"Sad Eyed Lady of the Lowlands" is a song by the American singer-songwriter Bob Dylan. First released as the final track on Dylan's seventh studio album, Blonde on Blonde (1966), the song lasts 11 minutes and 23 seconds, and occupies the entire fourth side of the double album. The song was written by Dylan and produced by Bob Johnston. The recording session began at 6 pm on February 15, 1966, at Columbia Studio A, Nashville, Tennessee, but Dylan worked on the lyrics for several hours while the experienced Nashville session musicians hired to accompany him stood by. Four takes were recorded in the early hours of February 16; the final recording was released on Blonde on Blonde. The music is a waltz in 6/8 time.
"Garden Party" is a 1972 song written by Rick Nelson and recorded by him and the Stone Canyon Band for the album Garden Party. The song tells the story of Nelson being booed at a concert at Madison Square Garden. It was Nelson's last top 40 hit, reaching No. 6 on the U.S. Billboard pop chart.
Donald William "Bob" Johnston was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon & Garfunkel.
"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962 and released the following year on his album The Freewheelin' Bob Dylan and as the B-side of the single "Blowin' in the Wind". The song was covered by several other artists, including Waylon Jennings in 1964, Emilie-Claire Barlow in her 2010 album The Beat Goes On and Peter, Paul and Mary, who released it as a single, which reached the Top 10 of the Billboard Hot 100.
"Walkin' After Midnight" is a song written by Alan Block and Don Hecht and recorded by American country music artist Patsy Cline. The song was originally given to pop singer Kay Starr; however, her label rejected it. The song was left unused until Hecht rediscovered it when writing for Four Star Records. Originally Cline was not fond of "Walkin' After Midnight", but after making a compromise with her label she recorded it. However, the first released recording was by Lynn Howard with The Accents, released in August 1956.
"Love Minus Zero/No Limit" is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".
Thomas Grady Martin was an American session guitarist in country music and rockabilly.
"Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.
"Walkin' Down the Line" is a song written by Bob Dylan and first recorded by him in November 1962 for Broadside magazine. Dylan recorded the song again in March 1963 for his music publisher Witmark and this version was released in 1991 on The Bootleg Series Volumes 1–3 1961–1991.
"The Last Letter" is a song written by country music singer Rex Griffin. Griffin wrote the song in 1937, after he was left by his wife. The song tells through a suicidal letter the feelings of an older man who is left by his young wife. The song, released on Decca Records became a hit for Griffin.
Charles "Bud" Dant was an American musician, arranger and composer. In the 1930s, he attended and graduated Indiana University's School of Music. Jazz composer Hoagy Carmichael had persuaded Dant—who at that time had his own "Bud Dant Collegians" danceband—to come to IU to study at their School of Music. At that time, Carmichael did not know how to read or write music. The two friends met one day in 1927 at the school's Book Nook restaurant, where Carmichael played the first several bars of a song he had conceived—a jazz chorus. He asked Dant to write an arrangement right there in the Book Nook restaurant—this was the first time the song Stardust, which at the time was called "Star Dust," had ever been written down. According to Dant, the piece was originally a peppy jazz song and recorded in 1927, but in 1928, a slower version was written out by Dant and Carmichael. The piece was recorded with Carmichael and others at the Gennett Records studio in Richmond, Indiana. In 1929, Mitchell Parish wrote lyrics to the song. Stardust, an idiosyncratic melody in medium tempo, became an American standard, and is one of the most recorded songs of the 20th century, with over 1,500 total recordings.
Alone with You is a compilation album by American country singer-songwriter Loretta Lynn. It was released in June 1972 on Vocalion and was produced by Owen Bradley. It was only Lynn's fourth compilation released in her career and her second with the Coral label. The album contained a series of tracks recorded early in years at Decca Records.
Album Seven by Rick is the seventh album by rock and roll and pop idol Rick Nelson, and was released in March 1962 by Imperial Records. This was his final LP for the label. The album was entirely recorded in Los Angeles, California, at United Western Recorders studios. It featured Nelson's usual group of songwriters, including Jerry Fuller. Jimmie Haskell was the arranger and Charles "Bud" Dant produced the album.
The Very Thought of You is the tenth studio album by rock and roll and pop idol Rick Nelson and his third for Decca Records. It was released on August 3, 1964. Jimmie Haskell was the arranger. Charles "Bud" Dant produced the album.
Spotlight on Rick is the eleventh studio album by rock and roll and pop idol Rick Nelson, and his fourth for Decca Records, released on November 23, 1964. The track, "A Happy Guy", was released as a single and peaked at number 82 on the Billboard Hot 100 and number 83 on the Cashbox singles chart. Jimmie Haskell arranged the album and Charles "Bud" Dant produced it.
Best Always is the twelfth studio album by rock and roll and pop idol Rick Nelson, and his fifth for Decca Records, released on April 19, 1965. One single, "Mean Old World", debuted on the Billboard Hot 100 in the issue of the magazine dated March 20, 1965, eventually reaching number 96 during its two-week stay. Jimmie Haskell arranged the album and Charles "Bud" Dant produced it.
Love and Kisses is the thirteenth studio album by American rock and roll and pop singer Rick Nelson, and his sixth for Decca Records, released on November 15, 1965. Nelson sang three songs in his last film of the same name: "Love and Kisses", "Say You Love Me", and "Come Out Dancin'". Jimmie Haskell arranged the album and Charles "Bud" Dant produced it.
Bright Lights and Country Music was a studio album by American singer Rick Nelson. Released on May 30, 1966, it was his seventh for Decca Records and fourteenth overall. It was considered a significant change in direction for Nelson from the rock and roll of previous albums.
Reflections in Blue is a studio album by American singer Brenda Lee. It was released on October 16, 1967, by Decca Records and was her eighteenth studio project. The album was considered a departure from Lee's previous studio projects in its musical style. Many of the tracks incorporated a Blues element and many were covers of previously recorded tracks. The album was met with positive reviews from publications.
For the First Time is a studio album by American singer Brenda Lee and American instrumentalist Pete Fountain. Credited under the names "Brenda and Pete", For the First Time was released by Decca Records on March 15, 1968, and featured 11 tracks. The recordings featured Lee performing lead vocals while Fountain provided instrumentation solos on his clarinet. The album was met with positive reviews from critics following its release. It also made the US albums chart in 1968.
