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A diacritic is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω. The word diacritic is a noun, though it is sometimes used in an attributive sense, whereas diacritical is only an adjective. Some diacritics, such as the acute ⟨á⟩, grave ⟨à⟩, and circumflex ⟨â⟩, are often called accents. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters.
Latin phonology continually evolved over the centuries, making it difficult for speakers in one era to know how Latin was spoken before then. A given phoneme may be represented by different letters in different periods. This article deals primarily with modern scholarship's best reconstruction of Classical Latin's phonemes (phonology) and the pronunciation and spelling used by educated people in the late Roman Republic. This article then touches upon later changes and other variants. Knowledge of how Latin was pronounced comes from Roman grammar books, common misspellings by Romans, transcriptions into other ancient languages, and from how pronunciation has evolved in derived Romance languages.
The circumflex is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from Latin: circumflexus "bent around"—a translation of the Greek: περισπωμένη.
Œ is a Latin alphabet grapheme, a ligature of o and e. In medieval and early modern Latin, it was used in borrowings from Greek that originally contained the diphthong οι, and in a few non-Greek words. These usages continue in English and French. In French, the words that were borrowed from Latin and contained the Latin diphthong written as œ now generally have é or è; but œ is still used in some non-learned French words, representing mid-front rounded vowel-sounds, such as œil ("eye") and sœur ("sister").
Italian orthography uses 21 letters of the 26-letter Latin alphabet to write the Italian language. This article focuses on the writing of Standard Italian, based historically on the Florentine dialect, and not the other Italian dialects.
Milanese is the central variety of the Western dialect of the Lombard language spoken in Milan, the rest of its metropolitan city, and the northernmost part of the province of Pavia. Milanese, due to the importance of Milan, the largest city in Lombardy, is considered one of the most prestigious Lombard variants and the most prestigious one in the Western Lombard area.
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, for example in Arabic, Estonian, Finnish, Fijian, Japanese, Kannada, Kyrgyz, Latin, Malayalam, Old English, Scottish Gaelic, Tamil and Vietnamese.
Western Lombard is a group of dialects of Lombard, a Romance language spoken in Italy. It is widespread in the Lombard provinces of Milan, Monza, Varese, Como, Lecco, Sondrio, a small part of Cremona, Lodi and Pavia, and the Piedmont provinces of Novara, Verbano-Cusio-Ossola, the eastern part of the Province of Alessandria (Tortona), a small part of Vercelli (Valsesia), and Switzerland. After the name of the region involved, land of the former Duchy of Milan, this language is often referred to as Insubric or Milanese, or, after Clemente Merlo, Cisabduano.
French orthography encompasses the spelling and punctuation of the French language. It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100–1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years. Even in the late 17th century, with the publication of the first French dictionary by the Académie française, there were attempts to reform French orthography.
Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek. This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier. The pronunciation of Ancient Greek is not known from direct observation, but determined from other types of evidence. Some details regarding the pronunciation of Attic Greek and other Ancient Greek dialects are unknown, but it is generally agreed that Attic Greek had certain features not present in English or Modern Greek, such as a three-way distinction between voiced, voiceless, and aspirated stops ; a distinction between single and double consonants and short and long vowels in most positions in a word; and a word accent that involved pitch.
Ancient Greek has been pronounced in various ways by those studying Ancient Greek literature in various times and places. This article covers those pronunciations; the modern scholarly reconstruction of its ancient pronunciation is covered in Ancient Greek phonology.
The circumflex (ˆ) is one of the five diacritics used in French orthography. It may appear on the vowels a, e, i, o, and u, for example â in pâté.
The phonology of Quebec French is more complex than that of Parisian or Continental French. Quebec French has maintained phonemic distinctions between and, and, and, and. The latter phoneme of each pair has disappeared in Parisian French, and only the last distinction has been maintained in Meridional French, yet all of these distinctions persist in Swiss and Belgian French.
Portuguese orthography is based on the Latin alphabet and makes use of the acute accent, the circumflex accent, the grave accent, the tilde, and the cedilla to denote stress, vowel height, nasalization, and other sound changes. The diaeresis was abolished by the last Orthography Agreement. Accented letters and digraphs are not counted as separate characters for collation purposes.
Up to the 13th century, most poets in Northern Italy wrote in Old Occitan and are therefore considered troubadours. There are no examples of the Western Lombard language from that age, but some pieces were written in related Gallo-Italic languages, such as Sordello da Goito's Sirventese lombardesco, as well as Rayna possentissima (1254), lauda of the Servi della Vergine, and the notary registers of Bologna, all of which are in the Bolognese.
Greek orthography has used a variety of diacritics starting in the Hellenistic period. The more complex polytonic orthography, which includes five diacritics, notates Ancient Greek phonology. The simpler monotonic orthography, introduced in 1982, corresponds to Modern Greek phonology, and requires only two diacritics.
The modern Corsican alphabet uses twenty-two basic letters taken from the Latin alphabet with some changes, plus some multigraphs. The pronunciations of the English, French, Italian or Latin forms of these letters are not a guide to their pronunciation in Corsican, which has its own pronunciation, often the same, but frequently not. As can be seen from the table below, two of the phonemic letters are represented as trigraphs, plus some other digraphs. Nearly all the letters are allophonic; that is, a phoneme of the language might have more than one pronunciation and be represented by more than one letter. The exact pronunciation depends mainly on word order and usage and is governed by a complex set of rules, variable to some degree by dialect. These have to be learned by the speaker of the language.
This glossary gives a general overview of the various sound laws that have been formulated by linguists for the various Indo-European languages. A concise description is given for each rule; more details are given in their articles.
References
- ↑ "Varon Milanes/Prissian de Milan de la parnonzia milanesa - Wikisource". it.wikisource.org (in Italian). Retrieved 2024-01-18.
- 1 2 3 Porta, Carlo (1982). Poesie[Poetry] (in Italian) (3 ed.). Milano: Mondadori. pp. LXXIX–LXXXIV. ISBN 88-04-11790-7.
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