"Gravity" is a song by English rock band Embrace, released as the lead single from their fourth studio album, Out of Nothing (2004). Written by Coldplay, the song was first performed live by Coldplay in 2002. Ultimately, Coldplay frontman Chris Martin gave the song to Embrace, although Coldplay released their own version in 2005 as a B-side to their single "Talk".
"Why Does It Always Rain on Me?" is a song by Scottish band Travis, released as the third single from their second studio album, The Man Who. The song became the group's international breakthrough single, receiving recognition around the world. Following a rain-soaked performance at the 1999 Glastonbury Festival, the song became Travis's first top-10 hit on the UK Singles Chart, peaking at No. 10 in August 1999. The song also peaked within the top 20 in Australia and achieved moderate success in mainland Europe, North America, Ireland, and New Zealand. In a poll by listeners of Absolute Radio, the song was ranked 62nd on a list of the top 100 songs of the 1990s.
"Lazy" is the fourth single from English rock band Suede's third album, Coming Up (1996). Released on 7 April 1997 through Nude Records, "Lazy" was the fourth single from the album to reach the top 10 of the UK Singles Chart, peaking at number nine. The song also reached the top 20 in Finland, Iceland, and Sweden.
"Side" is a song by Scottish rock band Travis, released as the second single from their third studio album, The Invisible Band (2001). Frontman Fran Healy began writing the song by composing a rap, which he would later remove, and penning a riff that would support it. In February 2000, he completed the song's lyrics, which describe how everyone shares life and explains that there is no greater existence for anyone who seeks it, as everyone shares the same "side" of life. The song was released as a radio single in the United States in August 2001 and was issued in the United Kingdom the following month.
"Sing" is a song by Scottish rock band Travis from their third studio album, The Invisible Band (2001). The song was written in 1999 by frontman Fran Healy, produced by Nigel Godrich and recorded at Ocean Way Studios in Los Angeles. It was released as the album's lead single in the United States on 23 April 2001. Healy originally titled the melody "Swing" but eventually changed the title to "Sing", making it about working past the troubles of a relationship by not being afraid to let oneself go and sing in front of a loved one. The song is noted for its prominent use of the banjo, played by lead guitarist Andy Dunlop, and contains a string arrangement performed by Millennia Strings.
"Flowers in the Window" is a song from Scottish rock band Travis' third studio album, The Invisible Band (2001). Frontman Fran Healy wrote the song during recording sessions for the band's previous album, The Man Who (1999), coming up with the title by looking at British audio engineer Mike Hedges' flower garden. Released as the album's third and final single on 25 March 2002, the song debuted and peaked at number 18 on the UK Singles Chart, reached number 35 in Ireland, and also charted in Australia, Germany, and Switzerland. Several formats of the single contain a live cover version of the Beatles' song "Here Comes the Sun".
"Turn" is the fourth single from Scottish rock band Travis's second studio album, The Man Who (1999). The single peaked at number eight on the UK Singles Chart and reached number two in Scotland, number 28 in Ireland and number 37 in New Zealand.
"Come Back to What You Know" is a song by English rock band Embrace, released as the fourth single from their debut album, The Good Will Out (1998), on 25 May 1998. It remained the band's highest-charting single, reaching number six on the UK Singles Chart, until the release of "Nature's Law" in 2006. B-side "Love Is Back" was later included on Embrace's compilation album Dry Kids: B-Sides 1997-2005.
"Seven Days in the Sun" is a song by Welsh rock band Feeder, released as the second single from their Echo Park album. It was released on 2 April 2001 and reached number 14 on the UK Singles Chart the same month. CD1 of the single includes "Just a Day", which was later released as a single.
"Turn" is a song by Welsh rock band Feeder, released as the third single from their third studio album, Echo Park (2001), on 2 July 2001. The song reached number 27 in the UK Singles Chart and led to Echo Park re-entering the top 75 due to the pre-release airplay and stocking of the single on release week. It was also the band's third successive top-30 single, the first time this had happened in their career.
"Greatest Day" is a song by British singer Beverley Knight, released as the fifth single from her second studio album, Prodigal Sista (1998), on 5 July 1999. The track contains a re-recorded sample of "Act Like You Know" by American R&B group Fat Larry's Band. "Greatest Day" became Knight's highest-charting single up to that point when it peaked at number 14 on the UK Singles Chart. The music video for the song was shot by director Jake Nava, who had previously shot Beverley's "Made It Back '99" video.
"Tumble and Fall" is a single released from Welsh rock band Feeder's fifth studio album, Pushing the Senses (2005). It reached number five on the UK Singles Chart, becoming the group's highest-placing single along with "Buck Rogers". It is also their highest-charting song in Ireland, where it reached number 26 to become Feeder's only top-30 hit.
"I Wouldn't Believe Your Radio" is the fourth single released from Welsh rock band Stereophonics' second studio album, Performance and Cocktails (1999), on which the song appears as the seventh track. The single was released in August 1999 and reached number 11 on the UK Singles Chart. A live version from Morfa Stadium is present on CD2 of the single. A version with Stuart Cable singing vocals can be found on CD1 on the "Hurry Up and Wait" single.
"The Bartender and the Thief" is a song by Welsh rock band Stereophonics, written by the band in April 1998. The song is the second track on their second album, Performance and Cocktails (1999). "Bartender" was the first single taken from Performance and Cocktails and was released on 9 November 1998, reaching number three on the UK Singles Chart. The music video features the band playing at Kanchanaburi Province, Thailand, and is based on the Francis Ford Coppola movie Apocalypse Now.
"Closer" is a song by Scottish band Travis, released as the first single from their fifth studio album, The Boy with No Name (2007), on 23 April 2007. The single peaked at number 10 on the UK Singles Chart and became the band's second chart-topper on the Scottish Singles Chart, after "Coming Around".
"Like a Rose" is a song by British-Norwegian boy band A1. It was released on 21 February 2000 as the fourth single from their debut album, Here We Come (1999). The single peaked at No. 6 on the UK Singles Chart. The single was the final official single from the album; however, a follow-up promo single, "If Only", was released exclusively on 12-inch vinyl.
"Say It Isn't So" is a song by American rock band Bon Jovi. It was released on July 21, 2000, as the second single from their seventh studio album, Crush (2000). David Bryan plays the solo of the song instead of Richie Sambora. Sambora performs vocals for this song along with Jon Bon Jovi.
"Be the First to Believe" is the debut single of British-Norwegian boy band A1, released on 21 June 1999 from their debut album, Here We Come (1999). The song peaked at No. 6 on the UK Singles Chart, becoming the band's first chart entry in the UK.
"2 Faced" is a song by English singer Louise, released on 17 July 2000 as the lead single from her third studio album, Elbow Beach (2000). It is her highest-charting single, reaching number three on the UK Singles Chart and number 13 on the Irish Singles Chart in July 2000. It has sold 153,000 copies in the UK according to the Official Charts Company.
"The Journey'" is a song by English boy band 911. It was released on 30 June 1997 in the United Kingdom through Virgin Records as the sixth and final single from their debut studio album, The Journey (1997). It peaked at number three on the UK Singles Chart and remained on the chart for seven weeks.
