Crazy quilting

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Crazy quilt by Granny Irwin, Museum of Appalachia, Norris, Tennessee Crazyquilt-museumofappalachia.jpg
Crazy quilt by Granny Irwin, Museum of Appalachia, Norris, Tennessee

The term "crazy quilting" is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting (the needlework which binds two or more layers of fabric together), but a specific kind of patchwork lacking repeating motifs and with the seams and patches heavily embellished. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique.

Contents

Rebecca Palmer. Crazy Quilt, 1884. Silk, velvet. Brooklyn Museum Crazy Quilt, 1884.jpg
Rebecca Palmer. Crazy Quilt, 1884. Silk, velvet. Brooklyn Museum
Tamar Horton Harris North. "Quilt (or decorative throw), Crazy pattern". ~1877. 54
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1/2 x 55 in. Metropolitan Museum of Art. Tamar Horton Harris North - Quilt (or decorative throw), Crazy pattern.jpg
Tamar Horton Harris North. “Quilt (or decorative throw), Crazy pattern”. ~1877. 54 12 × 55 in. Metropolitan Museum of Art.

Embellishing

Crazy quilts differ from "regular" quilts in other ways as well. Because the careful geometric design of a quilt block is much less important in crazy quilts, the quilters are able to employ much smaller and more irregularly shaped pieces of fabric. In comparison to standard quilts, crazy quilts are far more likely to use exotic pieces of fabric, such as velvet, satin, tulle, or silk, and embellishments such as buttons, lace, ribbons, beads, or embroidery.

Crazy quilts range from carefree and relatively easy, to extremely labor-intensive. A Harper's Bazaar article from 1884 estimated that a full-size crazy quilt could take 1,500 hours to complete. [1]

History

Detail on a crazy quilt Crazy quilt - DPLA - 7bea659942383fbec9c8830e09f8030b (page 3).jpg
Detail on a crazy quilt

Crazy quilts became popular in the late 1800s, likely due to the English embroidery and Japanese art that was displayed at the Philadelphia Centennial Exposition. American audiences were drawn to the satin stitches used in English embroidery, which created a painterly surface, which is reflected in many crazy quilts. The displays shown at the Japanese pavilion of silk-screened work and Japanese pottery with a cracked-glaze inspired the American audiences. Similar aesthetics began to show up in crazy quilts, including unique patterns, and stitching that resembled spider webs and fans. [2]

Crazy quilting rapidly became a national fashion amongst urban, upper-class women, who used the wide variety of fabrics that the newly industrialized 19th century textile industry offered to piece together single quilts from hundreds of different fabrics. Long after the style had fallen out of fashion amongst urban women, it continued in rural areas and small towns, whose quilters adopted the patterns of the urban quilts but employed sturdier, more practical fabrics, and dropped the earlier quilts' ornate embroidery and embellishment. [3]

See also

Related Research Articles

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Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.

<span class="mw-page-title-main">Quilting</span> Process of sewing layers of fabric together to make a padded material

Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material and the backing.

<span class="mw-page-title-main">Patchwork</span> Form of needlework that involves sewing together pieces of fabric into a larger design

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<span class="mw-page-title-main">Quilt</span> Bedcover made of multiple layers of fabric sewn together, usually stitched in decorative patterns

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Korean embroidery techniques and artifacts have a long history, but there is the most evidence from the Joseon Dynasty, after the 14th century in Korea. This article talks about the history, styles, preservation, artists, and examples of screens, costumes, and domestic wares of this exacting and beautiful art form.

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<span class="mw-page-title-main">History of quilting</span>

The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.

<span class="mw-page-title-main">Embroidery of India</span> Any of the various styles of embroidery indigenous to India

Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.

<span class="mw-page-title-main">Straight stitch</span> Type of simple embroidery and sewing stitch

The straight or running stitch is the basic stitch in hand-sewing and embroidery, on which all other forms of sewing are based. The stitch is worked by passing the needle in and out of the fabric at a regular distance. All other stitches are created by varying the straight stitch in length, spacing, and direction.

<span class="mw-page-title-main">Hawaiian quilt</span> Quilting style of the Hawaiian Islands

A Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colors on a white background.

<span class="mw-page-title-main">Shisha (embroidery)</span> Type of embroidery

Shisheh or abhla bharat embroidery, or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric. Mirror embroidery is common throughout Asia, and today can be found in the traditional embroidery of the Indian subcontinent, Afghanistan, China, and Indonesia.

<span class="mw-page-title-main">Nakshi kantha</span> Type of embroidered quilt

Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notable in Bangladesh and Indian states of West Bengal, Tripura and part of Assam. The basic material used is thread and old cloth. Nakshi kanthas are made throughout Bangladesh, but the greater Mymensingh, Jamalpur, Bogra, Rajshahi, Faridpur and Jessore, Chittagong areas are most famous for this craft.

<span class="mw-page-title-main">Slip (needlework)</span>

In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.

<span class="mw-page-title-main">Corded quilting</span>

Corded quilting is a decorative quilting technique popular from the late 17th through the early 19th centuries. In corded quilting, a fine fabric, sometimes colored silk but more often white linen or cotton, is backed with a loosely woven fabric. Floral or other motifs are outlined in parallel rows of running stitches or backstitches to form channels, and soft cotton cord is inserted through the backing fabric using a blunt needle and drawn along the quilted channels to produce a raised effect. Tiny quilting stitches in closely spaced rows fill the motifs and provide contrast to the corded outlines.

<span class="mw-page-title-main">Chinese patchwork</span> Traditional Chinese patchwork

Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. In China, patchwork has been used for millennia.

<span class="mw-page-title-main">Conservation and restoration of quilts</span>

The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.

References

  1. "What Makes a Crazy Quilt?". The International Quilt Study Center & Museum. The International Quilt Study Center & Museum. Archived from the original on 2015-04-12. Retrieved 11 April 2015.
  2. Workt By Hand Hidden Labor and Historical Quilts Archived 2014-05-23 at the Wayback Machine . Edited by Katherine Morris. Brooklyn Museum. 2012.
  3. "The Idea of Fairyland". The International Quilt Study Center & Museum. The International Quilt Study Center & Museum. Archived from the original on 2015-04-12. Retrieved 11 April 2015.

Sources

Examples of ways of combining patches in a crazy quilt:

Learn more about crazy quilt history:

Crazy quilt exhibitions and examples from museums:

Modern crazy quilting: