is held in public and private collections in the U.S, Europe, and Asia.

<span class="mw-page-title-main">Alma Eikerman</span> American jeweler and metalsmith (1908–1995)

Alma Rosalie Eikerman was an American metalsmith, silversmith, and jewelry designer who was instrumental in building the metals program at Indiana University, of which she retired Distinguished Professor Emeritus. She was a founding member of the Society of North American Goldsmiths and studied under several internationally renowned metalsmiths, such as Karl Gustav Hansen. Eikerman's work has appeared in over 200 exhibitions, including Objects: USA at the Smithsonian Institution.

Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.

Vivian Beer is an American designer of metal furniture.

<span class="mw-page-title-main">Dorothy Gill Barnes</span> American artist (1927–2020)

Dorothy Gill Barnes was an American artist. She was known for her use of natural materials in woven and sculpted forms.

Hiroko Sato-Pijanowski is a Japanese jewelry designer, artist, author and educator. Sato-Pijanowski is credited with introducing Japanese materials and techniques to American metal working. She is based in Yokohama in Kantō, Japan.

<span class="mw-page-title-main">Mary Ann Scherr</span> American multidisciplinary designer

Mary Ann Scherr was an American designer, metalsmith and educator. She was known for her jewellery design and industrial design, but she also worked as a graphic designer, illustrator, game designer, fashion and costume designer and silversmith.

Marilyn da Silva is an American sculptor, metalsmith, jeweler, and educator. She teaches and serves as a department head at the California College of the Arts in the San Francisco Bay Area. Da Silva has won numerous awards including honorary fellow by the American Craft Council (2007).

References

Footnotes

  1. 1 2 Rorex, Robert A. (December 1991). "The Artistic Integrity of Chunghi Choo". Metalsmith. 11: 26–31.
  2. 1 2 3 4 Smithsonian Archives of American Art
  3. "Decanter | Chunghi Choo". Victoria and Albert Museum. Retrieved 30 March 2023.
  4. "Decanter". Philadelphia Museum of Art. Retrieved 30 March 2023.
  5. "Chunghi Choo | Container". The Metropolitan Museum of Art. Retrieved 30 March 2023.
  6. "Chunghi Choo". Museum of Modern Art. Retrieved 30 March 2023.
  7. "Chunghi Choo". The Art Institute of Chicago. Retrieved 30 March 2023.
  8. "Chunghi Choo". The MFAH Collections. Retrieved 30 March 2023.
  9. "Craft in America Website". Archived from the original on 2018-03-25.
  10. Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN   9781913875268.
  11. "Blooming Vessel". Smithsonian American Art Museum. Retrieved 30 March 2023.
  12. 1 2 3 4 5 6 7 Milosch, Jane C. (2022). Chunghi Choo and her students: Contemporary art and new forms in metal. Arnoldsche Art Publishers. ISBN 978-3-89790-490-3.
  13. Geske, Norman (1976). American Metal Work, 1976. Lincoln, NE: Sheldon Museum of Art Catalogues and Publications #95. No copyright statement in original publication.
  14. Milosch, Jane. "Oral history interview with Chunghi Choo, 2007 July 30-2008 July 26 | Archives of American Art, Smithsonian Institution". Archives of American Art, Smithsonian. Retrieved February 16, 2024.