Originating in vocal jazz, scat singing or scatting is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice solely as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos.
John Carl Hendricks, known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while Time dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been".
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. The opening notes of the song's melody resemble Gershwin's "Someone To Watch Over Me".
Ella and Duke at the Cote D'Azur is a 1967 live album by Ella Fitzgerald, accompanied by the big band of Duke Ellington.
The Complete Ella Fitzgerald Song Books were a series of eight studio albums released in irregular intervals between 1956 and 1964, recorded by the American jazz singer Ella Fitzgerald, supported by a variety of orchestras, big bands, and small jazz combos.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
Dear Ella is a 1997 studio album by Dee Dee Bridgewater, recorded in tribute to Ella Fitzgerald, who had died the previous year.
Live at Yoshi's is a 1998 live album by Dee Dee Bridgewater, recorded at Yoshi's Jazz Club in Oakland, California.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
The Hottest New Group in Jazz, also known by its full title Lambert, Hendricks, & Ross!: "The Hottest New Group in Jazz" or alternatively considered self-titled, is the fourth album by Lambert, Hendricks & Ross, released in 1960. The title is a quote from Downbeat magazine. The CD reissue combines the full original album with the group's two other Columbia albums: the 1961 LP Lambert, Hendricks & Ross Sing Ellington and the 1962 LP High Flying. The CD release additionally includes seven previously unreleased "rarities", recorded in 1962. On all these recordings, the group is backed up by the Ike Isaacs Trio.
Paul Thatcher Smith was an American jazz pianist. He performed in various genres of jazz, most typically bebop, but is best known as an accompanist of singers, especially Ella Fitzgerald.
We All Love Ella: Celebrating the First Lady of Song is a 2007 tribute album to Ella Fitzgerald produced by Phil Ramone for Verve Records, released to mark the 90th anniversary of her birth. The "all-star" list of featured vocalists is backed for most part by an orchestra led by Rob Mounsey. The album contains the first release of a duet of Ella Fitzgerald and Stevie Wonder, who joined her on stage with her small band at the New Orleans Jazz and Heritage Festival in 1977.
"Isn't It a Pity?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the unsuccessful 1933 musical Pardon My English. It was introduced by George Givot and Josephine Huston.
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard "Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song as the opening theme to The Howard Stern Show from 1987 to 1994.
"Just A-Sittin' and A-Rockin'" is a 1941 song written by Billy Strayhorn and Lee Gaines.
"Rockin' in Rhythm" is a jazz instrumental, originally performed by Duke Ellington and his big band, and credited to Ellington, Harry Carney, and Irving Mills. It was first recorded in January 1931 at the Cotton Club.
