Catherine of Siena, a lay member of the Dominican Order, was a mystic, activist, and author who had a great influence on Italian literature and the Catholic Church. Canonized in 1461, she is also a Doctor of the Church.
The Sienese School of painting flourished in Siena, Italy, between the 13th and 15th centuries. Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Siena Cathedral is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Ventura di Archangelo Salimbeni was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci.
San Martino is a Roman Catholic church located on Via del Porrione, in the Terzo San Martino in central in Siena, region of Tuscany, Italy. Adjacent to the church is the Renaissance style Logge del Papa erected in 1462 by commission by Pope Pius II Piccolomini.
Montalcino Cathedral is a Roman Catholic cathedral in Montalcino in the province of Siena, Italy. Formerly the seat of the bishops of Montalcino, since 1986 it has been a co-cathedral in the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. It is dedicated to the Holy Saviour.
The Palazzo Bindi Sergardi, previously Agostini and later Casini-Casuccini is, from the outside, a non-descript urban building located on Via dei Pellegrini # 18 in central Siena, region of Tuscany, Italy. The site is best known for containing frescoes by the late-Renaissance painter Domenico Beccafumi and Cristoforo Roncalli.
San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.
The Monastery of San Girolamo in Campansi is a former convent located on Via Campansi #18 in the city of Siena, region of Tuscany, Italy. The Baroque-style church still stands as an independent chapel; while the monastery has been converted to a nursing home for the elderly. There is a separate Monastery of San Girolamo on via San Girolamo, located in a different contrada of Siena.
The Trinity Triptych is a 1513 oil on panel painting by Domenico Beccafumi, now in the Pinacoteca Nazionale in Siena.
The Sarteano Annunciation is a oil on canvas painting by Domenico Beccafumi, executed c. 1546. It is located in the church of San Martino in Foro in Sarteano, Italy.
The Bellanti Madonna is oil on canvas painting by Domenico Beccafumi, executed c. 1515. Long attributed to Girolamo del Pacchia, Vigni reattributed it as a youthful work by Domenico Beccafumi in 1936, an attribution accepted by most other later art historians. Heavily influenced by Michelangelo, its oval format is also influenced by Raphael's Madonnas, as are other Beccafumi works of the period such as the Madonna and Child in his Saint Paul Enthroned. Previously in the Bellanti collection, it is now one of several works by Beccafumi in the Pinacoteca Nazionale in Siena, including another Madonna and Child from 1514.
Saint Paul Enthroned is an oil on canvas painting by Domenico Beccafumi, now in the Museo dell'Opera del Duomo in Siena. It is dated to c. 1515 due to its style, before his St Catherine of Siena Receiving the Stigmata and after his trip to Rome, where he had come into contact with Sodoma and Florentine artists of the period - the figure of the saint draws on the prophets in Michelangelo's Sistine Chapel ceiling whilst those in the background draw on Dürer and Piero di Cosimo.
The San Martino Nativity is a oil on canvas painting by Domenico Beccafumi, executed c. 1524. It is named after the church of San Martino in Siena, where it still hangs over the altar in the funerary chapel of its commissioner Anastasia Marisli - she died in 1524.
The Oratory of the Compagnia di San Bernardino is a place of worship in the Piazza San Francesco in Siena. Elevated to minor basilica status in 1925 by Pope Pius XI, it adjoins rooms housing the diocesan museum. It is notable for its frescoes by Sodoma and Domenico Beccafumi.
Saint Michael Defeats the Rebel Angels or Fall of the Rebel Angels is a oil on canvas painting by Domenico Beccafumi, executed c. 1524, now in the Pinacoteca Nazionale di Siena. It was begun for San Niccolò al Carmine, Siena, but left unfinished, with the artist completing another version for the same church in 1526. Vasari's Lives of the Artists mentions the work, stating the artist wished to create "a new invention to show the virtue and good conceits of his soul".
Saint Catherine of Siena Receiving the Stigmata is a oil on canvas painting by Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena.
Mystic Marriage of Saint Catherine is a oil on canvas painting by Domenico Beccafumi, with the dimensions of 347 by 225 cm, executed c. 1528, now in the Palazzo Chigi-Saracini in Siena.
